Orientalism up your ass Artist Riven Ratanavanh parses the frisson of sex, race, and power behind his reimagining of Carolee Schneemann’s ‘Interior Scroll’
Art Kenny Scharf’s technicolor vision comes alive at the Brant Foundation Document sits down with the artist to look back at nearly 50 years of playful creation
Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Above the Fold Officine Générale’s portraits of persona Photographer Laurence Ellis and stylist Giovanni Laudicina take an introspective approach with these never-before-seen photos by Document Journal Above the Fold Low Classic carries Seoul’s spirit to Paris Fashion Week Myoungsin Lee and Jinsun Park delivered a balanced Spring/Summer 2024 collection, crafting modular pieces both contemporary and paradigmatic by Morgan Becker Above the Fold Kiko Kostadinov walks with the greats Laura and Deanna Fanning’s Spring/Summer 2024 collection paid homage to Sonia Delaunay and Sonia Rykiel, never sacrificing functionality in the pursuit of femininity by Jayne O'Dwyer Above the Fold Balenciaga’s self-referential and sentimental Paris Fashion Week show Spring/Summer 2024 looked back at Demna’s disruptive roots, citing signatures past from giant sneakers to floor-length spandex gowns by Maya Kotomori Above the Fold For Miu Miu, beauty contains multitudes Miuccia Prada’s Spring/Summer 2024 collection turns to history, embracing old brand archetypes to propose a cross between preppy and sporty by Maya Kotomori Above the Fold Valentino goes bare for Spring/Summer 2024 Pierpaolo Piccioli’s latest collection took on a feminist slant, with garments marked by their engagement with the body by Morgan Becker Above the Fold Issey Miyake materializes a quivering flame, flowing water Satoshi Kondo’s Spring/Summer 2024 collection renders nature’s fleeting moments in fabric, creating structure for the undefined by Jayne O'Dwyer Above the Fold On Loewe’s Spring/Summer 2024 runway, the ordinary becomes subversive Jonathan Anderson’s latest collection constructed wearable sculptures, drawing from the office uniform and the artwork of Lynda Benglis by Maya Kotomori Above the Fold Sarah Burton takes a final, formidable bow at Alexander McQueen The Spring/Summer 2024 show saw the creative director with her heart on her sleeve, drawing inspiration from female anatomy and Queen Elizabeth I by Morgan Becker Above the Fold Givenchy’s new elegance Matthew Williams’s Spring/Summer 2024 collection united the French house’s soft heritage with cutting-edge tailoring, leaning on the flower as a conceptual bridge by Morgan Becker Above the Fold Saint Laurent goes back to the drawing board Anthony Vaccarello’s Spring/Summer 2024 collection was all about simplicity and utility, signaling a fresh start for the French house by Morgan Becker Above the Fold At Prada’s Spring/Summer 2024 show, eccentricity meets high fashion Miuccia Prada and Raf Simons have their collaboration down to a science, pushing the boundaries of their respective signatures by Maya Kotomori Above the Fold Livestream the Givenchy Spring/Summer 2024 show here Watch the stream live this Thursday, September 28 at 3:30 p.m. CET / 9:30 a.m. EST by Document Journal Above the Fold Niccolò Pasqualetti leans into contradiction The Italian designer speaks on his Spring/Summer 2024 collection, trading fashion’s rulebook for intuitive construction by Document Journal Above the Fold The Dior woman, reinterpreted Maria Grazia Chiuri’s Spring/Summer 2024 presentation teased out the bond between femininity and feminism, lending house signatures a darker edge by Maya Kotomori Above the Fold MSGM indulges in the eclectic For Spring/Summer 2024, designer Massimo Giorgetti’s runway becomes the road less traveled, opting for bold prints and unusual textures by Maya Kotomori Above the Fold Philosophy di Lorenzo Serafini moves instinctually The Italian label’s Spring/Summer 2024 collection was a balancing act between breeziness and structure, paring looks down to the essentials by Morgan Becker Above the Fold At 50 years, Iceberg is fun, full-on, and functional For Milan Fashion Week, the brand looks backwards and forwards, launching a fragrance and reviving its beloved envelope bag by Maya Kotomori Above the Fold Supriya Lele’s self-assured return to the runway Spring/Summer 2024 marked the end the label’s two-year hiatus, and the birth of a collection merging tradition with cutting-edge construction by Morgan Becker Above the Fold For Spring/Summer 2024, Chet Lo takes a tender approach to erotica The