Fashion The intimacy of beauty with Holli Smith and Pony Rivers For Document’s Fall/Winter 2024–25 issue, the hairstylist and longtime contributor transforms her partner into an array of characters for his fashion debut accompanied by a...
Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold ‘Seeing Meaning’ in the wake of AI Curated by Marina Chao, the International Center for Photography’s day-long symposium explored technology’s manifold interactions with image and language by Will Allstetter Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams Above the Fold Biggie, Nas, and Nipsey Hussle—in the words of the photographers they trusted most ‘Contact High’ provides behind-the-scenes look into the creation of hip-hop's most iconic images. by David Aaron Brake Above the Fold In Tyler Mitchell’s ‘black utopia,’ leisure and play are radical acts In his first US solo show, ‘I Can Make You Feel Good,’ the photographer imagines a world where black-skinned bodies are free to just exist. by Hannah Miller Above the Fold ‘The Decisive Moment’ debunked at ICP’s Henri Cartier-Bresson exhibit In a new exhibit open this past week, the International Center of Photographer unpacks the making of a mythology with a closer look at the... by Clara Malley At Large Amongst the artworks counted as the newest detainees of the war on terror The art made by Guantanamo Bay detainees and the photographs of Edmund Clarke, both on display in New York City this spring, offers new perspectives... by Rahel Aima Above the Fold Capitalism in the Kardashian Era Lauren Greenfield's case study of the opulent lives and expenditures of the one-percent. by Shawn Lakin
Above the Fold ‘Seeing Meaning’ in the wake of AI Curated by Marina Chao, the International Center for Photography’s day-long symposium explored technology’s manifold interactions with image and language by Will Allstetter
Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams
Above the Fold Biggie, Nas, and Nipsey Hussle—in the words of the photographers they trusted most ‘Contact High’ provides behind-the-scenes look into the creation of hip-hop's most iconic images. by David Aaron Brake
Above the Fold In Tyler Mitchell’s ‘black utopia,’ leisure and play are radical acts In his first US solo show, ‘I Can Make You Feel Good,’ the photographer imagines a world where black-skinned bodies are free to just exist. by Hannah Miller
Above the Fold ‘The Decisive Moment’ debunked at ICP’s Henri Cartier-Bresson exhibit In a new exhibit open this past week, the International Center of Photographer unpacks the making of a mythology with a closer look at the... by Clara Malley
At Large Amongst the artworks counted as the newest detainees of the war on terror The art made by Guantanamo Bay detainees and the photographs of Edmund Clarke, both on display in New York City this spring, offers new perspectives... by Rahel Aima
Above the Fold Capitalism in the Kardashian Era Lauren Greenfield's case study of the opulent lives and expenditures of the one-percent. by Shawn Lakin