Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker Above the Fold Diedrick Brackens weaves visual anthems for the yee-haw agenda The textile artist explores black queer identity in his stunning, Southwestern tapestries. by André Naquian Wheeler Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker
Above the Fold Diedrick Brackens weaves visual anthems for the yee-haw agenda The textile artist explores black queer identity in his stunning, Southwestern tapestries. by André Naquian Wheeler
Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot