Orientalism up your ass Artist Riven Ratanavanh parses the frisson of sex, race, and power behind his reimagining of Carolee Schneemann’s ‘Interior Scroll’
Art Kenny Scharf’s technicolor vision comes alive at the Brant Foundation Document sits down with the artist to look back at nearly 50 years of playful creation
Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Above the Fold Kenny Scharf’s technicolor vision comes alive at the Brant Foundation Document sits down with the artist to look back at nearly 50 years of playful creation by Nick Vogelson Above the Fold At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars by Vivien Lee Above the Fold Larry Stanton: A love story Document sits down with curator Fabio Cherstich to track the late artist’s friendships across generations and geographies within his retrospective exhibit, ‘IMAGES’ by Sam Ozer Above the Fold Hassan Hajjaj and Rose Previte bring a taste of home to Art Basel The artist and chef joined forces to reinvent a historic building into a restaurant, tea house, nightclub, and shop by Ann Binlot Above the Fold ‘Modeling Ecologies: Take Care’ creates a living archive of the Caribbean On view at Chinatown’s Entrance gallery, the group exhibition considers the intersection of architecture, ecology, and history to define home by Maya Kotomori Above the Fold The cotton-candy lushness of Pucci’s Fun Fair The Italian brand’s art director Camille Miceli convened a carnivalesque installation for its inaugural Art Basel Miami Beach partnership by Katie Rex Above the Fold The Venice Biennale gets a closing ritual in the form of ‘La Culebra’ Tracing sounds and symbols from across the Americas, the 55-minute performance channels the aesthetic flows within WangShui’s Arsenale installation by Sam Ozer Above the Fold ‘The Whitney Review of New Writing’ turns Performance Space into a speculative archive In ‘LIBRARY,’ four live acts revel in the absurd, magic, and tender possibilities of literary encounters by Qingyuan Deng Above the Fold Escapism without escape Drew Zeiba seeks the source of infinity at the fairs, museums, parties, and performances surrounding Art Basel Miami Beach by Drew Zeiba Above the Fold Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala by Katie Rex Above the Fold Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self by Qingyuan Deng At Large Mike Kelley’s final paintings are character studies of the lost self In this portfolio of never-before-exhibited images from Document’s Fall/Winter 2024–25 issue, the late artist reveals fractured lines of humor, submission, and solitude by Drew Zeiba Above the Fold In ‘The Beat of life,’ Oscar yi Hou resists traditional notions of representation On view at James Fuentes gallery, the painter’s solo show addresses the many nuances of historical and cultural identity through figurative painting by Minh Le Above the Fold Performa to celebrate 20 years of artistic impact with Artist Party co-hosted by Document Guests are invited for a night of live performance, architectural experimentation, and music to honor and support the pioneering organization by Document Journal At Large Ambera Wellmann materializes mortal landscapes For Document’s Fall/Winter 2024–25 issue, the painter unveils a suite of large-scale paintings that fuse mysterious environments with beings alive and dead by Journey Streams At Large The lyric monuments of Barbara Chase-Riboud Currently the subject of a Paris retrospective spanning eight institutions, the artist and author divulges her poetic process for these works-on-paper published for the first... by Drew Zeiba Conversations Chloë Sevigny and Eileen Myles disrupt artistic expectations The filmmaker and actor joins the writer to talk about performance, Provincetown, and loving the broken and pathetic for Document’s Fall/Winter 2024–25 issue by Drew Zeiba Conversations Multidisciplinary artist Mickalene Thomas transforms before the lens for her debut as the indomitable model Mickey! To accompany this exclusive fashion portfolio in Document’s Fall/Winter 2024–25 issue, Thomas is joined by actor and screenwriter Lena Waithe to unpack the art of... by Monique Long Above the Fold In Andrea Geyer’s ‘a promise of lightning,’ the natural is inherently political On view at the Leslie-Lohman Museum of Art, the artist’s latest exhibition draws parallels between queerness and the the interconnectivity of earth’s environment by Sofi Cisneros Conversations Jake Gyllenhaal and Hans Ulrich Obrist put language into action For Document’s Fall/Winter 2024-25 issue, the actor and curator discuss the potency