Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Paul Mpagi Sepuya redefines the studio space, navigating “the space beyond the frame” The photographer’s show at Bortolami Gallery explores the contemporary portrait and muse by Morgan Becker Above the Fold Paul Mpagi Sepuya on capturing the space between portraits For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Paul Mpagi Sepuya At Large The Eternal Peter Hujar Nan Goldin, Gary Indiana, Dev Hynes, and more, reflect on ten of the photographer's singular portraits, some never before published, until now by Sarah Nicole Prickett
Above the Fold Paul Mpagi Sepuya redefines the studio space, navigating “the space beyond the frame” The photographer’s show at Bortolami Gallery explores the contemporary portrait and muse by Morgan Becker
Above the Fold Paul Mpagi Sepuya on capturing the space between portraits For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Paul Mpagi Sepuya
At Large The Eternal Peter Hujar Nan Goldin, Gary Indiana, Dev Hynes, and more, reflect on ten of the photographer's singular portraits, some never before published, until now by Sarah Nicole Prickett