“The promise of a moment is its future.” Photographer Joe Lai and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Nightlife How to throw a party In this exclusive portfolio from Document’s Fall/Winter 2024–25 issue, NYC’s nightlife leaders share their insights and origins alongside an essay by Geoffrey Mak exploring autonomy...
The Shoptimist: Put an end to the microtrend For her monthly column, skeptic and hater Maya Kotomori shares a list of the most abhorrent as-seen-on-TikTok looks she’s caught in the wild
Art Performa to celebrate 20 years of artistic impact with Artist Party co-hosted by Document Guests are invited for a night of live performance, architectural experimentation, and music to honor and support the pioneering organization
Above the Fold ‘This Will Not End Well’ positions Nan Goldin as a filmmaker first The storytelling central to the photographer’s practice takes precedence in a book that features her multimedia artworks, mimicking the formatting of their source material by Megan Hullander Above the Fold The art of activism, through the voice of Nan Goldin In ‘All the Beauty and the Bloodshed,’ documentarian Laura Poitras tracks the photographer’s unrelenting pursuit of personal and political truth by Conor Williams Conversations Kunle Martins and Jack Pierson invite you to their ‘Pee Party’ The two artists discuss love, life, and their first exhibition together at Jeffrey Stark. by Ann Binlot Above the Fold David Wojnarowicz’s sleepless nights come to the Whitney The artist and AIDS activist gets the retrospective treatment at the Whitney starting this month. by Ann Binlot Documented “Biesenthal” by Nan Goldin Nan Goldin travels to Biesenthal, Germany to photograph her muses in this Document exclusive collaboration with Saint Laurent by Anthony Vaccarello by Document Journal At Large The Eternal Peter Hujar Nan Goldin, Gary Indiana, Dev Hynes, and more, reflect on ten of the photographer's singular portraits, some never before published, until now by Sarah Nicole Prickett Above the Fold Letter from the Editor For the second issue celebrating five years of Document, founder and editor-in-chief Nick Vogelson speaks on unification and the Fall/Winter issue. by Nick Vogelson Conversations Nan Goldin and Vince Aletti on the process of the picture Nan Goldin reflects on the many contradictions of self-portraiture with critic Vince Aletti. by Vince Aletti
Above the Fold ‘This Will Not End Well’ positions Nan Goldin as a filmmaker first The storytelling central to the photographer’s practice takes precedence in a book that features her multimedia artworks, mimicking the formatting of their source material by Megan Hullander
Above the Fold The art of activism, through the voice of Nan Goldin In ‘All the Beauty and the Bloodshed,’ documentarian Laura Poitras tracks the photographer’s unrelenting pursuit of personal and political truth by Conor Williams
Conversations Kunle Martins and Jack Pierson invite you to their ‘Pee Party’ The two artists discuss love, life, and their first exhibition together at Jeffrey Stark. by Ann Binlot
Above the Fold David Wojnarowicz’s sleepless nights come to the Whitney The artist and AIDS activist gets the retrospective treatment at the Whitney starting this month. by Ann Binlot
Documented “Biesenthal” by Nan Goldin Nan Goldin travels to Biesenthal, Germany to photograph her muses in this Document exclusive collaboration with Saint Laurent by Anthony Vaccarello by Document Journal
At Large The Eternal Peter Hujar Nan Goldin, Gary Indiana, Dev Hynes, and more, reflect on ten of the photographer's singular portraits, some never before published, until now by Sarah Nicole Prickett
Above the Fold Letter from the Editor For the second issue celebrating five years of Document, founder and editor-in-chief Nick Vogelson speaks on unification and the Fall/Winter issue. by Nick Vogelson
Conversations Nan Goldin and Vince Aletti on the process of the picture Nan Goldin reflects on the many contradictions of self-portraiture with critic Vince Aletti. by Vince Aletti