of the word on paper, stage, and screen by Maya Kotomori Above the Fold In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human On view at Chinatown’s Management gallery, the artist’s debut solo show centers construction and deconstruction on the city streets and within the self by Maya Kotomori Above the Fold R. Jamin’s ‘Temperance’ is a study in the spirituality behind science Document sits down with the artist to talk about the natural disasters, divination, and doves behind her first solo show, on view at David Peter... by Maya Kotomori Above the Fold Experimental pop duo NEW YORK’s ‘rapstar*’ maintains an artful anonymity Following the release of their sophomore album, Gretchen Lawrence and Coumba Samba reflect on art, friendship, and their lo-fi influences by Zoey Greenwald Above the Fold Maya Man and Sotce usher in a new generation of internet artists The pair sits down with Document to discuss their creative processes amidst the ever-changing climate of internet art by Sofi Cisneros Above the Fold Mark Armijo McKnight’s ‘Decreation’ undoes the self The artist’s solo exhibition at The Whitney invokes existential landscapes as sites for unbecoming by Drew Sawyer Above the Fold Enrique Garcia exposes the serpentine mechanics of contemporary life In ‘Swallowing the Sun,’ on view at N.A.S.A.L. in Mexico City, the artist traces the curves of human-made design at all scales by Gaby Cepeda Above the Fold Lily Burgess and Lauren Massie’s ‘A Vehement Flame’ is a photographic manifestation of love’s unpredictability Told in 14 blown-up Polaroids and a collage at PALO Gallery, the couple’s first exhibition showcases their tumultuous relationship in all its authentic glory by Sofi Cisneros Above the Fold The Watermill Center’s annual summer benefit fused dance and artistic experimentation The foundation’s centennial fundraising event hosted 20 provocative performances and installations and honored dance icon Lucinda Childs by Sofi Cisneros Above the Fold PPOW’s current exhibition ‘Airhead’ schools viewers on the art of education Curated by Timmy Simonds and gallery director Eden Deering, the group show and performance program dissects the powers and possibilities of the classroom by Regina Rosenfeld Above the Fold Joshua Serafin’s ‘VOID’ mines the elemental, ancestral, and transmigratory experience of their ancestry Document joins the artist to discuss the speculative future realms of Indigenous Filipino spirituality in their most recent video installation and live performance by Sam Ozer Above the Fold Benjamin Fredrickson’s ‘Wedgies’ turn schoolyard antics into ass-up uncanniness Document joins the New York-based artist for a sweaty rooftop shoot ahead of the release of his latest photo book by Minh Le Above the Fold For five decades, Mira Schor has blended concept and image Following major solo exhibitions in New York and Paris, the artist joins Document to discuss language, legacy, and the ‘thingness’ of painting by Drew Zeiba Above the Fold Ben Werther asks if LARPing is the new readymade War-zone fantasies meet suburban poetics in ‘When You Can No Longer Speak, Sing Me a Song,’ the artist’s solo exhibition at No Gallery by Morgan Meier Above the Fold In the experimental play ‘4,000 Dollars,’ the streets of New York City are a fiscal fight club Document joins playwright and director Georgica Pettus and producer Ashby Bland to discuss the art of numbers, spending money, and language systems by Maya Kotomori At Large Lilly Wachowski’s manifesto on New Mythologies In this exclusive essay for Document’s Spring/Summer 2024 issue, the painter and filmmaker takes a look at the challenges on our horizon, and finds the... by Lilly Wachowski Above the Fold Funto Omojola’s cosmological reckonings Hair, plastic, clay, and pictures come together to challenge conceptions of illness and image at the artist and poet’s photography installation at A.I.R. Gallery by Drew Zeiba Above the Fold Bela Borsodi’s ‘Birth Life Death’ invents new dynamics for inanimate objects On view at The Corner Gallery in upstate New York, the photographer’s mischievous exhibition creates existential language from the everyday by Nick Vogelson Above the Fold Jennifer Rochlin and Jennifer Guidi keep each other curious On the occasion of Rochlin’s exhibition ‘Paintings on Clay’ at Hauser and Wirth, the two artists talk about friendship, collaboration, and the potency of nature by Drew Zeiba Above the Fold The mother and the monster in Catalina Ouyang’s ‘Trick’ Currently on view at Lyles and King, the sculptor’s latest show references everything from fox spirits