Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
At Large Automated for the people What does the rise of workwear in fashion say about our own ideas about labor in the age of automation and the Amazon warehouse? by Mindy Meissen At Large Saskia de Brauw says the #MeToo moment has made her rethink ‘normal’ The artist and model on working in an industry looking to make amends. by Divya Bala Fashion Portfolio Eugene Souleiman is the visionary behind the ethereal hair in Jil Sander’s latest collection The hairstylist discusses his embrace of creative spontaneity, the importance of positive collaborations, and why he doesn't search for inspiration in books. by Phil Backes Fashion Portfolio FW18: Hairstylist Guido Palau reflects on male beauty at Lanvin "What seemed shocking a few years ago, what you can do to a man and their hair, seems quite tame now." by Megan Wray Schertler Above the Fold Massimo Giorgetti and MSGM are Italian fashion for a new generation "It’s fashion, but it’s important that it is still believable." by Alice Lefons Above the Fold LFWM 2018: Edward Crutchley Isn’t a Menswear Company Almost all of the British designer's latest collection is for everyone by Document Journal Above the Fold LFWM 2018: Cottweiler Wants to Make Sportswear to Obsess Over "Sportswear has just always been something to do sport in and not something to look at and to touch." by Alice Lefons
At Large Automated for the people What does the rise of workwear in fashion say about our own ideas about labor in the age of automation and the Amazon warehouse? by Mindy Meissen
At Large Saskia de Brauw says the #MeToo moment has made her rethink ‘normal’ The artist and model on working in an industry looking to make amends. by Divya Bala
Fashion Portfolio Eugene Souleiman is the visionary behind the ethereal hair in Jil Sander’s latest collection The hairstylist discusses his embrace of creative spontaneity, the importance of positive collaborations, and why he doesn't search for inspiration in books. by Phil Backes
Fashion Portfolio FW18: Hairstylist Guido Palau reflects on male beauty at Lanvin "What seemed shocking a few years ago, what you can do to a man and their hair, seems quite tame now." by Megan Wray Schertler
Above the Fold Massimo Giorgetti and MSGM are Italian fashion for a new generation "It’s fashion, but it’s important that it is still believable." by Alice Lefons
Above the Fold LFWM 2018: Edward Crutchley Isn’t a Menswear Company Almost all of the British designer's latest collection is for everyone by Document Journal
Above the Fold LFWM 2018: Cottweiler Wants to Make Sportswear to Obsess Over "Sportswear has just always been something to do sport in and not something to look at and to touch." by Alice Lefons