Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Photographer Sedirea takes us on an intimate journey across the Iranian desert Capturing her friend Afsoon among sandy mountains and shallow lakes, the photographer weaves a spellbinding impression of feminine resilience by Sedirea Above the Fold Why the 2018 World Cup is a game changer for Iranian women Women from the religiously conservative nation are trekking to Russia to cheer on their home team from inside of a stadium for the first time... by Caroline Christie Above the Fold The Document Agenda: “Solid light works” Iran indulges its reptilian paranoia, machines are making art that's fooling the human eye, and book reviews, argues one critic, only seem to offer vapid... by Caroline Christie
Above the Fold Photographer Sedirea takes us on an intimate journey across the Iranian desert Capturing her friend Afsoon among sandy mountains and shallow lakes, the photographer weaves a spellbinding impression of feminine resilience by Sedirea
Above the Fold Why the 2018 World Cup is a game changer for Iranian women Women from the religiously conservative nation are trekking to Russia to cheer on their home team from inside of a stadium for the first time... by Caroline Christie
Above the Fold The Document Agenda: “Solid light works” Iran indulges its reptilian paranoia, machines are making art that's fooling the human eye, and book reviews, argues one critic, only seem to offer vapid... by Caroline Christie