Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold ‘This Will Not End Well’ positions Nan Goldin as a filmmaker first The storytelling central to the photographer’s practice takes precedence in a book that features her multimedia artworks, mimicking the formatting of their source material by Megan Hullander Above the Fold The art of activism, through the voice of Nan Goldin In ‘All the Beauty and the Bloodshed,’ documentarian Laura Poitras tracks the photographer’s unrelenting pursuit of personal and political truth by Conor Williams Conversations Kunle Martins and Jack Pierson invite you to their ‘Pee Party’ The two artists discuss love, life, and their first exhibition together at Jeffrey Stark. by Ann Binlot Above the Fold David Wojnarowicz’s sleepless nights come to the Whitney The artist and AIDS activist gets the retrospective treatment at the Whitney starting this month. by Ann Binlot Documented “Biesenthal” by Nan Goldin Nan Goldin travels to Biesenthal, Germany to photograph her muses in this Document exclusive collaboration with Saint Laurent by Anthony Vaccarello by Document Journal At Large The Eternal Peter Hujar Nan Goldin, Gary Indiana, Dev Hynes, and more, reflect on ten of the photographer's singular portraits, some never before published, until now by Sarah Nicole Prickett Above the Fold Letter from the Editor For the second issue celebrating five years of Document, founder and editor-in-chief Nick Vogelson speaks on unification and the Fall/Winter issue. by Nick Vogelson Conversations Nan Goldin and Vince Aletti on the process of the picture Nan Goldin reflects on the many contradictions of self-portraiture with critic Vince Aletti. by Vince Aletti
Above the Fold ‘This Will Not End Well’ positions Nan Goldin as a filmmaker first The storytelling central to the photographer’s practice takes precedence in a book that features her multimedia artworks, mimicking the formatting of their source material by Megan Hullander
Above the Fold The art of activism, through the voice of Nan Goldin In ‘All the Beauty and the Bloodshed,’ documentarian Laura Poitras tracks the photographer’s unrelenting pursuit of personal and political truth by Conor Williams
Conversations Kunle Martins and Jack Pierson invite you to their ‘Pee Party’ The two artists discuss love, life, and their first exhibition together at Jeffrey Stark. by Ann Binlot
Above the Fold David Wojnarowicz’s sleepless nights come to the Whitney The artist and AIDS activist gets the retrospective treatment at the Whitney starting this month. by Ann Binlot
Documented “Biesenthal” by Nan Goldin Nan Goldin travels to Biesenthal, Germany to photograph her muses in this Document exclusive collaboration with Saint Laurent by Anthony Vaccarello by Document Journal
At Large The Eternal Peter Hujar Nan Goldin, Gary Indiana, Dev Hynes, and more, reflect on ten of the photographer's singular portraits, some never before published, until now by Sarah Nicole Prickett
Above the Fold Letter from the Editor For the second issue celebrating five years of Document, founder and editor-in-chief Nick Vogelson speaks on unification and the Fall/Winter issue. by Nick Vogelson
Conversations Nan Goldin and Vince Aletti on the process of the picture Nan Goldin reflects on the many contradictions of self-portraiture with critic Vince Aletti. by Vince Aletti