to early 17th-century bridles in an installation as ethereal... by Grace Byron Above the Fold Elisabetta Zangrandi creates her own art-historical canon The Italian painter’s latest solo exhibition ‘Musée Imaginaire’ looks to past generations of women artists to stage a new present by Camille Sojit Pejcha Above the Fold Inside the New York Live Arts 2024 gala Artists were front and center at the institution’s annual Live Ideas fundraising event, centered on the role of creativity in shaping our collective future by Maya Kotomori Above the Fold Kristen Wentrcek and Andrew Zebulon find inspiration at the DMV In the art-design duo’s studio, references to bodies and buildings meet unexpected material experimentation by Drew Zeiba Above the Fold Mara Mckevitt’s cult of persona The artist and filmmaker joins Whitney Mallett, founding editor of ‘The Whitney Review’ to discuss the artifice of authorship through her alter-ego Val by Whitney Mallett Conversations Bill T. Jones and Hank Willis Thomas reanimate creative freedom The choreographer and conceptualist challenge the categories and moralities of the artist for Document’s Spring/Summer 2024 by Maya Kotomori At Large Shahzia Sikander transforms time into a medium In an exclusive portfolio for Document Journal’s Spring/Summer 2024 issue, the artist merges the present, past, and possible by Drew Zeiba Above the Fold Guerreiro do Divino Amor builds a Helvetian Olympus at the 60th Venice Biennale The multimedia artist transforms the Swiss Pavilion into a dark and glitzy critique of Switzerland’s self-conjured mythology by Alice Bucknell Above the Fold For Tyler Matthew Oyer, queerness is a cosmic dance In their performance ‘Venus 2.0,’ the LA-based interdisciplinary artist explores the relationship between the body, raving, and outer space by Colin Boyle Above the Fold Inside BoND, the New York architecture and interiors office reshaping the art world and beyond Design duo Noam Dvir and Daniel Rauchwerger marry form with fantasy in striking spaces by Eric Schwartau Above the Fold Silence sizzles in ‘Tiptoeing Through the Kitchen’, Luhring Augustine’s latest group show The exhibition delves into the mysteries and emotions buried beneath the surface of a photograph by Minh Le At Large Inside the secret libidinal archive of George Platt Lynes Director Sam Shahid joins photographer Bruce Weber to discuss the artist’s clandestine homoerotic nudes, documented in his new film ‘Hidden Master’ by Nick Vogelson
Above the Fold Kenny Scharf’s technicolor vision comes alive at the Brant Foundation Document sits down with the artist to look back at nearly 50 years of playful creation by Nick Vogelson
Above the Fold At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars by Vivien Lee
Above the Fold Larry Stanton: A love story Document sits down with curator Fabio Cherstich to track the late artist’s friendships across generations and geographies within his retrospective exhibit, ‘IMAGES’ by Sam Ozer
Above the Fold Hassan Hajjaj and Rose Previte bring a taste of home to Art Basel The artist and chef joined forces to reinvent a historic building into a restaurant, tea house, nightclub, and shop by Ann Binlot
Above the Fold ‘Modeling Ecologies: Take Care’ creates a living archive of the Caribbean On view at Chinatown’s Entrance gallery, the group exhibition considers the intersection of architecture, ecology, and history to define home by Maya Kotomori
Above the Fold The cotton-candy lushness of Pucci’s Fun Fair The Italian brand’s art director Camille Miceli convened a carnivalesque installation for its inaugural Art Basel Miami Beach partnership by Katie Rex
Above the Fold The Venice Biennale gets a closing ritual in the form of ‘La Culebra’ Tracing sounds and symbols from across the Americas, the 55-minute performance channels the aesthetic flows within WangShui’s Arsenale installation by Sam Ozer
Above the Fold ‘The Whitney Review of New Writing’ turns Performance Space into a speculative archive In ‘LIBRARY,’ four live acts revel in the absurd, magic, and tender possibilities of literary encounters by Qingyuan Deng
Above the Fold Escapism without escape Drew Zeiba seeks the source of infinity at the fairs, museums, parties, and performances surrounding Art Basel Miami Beach by Drew Zeiba
Above the Fold Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala by Katie Rex
Above the Fold Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self by Qingyuan Deng
At Large Mike Kelley’s final paintings are character studies of the lost self In this portfolio of never-before-exhibited images from Document’s Fall/Winter 2024–25 issue, the late artist reveals fractured lines of humor, submission, and solitude by Drew Zeiba
