Art Amanita expands close to home The gallery celebrates the opening of its Freeman Alley space with a solo show by Nicholas Campbell
Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Film The horrors of horniness: the freaky girls of ‘Babyratu’ This holiday’s double-bill follows women whose sexuality threatens to undo them
Literature Amber Later’s ‘Special Moss’ mines the slippages of poetry and prose The New York-based writer’s debut collection spans four centuries while traversing mysterious landscapes
Above the Fold With ‘Road Less Traveled,’ Rose B. Simpson diaries the tension between ancestry and modern culture The artist’s New York debut is on view at Jack Shainman Gallery, rendering tangible her relationship with Native identity and cycles of personal struggle by Monet Wolfe Above the Fold Paul Anthony Smith probes his dual identity in ‘Junction’ The Jamaican-American artist Paul Anthony Smith investigates class, colonialism, and culture in Junction, his first exhibition at Jack Shainman. by Ann Binlot Above the Fold African-American artists shatter art world expectations at auction Last week's record-breaking sale of Kerry James Marshall's 'Past Times' at Sotheby's suggest a long-overdue mainstreaming of the black contemporary art. by Caroline Christie Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner
Above the Fold With ‘Road Less Traveled,’ Rose B. Simpson diaries the tension between ancestry and modern culture The artist’s New York debut is on view at Jack Shainman Gallery, rendering tangible her relationship with Native identity and cycles of personal struggle by Monet Wolfe
Above the Fold Paul Anthony Smith probes his dual identity in ‘Junction’ The Jamaican-American artist Paul Anthony Smith investigates class, colonialism, and culture in Junction, his first exhibition at Jack Shainman. by Ann Binlot
Above the Fold African-American artists shatter art world expectations at auction Last week's record-breaking sale of Kerry James Marshall's 'Past Times' at Sotheby's suggest a long-overdue mainstreaming of the black contemporary art. by Caroline Christie
Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner