Technology The Israeli military and tech industry collaborate on user-friendly software tools that automate occupation and genocide For Document’s Fall/Winter 2024–25 issue, Sophia Goodfriend examines the dark side of big data in Palestine
Art Ambera Wellmann materializes mortal landscapes For Document’s Fall/Winter 2024–25 issue, the painter unveils a suite of large-scale paintings that fuse mysterious environments with beings alive and dead
Architecture Building from the inside George Yabu and Glenn Pushelberg of Yabu Pushelberg Document sits down with the duo behind the boundary-breaking interiors firm to trace how their personal and professional histories inform their forward-looking designs
Literature Fine Print: Did Michel Houellebecq steal Thomas Bernhard’s coat? In his monthly column, Drew Zeiba hunts for clues in the controversial French author’s latest novel, ‘Annihilation’
At Large Automated for the people What does the rise of workwear in fashion say about our own ideas about labor in the age of automation and the Amazon warehouse? by Mindy Meissen At Large Saskia de Brauw says the #MeToo moment has made her rethink ‘normal’ The artist and model on working in an industry looking to make amends. by Divya Bala Fashion Portfolio Eugene Souleiman is the visionary behind the ethereal hair in Jil Sander’s latest collection The hairstylist discusses his embrace of creative spontaneity, the importance of positive collaborations, and why he doesn't search for inspiration in books. by Phil Backes Fashion Portfolio FW18: Hairstylist Guido Palau reflects on male beauty at Lanvin "What seemed shocking a few years ago, what you can do to a man and their hair, seems quite tame now." by Megan Wray Schertler Above the Fold Massimo Giorgetti and MSGM are Italian fashion for a new generation "It’s fashion, but it’s important that it is still believable." by Alice Lefons Above the Fold LFWM 2018: Edward Crutchley Isn’t a Menswear Company Almost all of the British designer's latest collection is for everyone by Document Journal Above the Fold LFWM 2018: Cottweiler Wants to Make Sportswear to Obsess Over "Sportswear has just always been something to do sport in and not something to look at and to touch." by Alice Lefons
At Large Automated for the people What does the rise of workwear in fashion say about our own ideas about labor in the age of automation and the Amazon warehouse? by Mindy Meissen
At Large Saskia de Brauw says the #MeToo moment has made her rethink ‘normal’ The artist and model on working in an industry looking to make amends. by Divya Bala
Fashion Portfolio Eugene Souleiman is the visionary behind the ethereal hair in Jil Sander’s latest collection The hairstylist discusses his embrace of creative spontaneity, the importance of positive collaborations, and why he doesn't search for inspiration in books. by Phil Backes
Fashion Portfolio FW18: Hairstylist Guido Palau reflects on male beauty at Lanvin "What seemed shocking a few years ago, what you can do to a man and their hair, seems quite tame now." by Megan Wray Schertler
Above the Fold Massimo Giorgetti and MSGM are Italian fashion for a new generation "It’s fashion, but it’s important that it is still believable." by Alice Lefons
Above the Fold LFWM 2018: Edward Crutchley Isn’t a Menswear Company Almost all of the British designer's latest collection is for everyone by Document Journal
Above the Fold LFWM 2018: Cottweiler Wants to Make Sportswear to Obsess Over "Sportswear has just always been something to do sport in and not something to look at and to touch." by Alice Lefons