Art Kingsley Ifill is in no rush In his latest exhibition, 'Blue Roan' at Hannah Barry Gallery in London, the artist brings together 15 years of instinct-driven image-making, carving frames by hand,...
Music Snow in the ashes of Coachella In the dreary Coachellscape, the electronic duo Snow Strippers offers a nostalgic reminder of a time when music festivals were still fun
Art Thou shalt not make images—but what if AI does? In anticipation of his upcoming performance as Father Bartholomew Mary, Gideon Jacobs speaks with Trevor Paglen on how humanity’s ancient anxieties around visual representation are...
Above the Fold Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay On view at Management Gallery, the painter’s latest solo show presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine by Jesse Firestone At Large Vietnam’s “plastic village” is the tale of Western excess For Document's Spring/Summer 2020 issue, photographer Laurence Ellis traveled to Australia, Zambia, and Vietnam to investigate what might become of the planet by Clara Malley
Above the Fold Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay On view at Management Gallery, the painter’s latest solo show presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine by Jesse Firestone
At Large Vietnam’s “plastic village” is the tale of Western excess For Document's Spring/Summer 2020 issue, photographer Laurence Ellis traveled to Australia, Zambia, and Vietnam to investigate what might become of the planet by Clara Malley