designer’s London Fashion Week show saw “graphic PDA” and Shibari-inspired fastenings, careening headfirst into bold sensuality by Maya Kotomori Above the Fold Stefan Cooke’s clear-eyed mission The label’s London Fashion Week collection pulled from hundred of references, emerging with sunny and straightforward future signatures by Morgan Becker Above the Fold Chopova Lowena channels angels, demons, and skater girls The label’s Spring/Summer 2024 drew parallels between the folkloric and modern street style, growing up before London’s very eyes by Morgan Becker Above the Fold For Raul Lopez, church is wherever you find heaven Inside Luar’s rave-ready Spring/Summer 2024 presentation, redefining the sublime from a Brooklyn warehouse by Camille Sojit Pejcha Above the Fold Behind the Melitta Baumeister silhouette For Spring/Summer 2024, the designer broadened her catalog with foamy phalanges and parabolic shapes by Maya Kotomori Above the Fold FFORME’s inaugural New York show was an exercise in observation Document offers a glimpse at the lead-up to Paul Helbers’s highly-anticipated Spring/Summer 2024 presentation by Morgan Becker Above the Fold Jason Wu’s ‘Solstice’ lives between a sunken paradise and the city streets For Spring/Summer 2024, the designer took a botanical approach, setting his signatures in another world by Maya Kotomori Above the Fold Parsons’s MFA Show was a labor of love At the Brooklyn Museum, the next generation of designers speaks on storytelling, boundary-pushing, and the lessons they’ve collected thus far by Morgan Becker Above the Fold Peter Do’s Helmut Lang seeks broader horizons The designer’s debut for the New York mainstay riffed on its aesthetic history, with the yellow taxi as its universal vehicle by Morgan Becker Above the Fold We11done’s ethereal return to the runway Founders Jessica Jung and Dami Kwon turned to their childhoods for Seoul Fashion Week, recalling and reforming the architectures and uniforms of their pasts by Ann Binlot Above the Fold JW Anderson distorts domesticity for Spring/Summer 2024 The designer’s latest menswear collection riffs on tradition and reimagines knitwear, drawing humor and beauty from the mundane by Olivia Treynor Above the Fold For Spring/Summer 2024, MSGM rests between the ethereal and the terrestrial With organic textiles, subtle animal prints, and earthy tones, Massimo Giorgetti embeds personal experience into his label’s legacy of play by Morgan Becker
Above the Fold Officine Générale’s portraits of persona Photographer Laurence Ellis and stylist Giovanni Laudicina take an introspective approach with these never-before-seen photos by Document Journal
Above the Fold Low Classic carries Seoul’s spirit to Paris Fashion Week Myoungsin Lee and Jinsun Park delivered a balanced Spring/Summer 2024 collection, crafting modular pieces both contemporary and paradigmatic by Morgan Becker
Above the Fold Kiko Kostadinov walks with the greats Laura and Deanna Fanning’s Spring/Summer 2024 collection paid homage to Sonia Delaunay and Sonia Rykiel, never sacrificing functionality in the pursuit of femininity by Jayne O'Dwyer
Above the Fold Balenciaga’s self-referential and sentimental Paris Fashion Week show Spring/Summer 2024 looked back at Demna’s disruptive roots, citing signatures past from giant sneakers to floor-length spandex gowns by Maya Kotomori
Above the Fold For Miu Miu, beauty contains multitudes Miuccia Prada’s Spring/Summer 2024 collection turns to history, embracing old brand archetypes to propose a cross between preppy and sporty by Maya Kotomori
Above the Fold Valentino goes bare for Spring/Summer 2024 Pierpaolo Piccioli’s latest collection took on a feminist slant, with garments marked by their engagement with the body by Morgan Becker
Above the Fold Issey Miyake materializes a quivering flame, flowing water Satoshi Kondo’s Spring/Summer 2024 collection renders nature’s fleeting moments in fabric, creating structure for the undefined by Jayne O'Dwyer
Above the Fold On Loewe’s Spring/Summer 2024 runway, the ordinary becomes subversive Jonathan Anderson’s latest collection constructed wearable sculptures, drawing from the office uniform and the artwork of Lynda Benglis by Maya Kotomori
Above the Fold Sarah Burton takes a final, formidable bow at Alexander McQueen The Spring/Summer 2024 show saw the creative director with her heart on her sleeve, drawing inspiration from female anatomy and Queen Elizabeth I by Morgan Becker
