Art Amanita expands close to home The gallery celebrates the opening of its Freeman Alley space with a solo show by Nicholas Campbell
Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Film The horrors of horniness: the freaky girls of ‘Babyratu’ This holiday’s double-bill follows women whose sexuality threatens to undo them
Literature Amber Later’s ‘Special Moss’ mines the slippages of poetry and prose The New York-based writer’s debut collection spans four centuries while traversing mysterious landscapes
Above the Fold Are complaints about unoriginality in film unoriginal? Movies have always reshuffled the past—and while today’s stories might not be new, they’re being told differently by Noah Berlatsky Above the Fold Dematerialization: “Escape Attempts” at Shulamit Nazarian On the event of the debut show of the gallery's new location, Document spoke with curator Dr. Kathy Battista and the gallerist herself. by Thomas Rom Above the Fold Document’s Reads: Our favorite books from the past year As Fashion Week rapidly approaches, we’ve been looking back at some of our favorite inspirational books, novels and artist monographs of the past year for... by Max Hirschberger
Above the Fold Are complaints about unoriginality in film unoriginal? Movies have always reshuffled the past—and while today’s stories might not be new, they’re being told differently by Noah Berlatsky
Above the Fold Dematerialization: “Escape Attempts” at Shulamit Nazarian On the event of the debut show of the gallery's new location, Document spoke with curator Dr. Kathy Battista and the gallerist herself. by Thomas Rom
Above the Fold Document’s Reads: Our favorite books from the past year As Fashion Week rapidly approaches, we’ve been looking back at some of our favorite inspirational books, novels and artist monographs of the past year for... by Max Hirschberger