“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
At Large Shapeshifting press Semiotext(e)’s five decades of politics and poetics For Document’s Fall/Winter 2024–25 issue, Whitney Mallett talks to co-editors, writers, and collaborators of the legendary publisher of theory and fiction by Whitney Mallett Above the Fold The Dreamachine, the execution, and the specter of William S. Burroughs Rick Castro tells three intersecting stories about the legend of the Beat Hotel by Rick Castro
At Large Shapeshifting press Semiotext(e)’s five decades of politics and poetics For Document’s Fall/Winter 2024–25 issue, Whitney Mallett talks to co-editors, writers, and collaborators of the legendary publisher of theory and fiction by Whitney Mallett
Above the Fold The Dreamachine, the execution, and the specter of William S. Burroughs Rick Castro tells three intersecting stories about the legend of the Beat Hotel by Rick Castro
