Art Amanita expands close to home The gallery celebrates the opening of its Freeman Alley space with a solo show by Nicholas Campbell
Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Film The horrors of horniness: the freaky girls of ‘Babyratu’ This holiday’s double-bill follows women whose sexuality threatens to undo them
Literature Amber Later’s ‘Special Moss’ mines the slippages of poetry and prose The New York-based writer’s debut collection spans four centuries while traversing mysterious landscapes
At Large Living at Xanadu: Ten writers muse on Joan Didion’s literary legacy Cynthia Zarin, Ira Silverberg, Fariha Róisín, and others reflect on the reach of the iconic American voice by Morgan Becker Above the Fold Justin Vivian Bond is the Upstate goth in the chambeige minivan As part of Birkenstock’s 1774 collaboration series, Document Journal meets 10 creatives making the Hudson Valley a kingdom of their own. Near Hudson, the performer... by Aaron Hicklin Documented Justin Vivian Bond meditates on Marilyn Monroe, Blanche Dubois, and the allure of pearls The acclaimed performer shares an essay, ‘Pearls, after the death of an anointed queen,’ for Document's Fall/Winter 2012 issue. by Justin Vivian Bond
At Large Living at Xanadu: Ten writers muse on Joan Didion’s literary legacy Cynthia Zarin, Ira Silverberg, Fariha Róisín, and others reflect on the reach of the iconic American voice by Morgan Becker
Above the Fold Justin Vivian Bond is the Upstate goth in the chambeige minivan As part of Birkenstock’s 1774 collaboration series, Document Journal meets 10 creatives making the Hudson Valley a kingdom of their own. Near Hudson, the performer... by Aaron Hicklin
Documented Justin Vivian Bond meditates on Marilyn Monroe, Blanche Dubois, and the allure of pearls The acclaimed performer shares an essay, ‘Pearls, after the death of an anointed queen,’ for Document's Fall/Winter 2012 issue. by Justin Vivian Bond