Above the Fold In ‘The Beat of life,’ Oscar yi Hou resists traditional notions of representation On view at James Fuentes gallery, the painter’s solo show addresses the many nuances of historical and cultural identity through figurative painting by Minh Le
Above the Fold Performa to celebrate 20 years of artistic impact with Artist Party co-hosted by Document Guests are invited for a night of live performance, architectural experimentation, and music to honor and support the pioneering organization by Document Journal
At Large Ambera Wellmann materializes mortal landscapes For Document’s Fall/Winter 2024–25 issue, the painter unveils a suite of large-scale paintings that fuse mysterious environments with beings alive and dead by Journey Streams
At Large The lyric monuments of Barbara Chase-Riboud Currently the subject of a Paris retrospective spanning eight institutions, the artist and author divulges her poetic process for these works-on-paper published for the first... by Drew Zeiba
Conversations Chloë Sevigny and Eileen Myles disrupt artistic expectations The filmmaker and actor joins the writer to talk about performance, Provincetown, and loving the broken and pathetic for Document’s Fall/Winter 2024–25 issue by Drew Zeiba
Conversations Multidisciplinary artist Mickalene Thomas transforms before the lens for her debut as the indomitable model Mickey! To accompany this exclusive fashion portfolio in Document’s Fall/Winter 2024–25 issue, Thomas is joined by actor and screenwriter Lena Waithe to unpack the art of... by Monique Long
Above the Fold In Andrea Geyer’s ‘a promise of lightning,’ the natural is inherently political On view at the Leslie-Lohman Museum of Art, the artist’s latest exhibition draws parallels between queerness and the the interconnectivity of earth’s environment by Sofi Cisneros
Conversations Jake Gyllenhaal and Hans Ulrich Obrist put language into action For Document’s Fall/Winter 2024-25 issue, the actor and curator discuss the potency of the word on paper, stage, and screen by Maya Kotomori
Above the Fold In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human On view at Chinatown’s Management gallery, the artist’s debut solo show centers construction and deconstruction on the city streets and within the self by Maya Kotomori
Above the Fold R. Jamin’s ‘Temperance’ is a study in the spirituality behind science Document sits down with the artist to talk about the natural disasters, divination, and doves behind her first solo show, on view at David Peter... by Maya Kotomori
Above the Fold Experimental pop duo NEW YORK’s ‘rapstar*’ maintains an artful anonymity Following the release of their sophomore album, Gretchen Lawrence and Coumba Samba reflect on art, friendship, and their lo-fi influences by Zoey Greenwald
Above the Fold Maya Man and Sotce usher in a new generation of internet artists The pair sits down with Document to discuss their creative processes amidst the ever-changing climate of internet art by Sofi Cisneros
Above the Fold Mark Armijo McKnight’s ‘Decreation’ undoes the self The artist’s solo exhibition at The Whitney invokes existential landscapes as sites for unbecoming by Drew Sawyer
Above the Fold Enrique Garcia exposes the serpentine mechanics of contemporary life In ‘Swallowing the Sun,’ on view at N.A.S.A.L. in Mexico City, the artist traces the curves of human-made design at all scales by Gaby Cepeda
Above the Fold Lily Burgess and Lauren Massie’s ‘A Vehement Flame’ is a photographic manifestation of love’s unpredictability Told in 14 blown-up Polaroids and a collage at PALO Gallery, the couple’s first exhibition showcases their tumultuous relationship in all its authentic glory by Sofi Cisneros
Above the Fold The Watermill Center’s annual summer benefit fused dance and artistic experimentation The foundation’s centennial fundraising event hosted 20 provocative performances and installations and honored dance icon Lucinda Childs by Sofi Cisneros
Above the Fold PPOW’s current exhibition ‘Airhead’ schools viewers on the art of education Curated by Timmy Simonds and gallery director Eden Deering, the group show and performance program dissects the powers and possibilities of the classroom by Regina Rosenfeld
Above the Fold Joshua Serafin’s ‘VOID’ mines the elemental, ancestral, and transmigratory experience of their ancestry Document joins the artist to discuss the speculative future realms of Indigenous Filipino spirituality in their most recent video installation and live performance by Sam Ozer
