“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Above the Fold A comprehensive syllabus to ‘Convulsive States’ Following the exhibition’s opening at Pioneer Works, performance artist Liz Magic Laser and curator Gabriel Florenz delineate the words and sounds that shaped it by Megan Hullander Above the Fold ‘Quantum Piñata’ is a talent show for the artistically-aware This Saturday at Pioneer Works, a cast of distinct performers—from Poncili Creación to Nu Jazz to Ex Wiish—will take part in a cross-medium bonanza by Megan Hullander Above the Fold ‘Workflow’ interrogates repetitive and embodied violence Ahead of the exhibition’s opening, Jenson Leonard joins Document to expound upon his film’s intent, and muse on the compassion of comedy by Megan Hullander Above the Fold ‘Titanic Depression’ is not a parody Following a two-night run of her show, Jibz Cameron joins Document to philosophize on Jack and Rose, tragedy addiction, and the nature of performance by Megan Hullander Above the Fold Frans de Waal and Isabella Rossellini find models for morality in the past and the primal At Pioneer Works, the two met to investigate where man went wrong, and the misused excuses of biology for prejudices by Megan Hullander Above the Fold ‘What Is Psychedelic’ details Aura Rosenberg’s appetite for impulse The artist joins Document to reflect upon her first institutional survey, which traverses five decades, two spaces, and one book by Megan Hullander Above the Fold Baye & Asa’s ‘HotHouse’ interrogates the myths wedged deep into the national consciousness In their latest performance piece, the dancers employ a simple set for narrative flexibility, communicating a range of characters and places through their movement by Megan Hullander Above the Fold Charles Atlas’s ‘The Mathematics of Consciousness’ lives in the brain of the artist The projection-based installation toys with dance sequences, numerical fantasies, and internet memes, drawing connections through seemingly disparate forms by Megan Hullander Above the Fold Genesis Breyer P-Orridge and Lady Jaye are alive in ‘We Are But One’ At Pioneer Works, the first major posthumous presentation of the artists’ works explores their groundbreaking project ‘Pandrogyne’ by Megan Hullander Above the Fold “The Present is the Form of All Life: The Time Capsules of Ant Farm and LST” On view this fall, Brooklyn-based art advocacy and research center Pioneer Works exhibits time capsule projects from the two avant-garde artist collectives. by Benjamin Gutierrez
Above the Fold A comprehensive syllabus to ‘Convulsive States’ Following the exhibition’s opening at Pioneer Works, performance artist Liz Magic Laser and curator Gabriel Florenz delineate the words and sounds that shaped it by Megan Hullander
Above the Fold ‘Quantum Piñata’ is a talent show for the artistically-aware This Saturday at Pioneer Works, a cast of distinct performers—from Poncili Creación to Nu Jazz to Ex Wiish—will take part in a cross-medium bonanza by Megan Hullander
Above the Fold ‘Workflow’ interrogates repetitive and embodied violence Ahead of the exhibition’s opening, Jenson Leonard joins Document to expound upon his film’s intent, and muse on the compassion of comedy by Megan Hullander
Above the Fold ‘Titanic Depression’ is not a parody Following a two-night run of her show, Jibz Cameron joins Document to philosophize on Jack and Rose, tragedy addiction, and the nature of performance by Megan Hullander
Above the Fold Frans de Waal and Isabella Rossellini find models for morality in the past and the primal At Pioneer Works, the two met to investigate where man went wrong, and the misused excuses of biology for prejudices by Megan Hullander
Above the Fold ‘What Is Psychedelic’ details Aura Rosenberg’s appetite for impulse The artist joins Document to reflect upon her first institutional survey, which traverses five decades, two spaces, and one book by Megan Hullander
Above the Fold Baye & Asa’s ‘HotHouse’ interrogates the myths wedged deep into the national consciousness In their latest performance piece, the dancers employ a simple set for narrative flexibility, communicating a range of characters and places through their movement by Megan Hullander
Above the Fold Charles Atlas’s ‘The Mathematics of Consciousness’ lives in the brain of the artist The projection-based installation toys with dance sequences, numerical fantasies, and internet memes, drawing connections through seemingly disparate forms by Megan Hullander
Above the Fold Genesis Breyer P-Orridge and Lady Jaye are alive in ‘We Are But One’ At Pioneer Works, the first major posthumous presentation of the artists’ works explores their groundbreaking project ‘Pandrogyne’ by Megan Hullander
Above the Fold “The Present is the Form of All Life: The Time Capsules of Ant Farm and LST” On view this fall, Brooklyn-based art advocacy and research center Pioneer Works exhibits time capsule projects from the two avant-garde artist collectives. by Benjamin Gutierrez