Music Snow in the ashes of Coachella In the dreary Coachellscape, the electronic duo Snow Strippers offers a nostalgic reminder of a time when music festivals were still fun
Art Thou shalt not make images—but what if AI does? In anticipation of his upcoming performance as Father Bartholomew Mary, Gideon Jacobs speaks with Trevor Paglen on how humanity’s ancient anxieties around visual representation are...
Art Karl Lagerfeld’s Memphis dream, revived by Francesco Vezzoli Design meets desire in Vezzoli’s Monte Carlo show, a vivid reconstruction of Lagerfeld’s 1980s fantasy apartment—and a reflection on queer interior worlds
Music Moses Sumney finds rhythm in relation On the heels of two back-to-back shows at Pioneer Works previewing his upcoming album, the musician-actor sits down with Document to discuss its sonic drivers...
At Large Lilly Wachowski’s manifesto on New Mythologies In this exclusive essay for Document’s Spring/Summer 2024 issue, the painter and filmmaker takes a look at the challenges on our horizon, and finds the... by Lilly Wachowski Above the Fold ‘Spiderhead’ shows us what cinema gets wrong about the prison of the mind In sci-fi, the metaphor of prison can convey complex truths. But does it encourage empathy for actual prisoners? by Noah Berlatsky
At Large Lilly Wachowski’s manifesto on New Mythologies In this exclusive essay for Document’s Spring/Summer 2024 issue, the painter and filmmaker takes a look at the challenges on our horizon, and finds the... by Lilly Wachowski
Above the Fold ‘Spiderhead’ shows us what cinema gets wrong about the prison of the mind In sci-fi, the metaphor of prison can convey complex truths. But does it encourage empathy for actual prisoners? by Noah Berlatsky
