Fashion The intimacy of beauty with Holli Smith and Pony Rivers For Document’s Fall/Winter 2024–25 issue, the hairstylist and longtime contributor transforms her partner into an array of characters for his fashion debut accompanied by a...
Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham Above the Fold Remembering Kenneth Anger, an icon of queer cinematic counterculture The groundbreaking filmmaker believed movies were “evil” and likened his practice to the “casting of a spell”—the influence of which is imbued across visual culture by Camille Sojit Pejcha Conversations Cillian Murphy and Geoff Dyer evaluate the cross-medium art of observation Years ago, the actor requested the cinematic rights to the writer’s ‘Jeff in Venice, Death in Varanasi’—here, they revisit the proposal by Megan Hullander Conversations Myha’la Herrold pushes the on-screen envelope, redefining the antihero Resistant to the archetype, the actor is emblematic of a new generation of performers, committed to complex characters and storylines by Morgan Becker Conversations Saoirse Ronan and Grace Coddington are artists in the craft of character-building After their first meeting more than a decade ago, the actor and fashion editor come together, looking back on New York and life along the... by Maraya Fisher Conversations Pedro Almodóvar and Anthony Vaccarello are true disciples of fashion’s storied love affair with film The filmmaker and Saint Laurent Productions’s artistic director reflect on 'Strange Way of Life,' and giving new impetus to its decade-old script by Aaron Hicklin Above the Fold The slow sea odyssey of ‘Human Flowers of Flesh’ renders everything from “nothing” Thoughtful meditations are foregrounded in German filmmaker Helena Wittmann’s modern take on Claire Denis’s ‘Beau Travail’ by Greta Rainbow Above the Fold Daytripping: The top 20 nightlife scenes in cinema In her bi-weekly column for Document, McKenzie Wark lists her favorite instances of on-screen dancing, from the rave in Zion to ’60s sci-fi fantasia by McKenzie Wark Above the Fold ‘How to Blow Up a Pipeline’ is a call-to-arms for a disillusioned world Fed up with the ineffectiveness of peaceful protest, a group of young activists decide to burn it all down for the sake of our future by Camille Sojit Pejcha Above the Fold Saint Laurent spearheads ‘Strange Way of Life,’ Pedro Almodóvar’s answer to ‘Brokeback Mountain’ The short film, starring Ethan Hawke and Pedro Pascal, is set to premiere at Cannes, kickstarting the French house’s foray into the realm of cinema by Morgan Becker Above the Fold Sophie Thatcher finds salvation in storytelling The ‘Yellowjackets’ star opens up about her music career, childhood obsessions, and her desire to ‘become unrecognizable’ by Camille Sojit Pejcha Above the Fold You probably haven’t heard about the most egregious Oscars snub ‘The Boy, the Mole, the Fox and the Horse’ won Best Animated Short—the worst contender by far, backed by a celebrity-studded network by Morgan Becker Above the Fold Looking back on the oeuvre of Yvonne Rainer, iconoclast and artistic visionary Following her retrospective at Metrograph, the filmmaker and choreographer meets with Document, testifying to the creative power of nonconformity by Tia Glista Above the Fold In ‘Inside,’ art informs character Curator Leonardo Bigazzi joins Document to expand upon the film’s collection, reflecting upon the experience of art through the screen by Megan Hullander Above the Fold Pornhub made free porn accessible to everyone—but at what cost? Netflix’s new documentary ‘Money Shot’ chronicles the rise of the internet porn empire, and the scandals that rocked the adult film industry by Camille Sojit Pejcha Above the Fold For Vex Ashley, pleasure is an act of resistance With DIY porn project Four Chambers, the adult filmmaker finds the art in sex—and investigates its relationship to society in the process by Camille Sojit Pejcha Above the Fold Survivalist dramas are topping the charts, but are they subverting the status quo? From apocalyptic wastelands to shipwrecks, today’s most popular media offers an alternate model of meritocracy—but the message is not as progressive as it looks by Camille Sojit Pejcha Above the Fold A guide