“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
Above the Fold With ‘Road Less Traveled,’ Rose B. Simpson diaries the tension between ancestry and modern culture The artist’s New York debut is on view at Jack Shainman Gallery, rendering tangible her relationship with Native identity and cycles of personal struggle by Monet Wolfe Above the Fold Paul Anthony Smith probes his dual identity in ‘Junction’ The Jamaican-American artist Paul Anthony Smith investigates class, colonialism, and culture in Junction, his first exhibition at Jack Shainman. by Ann Binlot Above the Fold African-American artists shatter art world expectations at auction Last week's record-breaking sale of Kerry James Marshall's 'Past Times' at Sotheby's suggest a long-overdue mainstreaming of the black contemporary art. by Caroline Christie Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner
Above the Fold With ‘Road Less Traveled,’ Rose B. Simpson diaries the tension between ancestry and modern culture The artist’s New York debut is on view at Jack Shainman Gallery, rendering tangible her relationship with Native identity and cycles of personal struggle by Monet Wolfe
Above the Fold Paul Anthony Smith probes his dual identity in ‘Junction’ The Jamaican-American artist Paul Anthony Smith investigates class, colonialism, and culture in Junction, his first exhibition at Jack Shainman. by Ann Binlot
Above the Fold African-American artists shatter art world expectations at auction Last week's record-breaking sale of Kerry James Marshall's 'Past Times' at Sotheby's suggest a long-overdue mainstreaming of the black contemporary art. by Caroline Christie
Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner