“The promise of a moment is its future.” Photographer Joe Lai and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Nightlife How to throw a party In this exclusive portfolio from Document’s Fall/Winter 2024–25 issue, NYC’s nightlife leaders share their insights and origins alongside an essay by Geoffrey Mak exploring autonomy...
The Shoptimist: Put an end to the microtrend For her monthly column, skeptic and hater Maya Kotomori shares a list of the most abhorrent as-seen-on-TikTok looks she’s caught in the wild
Art Performa to celebrate 20 years of artistic impact with Artist Party co-hosted by Document Guests are invited for a night of live performance, architectural experimentation, and music to honor and support the pioneering organization
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker Above the Fold Diedrick Brackens weaves visual anthems for the yee-haw agenda The textile artist explores black queer identity in his stunning, Southwestern tapestries. by André Naquian Wheeler Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker
Above the Fold Diedrick Brackens weaves visual anthems for the yee-haw agenda The textile artist explores black queer identity in his stunning, Southwestern tapestries. by André Naquian Wheeler
Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot