“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
Above the Fold Roving literary event Casual Encounterz prioritizes the pen over the persona Following stints in Mexico City and LA, writer Sammy Loren brings his reading series to NYC to highlight a mix of fiction heavy hitters and... by Zoey Greenwald Above the Fold Stacy Skolnik’s genre-bending ‘The Ginny Suite’ is an experiment in post-pandemic poetics The writer discusses her dissociative debut novel’s speculative journey through sex, sickness, and literary form by Drew Zeiba
Above the Fold Roving literary event Casual Encounterz prioritizes the pen over the persona Following stints in Mexico City and LA, writer Sammy Loren brings his reading series to NYC to highlight a mix of fiction heavy hitters and... by Zoey Greenwald
Above the Fold Stacy Skolnik’s genre-bending ‘The Ginny Suite’ is an experiment in post-pandemic poetics The writer discusses her dissociative debut novel’s speculative journey through sex, sickness, and literary form by Drew Zeiba
