Music Sausha serves her eponymous EP straight, no mixer Known for her high-octane sets, the NYC-based DJ discusses her EP’s intimate sonic journey, the emotional toll of creation, and her decade-long relationship with the...
Art Scene report: Performance Space New York’s 2025 Gala was a ‘space for everyone’ From Debbie Harry's duet with Kelsey Lu as Kermit the Frog to bloodletting performances and duct tape couture, this year's experimental arts party celebrated New...
Loewe unveils ‘Crafted World’ in Tokyo, a love letter to artisanship From leather atelier to global luxury brand, the exhibition traces the house’s evolution while honoring Japanese craft traditions and marking a creative turning point
Architecture Against vision: The architecture of Ricardo Scofidio (1935—2025) Upon the passing of a founding principal of the studio that trafficked a contemporary art sensibility into architecture, reflections on the work of Diller Scofidio...
Above the Fold For five decades, Mira Schor has blended concept and image Following major solo exhibitions in New York and Paris, the artist joins Document to discuss language, legacy, and the ‘thingness’ of painting by Drew Zeiba Above the Fold The mother and the monster in Catalina Ouyang’s ‘Trick’ Currently on view at Lyles and King, the sculptor’s latest show references everything from fox spirits to early 17th-century bridles in an installation as ethereal... by Grace Byron
Above the Fold For five decades, Mira Schor has blended concept and image Following major solo exhibitions in New York and Paris, the artist joins Document to discuss language, legacy, and the ‘thingness’ of painting by Drew Zeiba
Above the Fold The mother and the monster in Catalina Ouyang’s ‘Trick’ Currently on view at Lyles and King, the sculptor’s latest show references everything from fox spirits to early 17th-century bridles in an installation as ethereal... by Grace Byron