to the tender films of Mia Hansen-Løve Upon the release of her latest feature ‘One Fine Morning,’ Document curates a list of the writer-director’s most intimate stories by Tia Glista Above the Fold From heart-racing to heart-melting, Erika Lust’s Valentine’s Day film list will evoke your fantasies For Document, the adult film director chooses the best romantic movies to watch together or alone—and a pornographic selection to match by Camille Sojit Pejcha Above the Fold In ‘Infinity Pool,’ everything is as picturesque as it is perverse Brandon Cronenberg’s sci-fi horror film ultimately falls flat, but teases at an innovatory career to come by Megan Hullander Above the Fold The Aging Actress Renaissance is upon us This year’s Golden Globes reflect an audience ready for stories about complicated women—beyond their twenties by Morgan Becker Above the Fold Shawna Ferreira traverses the Portuguese coastline, capturing quotidian magic Premiering with Document, the filmmaker’s ‘FREE WILL VICE VERSA’ meditates on ritual, mystery, and personal meaning-making by Morgan Becker Above the Fold John Cassavetes’s ‘Opening Night’ is young at heart Celebrating the 45th birthday of a film that immortalized the existential quandary of aging by Razzi Schlosser Above the Fold Film families that are probably worse than your own From ‘Dogtooth’ to ‘Texas Chainsaw Massacre,’ Document compiles the movies with the most despicable on-screen relatives, to give you some perspective this holiday season by Megan Hullander Conversations Emma Corrin mines stories of unbridled, uncensored self-discovery For Document’s Winter/Resort 2023 issue, the rising star speaks to film’s capacity for turning speculative freedoms into reality by Tia Glista Conversations Lupita Nyong’o leverages language to depict the nuances of humanity Upon her return to the ‘Black Panther’ franchise, the celebrated actor reflects on healing alongside her character for Document’s Winter/Resort 2023 issue by Bridget Minamore Conversations Hari Nef and Lena Dunham on the complicated communion of performance For Document’s Winter/Resort 2023 issue, the actor and writer reunite in the name of authenticity—delving into their respective cults of personality by Morgan Becker Conversations Nicolas Cage and John Carpenter are cinema’s most studious eccentrics For Document’s Winter/Resort 2023 issue, the horror master and the movie star expound on a possible curriculum for the apocryphal Nicolas Cage University by Hannah Ongley Above the Fold The art of activism, through the voice of Nan Goldin In ‘All the Beauty and the Bloodshed,’ documentarian Laura Poitras tracks the photographer’s unrelenting pursuit of personal and political truth by Conor Williams Above the Fold In ‘The Menu,’ there is no escape from consumption Mark Mylod’s satirical horror riffs on elite capitalism—and what can happen when we’re alienated from true satiation by Noah Berlatsky Above the Fold Julia Weist’s ‘Governing Body’ questions what we deem indecent in the scope of mainstream cinema The film rating system has a history of stigmatizing the female body. Is that their fault, or ours? by Morgan Becker Above the Fold Marcela Jacobina’s ‘Love in LA’ is a bleary, impressionistic anti-fairy tale Premiering on Document, the short film explores the tragic pursuit of meaning in a media-saturated landscape by Razzi Schlosser Above the Fold Are complaints about unoriginality in film unoriginal? Movies have always reshuffled the past—and while today’s stories might not be new, they’re being told differently by Noah Berlatsky Above the Fold Indie sleaze gets the cinematic treatment in the new documentary, ‘Meet Me In the Bathroom’ Directors Will Lovelace and Dylan Southern discuss their gritty tribute to New York’s indie scene, featuring archival images from Hedi Slimane by Madison Bulnes Above the Fold Halloween films for lovers of arthouse horror, and the best snacks to pair them with From nightmarish fairytales to gritty psychological thrillers, Document selects 10 cinematic gems to watch this month by Diego Sacramento Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky Above the Fold Sophia Giovannitti is not your muse In her new solo show, ‘Study 4: Collateral,’ the artist and auteur welds an ideology that reconsiders gendered assumptions by Razzi Schlosser Above the Fold ‘Hellraiser’ promises pleasurable pain, but delivers only agony The remake of Clive Barker’s classic horror film aims to explore the furthest regions of experience, but ends up as an accidental meta-commentary by Noah Berlatsky Above the Fold Thirty years later, Sally Potter’s ‘Orlando’ still feels wildly modern Ahead of a retrospective at the Metrograph, the legendary filmmaker reflects on her groundbreaking adaptation of the Virginia Woolf classic by Tia Glista Above the Fold Ruben Östlund plays God in ‘Triangle of Sadness’ In his three-act satirical drama, the Swedish filmmaker charms the very people he seeks to jeer by Razzi Schlosser Above the Fold Why are we still talking about Jeffrey Dahmer? 'Monster' is the latest retelling of the life of the killer—but its attempt to center minority voices falls flat in the face of trauma porn by JoliAmour DuBose-Morris Above the Fold The tempo of cinema, according to ‘TÁR’ composer Hildur Guðnadóttir In Todd Field's psychological drama, the artificiality of traditional musical scores is confronted with the reality of everyday life by Razzi Schlosser Above the Fold Christmas and Campari: An outsider’s first foray into the Venice Film Festival From soul-crushing indie centerpieces to drama-clad flops, Document diaries a week of features, glamour, and family by Lee Phillips Above the Fold Netflix’s ‘Blonde’ claims to take aim at abusers, but Marilyn winds up in the crosshairs “The real tragedy of ‘Blonde’ is that these people got away with fictionalizing a real woman beyond recognition.” by Lee Phillips Above the Fold For Snail Mail, vulnerability is a double-edged sword Frontwoman Lindsey Jordan joins Document to discuss her changing perspective on love, the intimacy of songwriting, and her cinematic debut by Camille Sojit Pejcha Above the Fold In Sierra Pettengill’s new documentary ‘Riotsville, U.S.A.,’ a fake town reveals real problems Designed to train cops to quell civil unrest, the city was a reflection of our national ideals, and an impetus for internal state violence by Tia Glista Above the Fold Remembering Jean-Luc Godard, whose immortal legacy rewrote the rules of cinema “When a human being is capable of creating things that transcend our lived experience, it’s easy to assume that they themselves can transcend its limits.” by Razzi Schlosser Above the Fold From porn to pop, Chloe Cherry is living the new American Dream Ahead of her feature film debut in ‘www.RachelOrmont.com,’ the actor reflects on her ascent to stardom by Megan Hullander Above the Fold Does the King of Rock ‘n’ Roll owe it all to Black culture? Baz Luhrmann’s ‘Elvis’ revives debates around pay, appropriation, and who benefits from rebellion by JoliAmour DuBose-Morris Above the Fold What ‘Everything Everywhere All at Once’ gets wrong about queer parenthood Noah Berlatsky questions the tidy narrative closure of a film that wallows in the struggles of raising a queer child, rather than exploring its joys by Noah Berlatsky
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
Above the Fold Remembering Kenneth Anger, an icon of queer cinematic counterculture The groundbreaking filmmaker believed movies were “evil” and likened his practice to the “casting of a spell”—the influence of which is imbued across visual culture by Camille Sojit Pejcha
Conversations Cillian Murphy and Geoff Dyer evaluate the cross-medium art of observation Years ago, the actor requested the cinematic rights to the writer’s ‘Jeff in Venice, Death in Varanasi’—here, they revisit the proposal by Megan Hullander
Conversations Myha’la Herrold pushes the on-screen envelope, redefining the antihero Resistant to the archetype, the actor is emblematic of a new generation of performers, committed to complex characters and storylines by Morgan Becker
Conversations Saoirse Ronan and Grace Coddington are artists in the craft of character-building After their first meeting more than a decade ago, the actor and fashion editor come together, looking back on New York and life along the... by Maraya Fisher
