Technology The Israeli military and tech industry collaborate on user-friendly software tools that automate occupation and genocide For Document’s Fall/Winter 2024–25 issue, Sophia Goodfriend examines the dark side of big data in Palestine
Art Ambera Wellmann materializes mortal landscapes For Document’s Fall/Winter 2024–25 issue, the painter unveils a suite of large-scale paintings that fuse mysterious environments with beings alive and dead
Architecture Building from the inside George Yabu and Glenn Pushelberg of Yabu Pushelberg Document sits down with the duo behind the boundary-breaking interiors firm to trace how their personal and professional histories inform their forward-looking designs
Literature Fine Print: Did Michel Houellebecq steal Thomas Bernhard’s coat? In his monthly column, Drew Zeiba hunts for clues in the controversial French author’s latest novel, ‘Annihilation’
Above the Fold Watch Document dance with lifestyle label 69 through its new exhibition at MOCA Los Angeles With an anonymous designer at the helm, non-gender, non-demographic label 69 resolves its own identity crisis in a show at the L.A. museum. by Shawn Lakin Above the Fold The case for a museum director who isn’t white or male Did the Museum of Contemporary Art, Los Angeles make the right decision in appointing Klaus Biesenbach as its new director? by Ann Binlot Above the Fold Underwater, Doug Aitken Returns to the Real Entitled “Underwater Pavilions,” the project encompasses 4-meter-wide dodecahedron-shaped sculptures submerged in the Pacific Ocean that are anchored to the sea floor and buoyed on the... by Dan Thawley
Above the Fold Watch Document dance with lifestyle label 69 through its new exhibition at MOCA Los Angeles With an anonymous designer at the helm, non-gender, non-demographic label 69 resolves its own identity crisis in a show at the L.A. museum. by Shawn Lakin
Above the Fold The case for a museum director who isn’t white or male Did the Museum of Contemporary Art, Los Angeles make the right decision in appointing Klaus Biesenbach as its new director? by Ann Binlot
Above the Fold Underwater, Doug Aitken Returns to the Real Entitled “Underwater Pavilions,” the project encompasses 4-meter-wide dodecahedron-shaped sculptures submerged in the Pacific Ocean that are anchored to the sea floor and buoyed on the... by Dan Thawley