Above the Fold Givenchy’s new elegance Matthew Williams’s Spring/Summer 2024 collection united the French house’s soft heritage with cutting-edge tailoring, leaning on the flower as a conceptual bridge by Morgan Becker
Above the Fold Saint Laurent goes back to the drawing board Anthony Vaccarello’s Spring/Summer 2024 collection was all about simplicity and utility, signaling a fresh start for the French house by Morgan Becker
Above the Fold At Prada’s Spring/Summer 2024 show, eccentricity meets high fashion Miuccia Prada and Raf Simons have their collaboration down to a science, pushing the boundaries of their respective signatures by Maya Kotomori
Above the Fold Livestream the Givenchy Spring/Summer 2024 show here Watch the stream live this Thursday, September 28 at 3:30 p.m. CET / 9:30 a.m. EST by Document Journal
Above the Fold Niccolò Pasqualetti leans into contradiction The Italian designer speaks on his Spring/Summer 2024 collection, trading fashion’s rulebook for intuitive construction by Document Journal
Above the Fold The Dior woman, reinterpreted Maria Grazia Chiuri’s Spring/Summer 2024 presentation teased out the bond between femininity and feminism, lending house signatures a darker edge by Maya Kotomori
Above the Fold MSGM indulges in the eclectic For Spring/Summer 2024, designer Massimo Giorgetti’s runway becomes the road less traveled, opting for bold prints and unusual textures by Maya Kotomori
Above the Fold Philosophy di Lorenzo Serafini moves instinctually The Italian label’s Spring/Summer 2024 collection was a balancing act between breeziness and structure, paring looks down to the essentials by Morgan Becker
Above the Fold At 50 years, Iceberg is fun, full-on, and functional For Milan Fashion Week, the brand looks backwards and forwards, launching a fragrance and reviving its beloved envelope bag by Maya Kotomori
Above the Fold Supriya Lele’s self-assured return to the runway Spring/Summer 2024 marked the end the label’s two-year hiatus, and the birth of a collection merging tradition with cutting-edge construction by Morgan Becker
Above the Fold For Spring/Summer 2024, Chet Lo takes a tender approach to erotica The designer’s London Fashion Week show saw “graphic PDA” and Shibari-inspired fastenings, careening headfirst into bold sensuality by Maya Kotomori
Above the Fold Stefan Cooke’s clear-eyed mission The label’s London Fashion Week collection pulled from hundred of references, emerging with sunny and straightforward future signatures by Morgan Becker
Above the Fold Chopova Lowena channels angels, demons, and skater girls The label’s Spring/Summer 2024 drew parallels between the folkloric and modern street style, growing up before London’s very eyes by Morgan Becker
Above the Fold For Raul Lopez, church is wherever you find heaven Inside Luar’s rave-ready Spring/Summer 2024 presentation, redefining the sublime from a Brooklyn warehouse by Camille Sojit Pejcha
Above the Fold Behind the Melitta Baumeister silhouette For Spring/Summer 2024, the designer broadened her catalog with foamy phalanges and parabolic shapes by Maya Kotomori
Above the Fold FFORME’s inaugural New York show was an exercise in observation Document offers a glimpse at the lead-up to Paul Helbers’s highly-anticipated Spring/Summer 2024 presentation by Morgan Becker
Above the Fold Jason Wu’s ‘Solstice’ lives between a sunken paradise and the city streets For Spring/Summer 2024, the designer took a botanical approach, setting his signatures in another world by Maya Kotomori
Above the Fold Parsons’s MFA Show was a labor of love At the Brooklyn Museum, the next generation of designers speaks on storytelling, boundary-pushing, and the lessons they’ve collected thus far by Morgan Becker
Above the Fold Peter Do’s Helmut Lang seeks broader horizons The designer’s debut for the New York mainstay riffed on its aesthetic history, with the yellow taxi as its universal vehicle by Morgan Becker
Above the Fold We11done’s ethereal return to the runway Founders Jessica Jung and Dami Kwon turned to their childhoods for Seoul Fashion Week, recalling and reforming the architectures and uniforms of their pasts by Ann Binlot
Above the Fold JW Anderson distorts domesticity for Spring/Summer 2024 The designer’s latest menswear collection riffs on tradition and reimagines knitwear, drawing humor and beauty from the mundane by Olivia Treynor
Above the Fold For Spring/Summer 2024, MSGM rests between the ethereal and the terrestrial With organic textiles, subtle animal prints, and earthy tones, Massimo Giorgetti embeds personal experience into his label’s legacy of play by Morgan Becker