Conversations Pedro Almodóvar and Anthony Vaccarello are true disciples of fashion’s storied love affair with film The filmmaker and Saint Laurent Productions’s artistic director reflect on 'Strange Way of Life,' and giving new impetus to its decade-old script by Aaron Hicklin
Above the Fold The slow sea odyssey of ‘Human Flowers of Flesh’ renders everything from “nothing” Thoughtful meditations are foregrounded in German filmmaker Helena Wittmann’s modern take on Claire Denis’s ‘Beau Travail’ by Greta Rainbow
Above the Fold Daytripping: The top 20 nightlife scenes in cinema In her bi-weekly column for Document, McKenzie Wark lists her favorite instances of on-screen dancing, from the rave in Zion to ’60s sci-fi fantasia by McKenzie Wark
Above the Fold ‘How to Blow Up a Pipeline’ is a call-to-arms for a disillusioned world Fed up with the ineffectiveness of peaceful protest, a group of young activists decide to burn it all down for the sake of our future by Camille Sojit Pejcha
Above the Fold Saint Laurent spearheads ‘Strange Way of Life,’ Pedro Almodóvar’s answer to ‘Brokeback Mountain’ The short film, starring Ethan Hawke and Pedro Pascal, is set to premiere at Cannes, kickstarting the French house’s foray into the realm of cinema by Morgan Becker
Above the Fold Sophie Thatcher finds salvation in storytelling The ‘Yellowjackets’ star opens up about her music career, childhood obsessions, and her desire to ‘become unrecognizable’ by Camille Sojit Pejcha
Above the Fold You probably haven’t heard about the most egregious Oscars snub ‘The Boy, the Mole, the Fox and the Horse’ won Best Animated Short—the worst contender by far, backed by a celebrity-studded network by Morgan Becker
Above the Fold Looking back on the oeuvre of Yvonne Rainer, iconoclast and artistic visionary Following her retrospective at Metrograph, the filmmaker and choreographer meets with Document, testifying to the creative power of nonconformity by Tia Glista
Above the Fold In ‘Inside,’ art informs character Curator Leonardo Bigazzi joins Document to expand upon the film’s collection, reflecting upon the experience of art through the screen by Megan Hullander
Above the Fold Pornhub made free porn accessible to everyone—but at what cost? Netflix’s new documentary ‘Money Shot’ chronicles the rise of the internet porn empire, and the scandals that rocked the adult film industry by Camille Sojit Pejcha
Above the Fold For Vex Ashley, pleasure is an act of resistance With DIY porn project Four Chambers, the adult filmmaker finds the art in sex—and investigates its relationship to society in the process by Camille Sojit Pejcha
Above the Fold Survivalist dramas are topping the charts, but are they subverting the status quo? From apocalyptic wastelands to shipwrecks, today’s most popular media offers an alternate model of meritocracy—but the message is not as progressive as it looks by Camille Sojit Pejcha
Above the Fold A guide to the tender films of Mia Hansen-Løve Upon the release of her latest feature ‘One Fine Morning,’ Document curates a list of the writer-director’s most intimate stories by Tia Glista
Above the Fold From heart-racing to heart-melting, Erika Lust’s Valentine’s Day film list will evoke your fantasies For Document, the adult film director chooses the best romantic movies to watch together or alone—and a pornographic selection to match by Camille Sojit Pejcha
Above the Fold In ‘Infinity Pool,’ everything is as picturesque as it is perverse Brandon Cronenberg’s sci-fi horror film ultimately falls flat, but teases at an innovatory career to come by Megan Hullander
Above the Fold The Aging Actress Renaissance is upon us This year’s Golden Globes reflect an audience ready for stories about complicated women—beyond their twenties by Morgan Becker
Above the Fold Shawna Ferreira traverses the Portuguese coastline, capturing quotidian magic Premiering with Document, the filmmaker’s ‘FREE WILL VICE VERSA’ meditates on ritual, mystery, and personal meaning-making by Morgan Becker
Above the Fold John Cassavetes’s ‘Opening Night’ is young at heart Celebrating the 45th birthday of a film that immortalized the existential quandary of aging by Razzi Schlosser
