Music Sausha serves her eponymous EP straight, no mixer Known for her high-octane sets, the NYC-based DJ discusses her EP’s intimate sonic journey, the emotional toll of creation, and her decade-long relationship with the...
Art Scene report: Performance Space New York’s 2025 Gala was a ‘space for everyone’ From Debbie Harry's duet with Kelsey Lu as Kermit the Frog to bloodletting performances and duct tape couture, this year's experimental arts party celebrated New...
Loewe unveils ‘Crafted World’ in Tokyo, a love letter to artisanship From leather atelier to global luxury brand, the exhibition traces the house’s evolution while honoring Japanese craft traditions and marking a creative turning point
Architecture Against vision: The architecture of Ricardo Scofidio (1935—2025) Upon the passing of a founding principal of the studio that trafficked a contemporary art sensibility into architecture, reflections on the work of Diller Scofidio...
Above the Fold Matt Lambert’s new film for Random Identities seeks to release that “pulsating essence that lies deep within us” ‘Prologue’ captures the muses that helped lead Stefano Pilati to create his first collection since 2016. by Phil Backes Above the Fold Stefano Pilati returns in fine androgynous form with Random Identities The Italian designer made his return to the runway with his Berlin tinged Random Identities, shown at the SSENSE HQ in Montreal. by Phil Backes
Above the Fold Matt Lambert’s new film for Random Identities seeks to release that “pulsating essence that lies deep within us” ‘Prologue’ captures the muses that helped lead Stefano Pilati to create his first collection since 2016. by Phil Backes
Above the Fold Stefano Pilati returns in fine androgynous form with Random Identities The Italian designer made his return to the runway with his Berlin tinged Random Identities, shown at the SSENSE HQ in Montreal. by Phil Backes
