Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
“Our vision is continually active, continually holding things in a circle around itself.” Photographer Emily Lipson and fashion editor Delphine Danhier collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
From sacred hot springs to the Esalen Institute, where does the ‘mystical-type experience’ emerge in Big Sur? For Document’s Fall/Winter 2024–25 issue, Angie Sijun Lou reflects on how self-optimization and psychedelic liberation are shaping life in Northern California
Above the Fold Enrique Garcia exposes the serpentine mechanics of contemporary life In ‘Swallowing the Sun,’ on view at N.A.S.A.L. in Mexico City, the artist traces the curves of human-made design at all scales by Gaby Cepeda Above the Fold Mayan Toledano’s portraits rest between the authenticity and fantasy of queer Mexico City The photographer’s ongoing series ‘No Mamés’ takes the image-making process down to its bare bones, lending intimacy though immediacy by Morgan Becker At Large Destination POV In the age of Instagram, travel has become the pursuit not of a singular experience—but the same point of view. by Michael McGregor
Above the Fold Enrique Garcia exposes the serpentine mechanics of contemporary life In ‘Swallowing the Sun,’ on view at N.A.S.A.L. in Mexico City, the artist traces the curves of human-made design at all scales by Gaby Cepeda
Above the Fold Mayan Toledano’s portraits rest between the authenticity and fantasy of queer Mexico City The photographer’s ongoing series ‘No Mamés’ takes the image-making process down to its bare bones, lending intimacy though immediacy by Morgan Becker
At Large Destination POV In the age of Instagram, travel has become the pursuit not of a singular experience—but the same point of view. by Michael McGregor