Above the Fold

Closed stalls and open doors in Alessandro Michele’s Valentino

For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase

by Pedro Vasconcelos

Above the Fold

Haider Ackermann’s Tom Ford is after a different kind of queerness

In his first collection for the house, one writer speculates if the new creative director can live up to the brand's signature sensuality

by Pedro Vasconcelos

At Large

Queer collectives are redesigning dystopia

For Document’s Fall/Winter 2024–25 issue, Kyle Carrero Lopez examines LGBTQ+ organizations across the globe who are imagining a new definition of home and togetherness

by Kyle Carrero Lopez

Conversations

The intimacy of beauty with Holli Smith and Pony Rivers

For Document’s Fall/Winter 2024–25 issue, the hairstylist and longtime contributor transforms her partner into an array of characters for his fashion debut accompanied by a...

by Yadim

Above the Fold

Pleasure-seeking: On my ex’s exes

In her first monthly column, Camille Sojit Pejcha explores internet stalking as a queer rite of passage

by Camille Sojit Pejcha

Above the Fold

What ‘Everything Everywhere All at Once’ gets wrong about queer parenthood

Noah Berlatsky questions the tidy narrative closure of a film that wallows in the struggles of raising a queer child, rather than exploring its joys

by Noah Berlatsky