Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Before DNA kits and deepfakes, Nancy Burson used morphed images to reveal fundamental truths Burson’s photographs of missing children and powerful dictators helped us see things we otherwise couldn’t imagine. 50 years later, her work is still unsettling. by Hannah Ongley Above the Fold Y2K, 20 years later: Document’s contributors recall the armageddon that never was Michele Saunders, The Rapture’s Luke Jenner, and more recall the parties, anxieties, and lessons learned on the eve of the new millennium. by Maraya Fisher
Above the Fold Before DNA kits and deepfakes, Nancy Burson used morphed images to reveal fundamental truths Burson’s photographs of missing children and powerful dictators helped us see things we otherwise couldn’t imagine. 50 years later, her work is still unsettling. by Hannah Ongley
Above the Fold Y2K, 20 years later: Document’s contributors recall the armageddon that never was Michele Saunders, The Rapture’s Luke Jenner, and more recall the parties, anxieties, and lessons learned on the eve of the new millennium. by Maraya Fisher