Art Musician Solange and artist Wangechi Mutu transit beyond disciplines In this limited edition cover story for Document’s Fall/Winter 2024–25 issue, the artists are joined by MoMA curator Thomas (T.) Lax to discuss water as...
Art Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay On view at Management Gallery, the painter’s latest solo show presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine
Fashion To bleed the myth of the American woman Fashion designer Elena Velez thrives in paradox, daring the fashion world to digest contradicting narratives and the rawness of self-exposure in her latest collection, ‘Leech’
Fashion Testing the scientific method at Copenhagen Fashion Week Associate Editor Maya Kotomori shares the disproven thought experiments from CPHFW Autumn/Winter 2025
Above the Fold Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay On view at Management Gallery, the painter’s latest solo show presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine by Jesse Firestone Above the Fold In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human On view at Chinatown’s Management gallery, the artist’s debut solo show centers construction and deconstruction on the city streets and within the self by Maya Kotomori
Above the Fold Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay On view at Management Gallery, the painter’s latest solo show presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine by Jesse Firestone
Above the Fold In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human On view at Chinatown’s Management gallery, the artist’s debut solo show centers construction and deconstruction on the city streets and within the self by Maya Kotomori
