Nightlife How to throw a party In this exclusive portfolio from Document’s Fall/Winter 2024–25 issue, NYC’s nightlife leaders share their insights and origins alongside an essay by Geoffrey Mak exploring autonomy...
The Shoptimist: Put an end to the microtrend For her monthly column, skeptic and hater Maya Kotomori shares a list of the most abhorrent as-seen-on-TikTok looks she’s caught in the wild
Art Performa to celebrate 20 years of artistic impact with Artist Party co-hosted by Document Guests are invited for a night of live performance, architectural experimentation, and music to honor and support the pioneering organization
Fashion “The sight of the beloved has a completeness which no words can match.” Photographer Nikolai von Bismarck and fashion editor Ally Macrae collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold For Takesada Matsutani, resistance comes in the form of adaptability In a new exhibition at Hauser & Wirth, Matsutani explores the physicality of art, and his roots in the Gutai Art Association by Morgan Becker Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker Above the Fold Max Bill and Georges Vantongerloo embody the spirit of artistic collaboration Hauser & Wirth’s retrospective on the lifelong friends displays the evolution of the abstract-création movement by Morgan Becker Above the Fold Don McCullin spent 60 years capturing bloodshed and desperation—now he finds solace in the countryside In his new exhibition ‘The Stillness of Life,’ the revered photojournalist reconciles with his legacy of capturing war and destitution, by turning his lens to... by Finn Blythe Above the Fold Mike Kelley’s ‘Unisex Love Nest’ examines the politics of queer aesthetics Mike Kelley's 'Unisex Love Nest,' which was recently shown in his adopted hometown for the first time, still resonates 20 years after its debut. by Ann Binlot Above the Fold Paul McCarthy and the Art of Vulgarity The Los Angeles-based artist closes Hauser & Wirth at 18th Street with a read on American consumer culture. by Derrick Gaitér Documented “Instant Diamonds of the Innocent” by Pipilotti Rist A part of her ongoing "Innocent Collection" project, the visual artist presents an original series for Document No. 9, with an introduction by Lynne Tillman. by Lynne Tillman Above the Fold Moment of Truth: Zoe Leonard Curates History The noted artist curates “In the Wake,” an exhibition that probes personhood, citizenship, and community at Hauser & Wirth New York. by Derrick Gaitér Above the Fold Yuta Nakajima and Madeline Warren on ‘Passing Leap’ at Hauser & Wirth During the summer months, when many residents escape the oppressive heat of the city, New York galleries have the chance to break out of their... by Drew Sawyer Above the Fold Document’s 10 Must-Sees at Art Basel 2015 Art Basel runs like a Swiss clock, flawlessly operated and enjoying its 46th edition. At the helm is the French-American director Marc Spiegler; if ever... by Justin Polera Documented Ida Applebroog: The Ethics of Desire (Studies) Ida Applebroog’s work is oriented around the destabilization of the known; often achieved by stripping culturally familiar imagery down to its most basic forms. by Alissa Bennett Above the Fold Poetics in Plaster: Thomas Houseago’s “Moun Room” at Hauser & Wirth Hauser & Wirth's new installation by Thomas Houseago, “Moun Room,” is immediately arresting, drawing us into a 40,000 square-foot, sky-lit hangar. Reminiscent of visual labyrinths... by Justin Polera
Above the Fold For Takesada Matsutani, resistance comes in the form of adaptability In a new exhibition at Hauser & Wirth, Matsutani explores the physicality of art, and his roots in the Gutai Art Association by Morgan Becker
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker
Above the Fold Max Bill and Georges Vantongerloo embody the spirit of artistic collaboration Hauser & Wirth’s retrospective on the lifelong friends displays the evolution of the abstract-création movement by Morgan Becker
Above the Fold Don McCullin spent 60 years capturing bloodshed and desperation—now he finds solace in the countryside In his new exhibition ‘The Stillness of Life,’ the revered photojournalist reconciles with his legacy of capturing war and destitution, by turning his lens to... by Finn Blythe
Above the Fold Mike Kelley’s ‘Unisex Love Nest’ examines the politics of queer aesthetics Mike Kelley's 'Unisex Love Nest,' which was recently shown in his adopted hometown for the first time, still resonates 20 years after its debut. by Ann Binlot
Above the Fold Paul McCarthy and the Art of Vulgarity The Los Angeles-based artist closes Hauser & Wirth at 18th Street with a read on American consumer culture. by Derrick Gaitér
Documented “Instant Diamonds of the Innocent” by Pipilotti Rist A part of her ongoing "Innocent Collection" project, the visual artist presents an original series for Document No. 9, with an introduction by Lynne Tillman. by Lynne Tillman
Above the Fold Moment of Truth: Zoe Leonard Curates History The noted artist curates “In the Wake,” an exhibition that probes personhood, citizenship, and community at Hauser & Wirth New York. by Derrick Gaitér
Above the Fold Yuta Nakajima and Madeline Warren on ‘Passing Leap’ at Hauser & Wirth During the summer months, when many residents escape the oppressive heat of the city, New York galleries have the chance to break out of their... by Drew Sawyer
Above the Fold Document’s 10 Must-Sees at Art Basel 2015 Art Basel runs like a Swiss clock, flawlessly operated and enjoying its 46th edition. At the helm is the French-American director Marc Spiegler; if ever... by Justin Polera
Documented Ida Applebroog: The Ethics of Desire (Studies) Ida Applebroog’s work is oriented around the destabilization of the known; often achieved by stripping culturally familiar imagery down to its most basic forms. by Alissa Bennett
Above the Fold Poetics in Plaster: Thomas Houseago’s “Moun Room” at Hauser & Wirth Hauser & Wirth's new installation by Thomas Houseago, “Moun Room,” is immediately arresting, drawing us into a 40,000 square-foot, sky-lit hangar. Reminiscent of visual labyrinths... by Justin Polera