Fashion Prada’s latest collection creates identity from disorder For its Fall/Winter 2025 menswear collection, Miuccia Prada and Raf Simons prioritize human instinct
Fashion Zegna’s Fall/Winter 2025 menswear collection displays the continuity between innovation and tradition Document goes behind-the-scenes to chronicle preparations for the brand’s latest show exploring the possibilities of wool
Art Amanita expands close to home The gallery celebrates the opening of its Freeman Alley space with a solo show by Nicholas Campbell
Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker Above the Fold Diedrick Brackens weaves visual anthems for the yee-haw agenda The textile artist explores black queer identity in his stunning, Southwestern tapestries. by André Naquian Wheeler Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker
Above the Fold Diedrick Brackens weaves visual anthems for the yee-haw agenda The textile artist explores black queer identity in his stunning, Southwestern tapestries. by André Naquian Wheeler
Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot