Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold The romance in a glance: people-watching on the streets of Hong Kong Ryan Koopmans and Alice Wexell's short film ‘With You’ captures fleeting moments of sentiment on the multisensory streets of the Mong Kok district. by Jordan Levy Above the Fold Pro-democracy Hong Kong protesters speak out about sexual harassment Demeaning comments and threats of violence have grown disturbingly commonplace for female demonstrators. by Caroline Christie Above the Fold Roe Ethridge embraces discordance in a post-truth world The photographer explores everyday sanctuaries at his latest exhibition in Hong Kong. by Clara Malley
Above the Fold The romance in a glance: people-watching on the streets of Hong Kong Ryan Koopmans and Alice Wexell's short film ‘With You’ captures fleeting moments of sentiment on the multisensory streets of the Mong Kok district. by Jordan Levy
Above the Fold Pro-democracy Hong Kong protesters speak out about sexual harassment Demeaning comments and threats of violence have grown disturbingly commonplace for female demonstrators. by Caroline Christie
Above the Fold Roe Ethridge embraces discordance in a post-truth world The photographer explores everyday sanctuaries at his latest exhibition in Hong Kong. by Clara Malley