“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
At Large Shapeshifting press Semiotext(e)’s five decades of politics and poetics For Document’s Fall/Winter 2024–25 issue, Whitney Mallett talks to co-editors, writers, and collaborators of the legendary publisher of theory and fiction by Whitney Mallett Above the Fold Natasha Stagg’s 4 favorite works of (sad girl) fiction and cultural criticism From Eve Babitz to Elizabeth Hardwick, the ‘Sleeveless’ author gives a crash course in navigating your social existence. by Caroline Reagan
At Large Shapeshifting press Semiotext(e)’s five decades of politics and poetics For Document’s Fall/Winter 2024–25 issue, Whitney Mallett talks to co-editors, writers, and collaborators of the legendary publisher of theory and fiction by Whitney Mallett
Above the Fold Natasha Stagg’s 4 favorite works of (sad girl) fiction and cultural criticism From Eve Babitz to Elizabeth Hardwick, the ‘Sleeveless’ author gives a crash course in navigating your social existence. by Caroline Reagan