Above the Fold Benjamin Fredrickson’s ‘Wedgies’ turn schoolyard antics into ass-up uncanniness Document joins the New York-based artist for a sweaty rooftop shoot ahead of the release of his latest photo book by Minh Le
Above the Fold For five decades, Mira Schor has blended concept and image Following major solo exhibitions in New York and Paris, the artist joins Document to discuss language, legacy, and the ‘thingness’ of painting by Drew Zeiba
Above the Fold Ben Werther asks if LARPing is the new readymade War-zone fantasies meet suburban poetics in ‘When You Can No Longer Speak, Sing Me a Song,’ the artist’s solo exhibition at No Gallery by Morgan Meier
Above the Fold In the experimental play ‘4,000 Dollars,’ the streets of New York City are a fiscal fight club Document joins playwright and director Georgica Pettus and producer Ashby Bland to discuss the art of numbers, spending money, and language systems by Maya Kotomori
At Large Lilly Wachowski’s manifesto on New Mythologies In this exclusive essay for Document’s Spring/Summer 2024 issue, the painter and filmmaker takes a look at the challenges on our horizon, and finds the... by Lilly Wachowski
Above the Fold Funto Omojola’s cosmological reckonings Hair, plastic, clay, and pictures come together to challenge conceptions of illness and image at the artist and poet’s photography installation at A.I.R. Gallery by Drew Zeiba
Above the Fold Bela Borsodi’s ‘Birth Life Death’ invents new dynamics for inanimate objects On view at The Corner Gallery in upstate New York, the photographer’s mischievous exhibition creates existential language from the everyday by Nick Vogelson
Above the Fold Jennifer Rochlin and Jennifer Guidi keep each other curious On the occasion of Rochlin’s exhibition ‘Paintings on Clay’ at Hauser and Wirth, the two artists talk about friendship, collaboration, and the potency of nature by Drew Zeiba
Above the Fold The mother and the monster in Catalina Ouyang’s ‘Trick’ Currently on view at Lyles and King, the sculptor’s latest show references everything from fox spirits to early 17th-century bridles in an installation as ethereal... by Grace Byron
Above the Fold Elisabetta Zangrandi creates her own art-historical canon The Italian painter’s latest solo exhibition ‘Musée Imaginaire’ looks to past generations of women artists to stage a new present by Camille Sojit Pejcha
Above the Fold Inside the New York Live Arts 2024 gala Artists were front and center at the institution’s annual Live Ideas fundraising event, centered on the role of creativity in shaping our collective future by Maya Kotomori
Above the Fold Kristen Wentrcek and Andrew Zebulon find inspiration at the DMV In the art-design duo’s studio, references to bodies and buildings meet unexpected material experimentation by Drew Zeiba
Above the Fold Mara Mckevitt’s cult of persona The artist and filmmaker joins Whitney Mallett, founding editor of ‘The Whitney Review’ to discuss the artifice of authorship through her alter-ego Val by Whitney Mallett
Conversations Bill T. Jones and Hank Willis Thomas reanimate creative freedom The choreographer and conceptualist challenge the categories and moralities of the artist for Document’s Spring/Summer 2024 by Maya Kotomori
At Large Shahzia Sikander transforms time into a medium In an exclusive portfolio for Document Journal’s Spring/Summer 2024 issue, the artist merges the present, past, and possible by Drew Zeiba
Above the Fold Guerreiro do Divino Amor builds a Helvetian Olympus at the 60th Venice Biennale The multimedia artist transforms the Swiss Pavilion into a dark and glitzy critique of Switzerland’s self-conjured mythology by Alice Bucknell
Above the Fold For Tyler Matthew Oyer, queerness is a cosmic dance In their performance ‘Venus 2.0,’ the LA-based interdisciplinary artist explores the relationship between the body, raving, and outer space by Colin Boyle
Above the Fold Inside BoND, the New York architecture and interiors office reshaping the art world and beyond Design duo Noam Dvir and Daniel Rauchwerger marry form with fantasy in striking spaces by Eric Schwartau
Above the Fold Silence sizzles in ‘Tiptoeing Through the Kitchen’, Luhring Augustine’s latest group show The exhibition delves into the mysteries and emotions buried beneath the surface of a photograph by Minh Le
At Large Inside the secret libidinal archive of George Platt Lynes Director Sam Shahid joins photographer Bruce Weber to discuss the artist’s clandestine homoerotic nudes, documented in his new film ‘Hidden Master’ by Nick Vogelson