Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Rita Ackermann’s ‘Vertical Vanish’ is anchored in ambiguity The Hungary-born artist’s latest exhibition oscillates between abstraction and representation, with pre-drawn, half-erased scenes that peer through wild brushstrokes by Megan Hullander Above the Fold Looking back at the ‘Beautiful Losers’ A new exhibition at The Hole celebrates the 10th anniversary of the documentary Beautiful Losers, which celebrated the 'broke artists' of New York's downtown scene... by Ann Binlot
Above the Fold Rita Ackermann’s ‘Vertical Vanish’ is anchored in ambiguity The Hungary-born artist’s latest exhibition oscillates between abstraction and representation, with pre-drawn, half-erased scenes that peer through wild brushstrokes by Megan Hullander
Above the Fold Looking back at the ‘Beautiful Losers’ A new exhibition at The Hole celebrates the 10th anniversary of the documentary Beautiful Losers, which celebrated the 'broke artists' of New York's downtown scene... by Ann Binlot
