Art The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment
Literature In ‘Trauma Plot,’ Jamie Hood writes herself whole again Through raw excavation and narrative shape-shifting, Hood transforms her assault wounds into a rebellion against literary conventions
Art Manuela Moscoso embraces change at ZsONAMACO Document sits down with the Quito-born, New York-based curator behind this year's galleries to discuss her symbiotic selection process and Mexico City's evolving curatorial climate
Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Above the Fold ‘Chaos For The Fly’ is equal parts indulgent and uncertain Ahead of the release his album, Grian Chatten joins Document to dissect its anatomy and offer an analysis of the mercurial emotions that made it by Megan Hullander Above the Fold Fontaines D.C. reclaim their pride on ‘Skinty Fia’ The band joins Document to discuss their latest album, the failings of guitar music, and balancing national and regional identities by Megan Hullander
Above the Fold ‘Chaos For The Fly’ is equal parts indulgent and uncertain Ahead of the release his album, Grian Chatten joins Document to dissect its anatomy and offer an analysis of the mercurial emotions that made it by Megan Hullander
Above the Fold Fontaines D.C. reclaim their pride on ‘Skinty Fia’ The band joins Document to discuss their latest album, the failings of guitar music, and balancing national and regional identities by Megan Hullander
