Literature Torey Akers’s ‘Revolutionary Algorithms’ finds political potential on TikTok For the release of her first book, the writer and content creator sits down with Document to discuss digital citizenry, censorship, and the future of...
Photography ‘I’m Sorry But Your Opinion Means Very Little to Me’ visualizes simplicity in the Aegean Sea From children at play to now-social-media-famous barflies, Max Lancaster captures a slower way of life
Orientalism up your ass Artist Riven Ratanavanh parses the frisson of sex, race, and power behind his reimagining of Carolee Schneemann’s ‘Interior Scroll’
Art Kenny Scharf’s technicolor vision comes alive at the Brant Foundation Document sits down with the artist to look back at nearly 50 years of playful creation
Above the Fold Moda a Milano Document visits Milan with a backstage look at the best of men's Spring/Summer and women's Resort 2016. by Ronald Burton III Above the Fold Document S/S 2015: “Come Here, Look Back, Move Forward”* When we begin each new issue of Document Journal, we are reacting not only to our previous issues, of course, and to the season in... by Document Journal Conversations Valeria Golino and Francesca Marciano on their new film ‘Miele’ and living without borders The Italian artists on their fast friendship, why everyone complains about Italy, and what makes a modern woman for Document's Spring/Summer 2014 issue. by Chiara Barzini
Above the Fold Moda a Milano Document visits Milan with a backstage look at the best of men's Spring/Summer and women's Resort 2016. by Ronald Burton III
Above the Fold Document S/S 2015: “Come Here, Look Back, Move Forward”* When we begin each new issue of Document Journal, we are reacting not only to our previous issues, of course, and to the season in... by Document Journal
Conversations Valeria Golino and Francesca Marciano on their new film ‘Miele’ and living without borders The Italian artists on their fast friendship, why everyone complains about Italy, and what makes a modern woman for Document's Spring/Summer 2014 issue. by Chiara Barzini