Above the Fold Film families that are probably worse than your own From ‘Dogtooth’ to ‘Texas Chainsaw Massacre,’ Document compiles the movies with the most despicable on-screen relatives, to give you some perspective this holiday season by Megan Hullander
Conversations Emma Corrin mines stories of unbridled, uncensored self-discovery For Document’s Winter/Resort 2023 issue, the rising star speaks to film’s capacity for turning speculative freedoms into reality by Tia Glista
Conversations Lupita Nyong’o leverages language to depict the nuances of humanity Upon her return to the ‘Black Panther’ franchise, the celebrated actor reflects on healing alongside her character for Document’s Winter/Resort 2023 issue by Bridget Minamore
Conversations Hari Nef and Lena Dunham on the complicated communion of performance For Document’s Winter/Resort 2023 issue, the actor and writer reunite in the name of authenticity—delving into their respective cults of personality by Morgan Becker
Conversations Nicolas Cage and John Carpenter are cinema’s most studious eccentrics For Document’s Winter/Resort 2023 issue, the horror master and the movie star expound on a possible curriculum for the apocryphal Nicolas Cage University by Hannah Ongley
Above the Fold The art of activism, through the voice of Nan Goldin In ‘All the Beauty and the Bloodshed,’ documentarian Laura Poitras tracks the photographer’s unrelenting pursuit of personal and political truth by Conor Williams
Above the Fold In ‘The Menu,’ there is no escape from consumption Mark Mylod’s satirical horror riffs on elite capitalism—and what can happen when we’re alienated from true satiation by Noah Berlatsky
Above the Fold Julia Weist’s ‘Governing Body’ questions what we deem indecent in the scope of mainstream cinema The film rating system has a history of stigmatizing the female body. Is that their fault, or ours? by Morgan Becker
Above the Fold Marcela Jacobina’s ‘Love in LA’ is a bleary, impressionistic anti-fairy tale Premiering on Document, the short film explores the tragic pursuit of meaning in a media-saturated landscape by Razzi Schlosser
Above the Fold Are complaints about unoriginality in film unoriginal? Movies have always reshuffled the past—and while today’s stories might not be new, they’re being told differently by Noah Berlatsky
Above the Fold Indie sleaze gets the cinematic treatment in the new documentary, ‘Meet Me In the Bathroom’ Directors Will Lovelace and Dylan Southern discuss their gritty tribute to New York’s indie scene, featuring archival images from Hedi Slimane by Madison Bulnes
Above the Fold Halloween films for lovers of arthouse horror, and the best snacks to pair them with From nightmarish fairytales to gritty psychological thrillers, Document selects 10 cinematic gems to watch this month by Diego Sacramento
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky
Above the Fold Sophia Giovannitti is not your muse In her new solo show, ‘Study 4: Collateral,’ the artist and auteur welds an ideology that reconsiders gendered assumptions by Razzi Schlosser
Above the Fold ‘Hellraiser’ promises pleasurable pain, but delivers only agony The remake of Clive Barker’s classic horror film aims to explore the furthest regions of experience, but ends up as an accidental meta-commentary by Noah Berlatsky
Above the Fold Thirty years later, Sally Potter’s ‘Orlando’ still feels wildly modern Ahead of a retrospective at the Metrograph, the legendary filmmaker reflects on her groundbreaking adaptation of the Virginia Woolf classic by Tia Glista
Above the Fold Ruben Östlund plays God in ‘Triangle of Sadness’ In his three-act satirical drama, the Swedish filmmaker charms the very people he seeks to jeer by Razzi Schlosser
Above the Fold Why are we still talking about Jeffrey Dahmer? 'Monster' is the latest retelling of the life of the killer—but its attempt to center minority voices falls flat in the face of trauma porn by JoliAmour DuBose-Morris
Above the Fold The tempo of cinema, according to ‘TÁR’ composer Hildur Guðnadóttir In Todd Field's psychological drama, the artificiality of traditional musical scores is confronted with the reality of everyday life by Razzi Schlosser
Above the Fold Christmas and Campari: An outsider’s first foray into the Venice Film Festival From soul-crushing indie centerpieces to drama-clad flops, Document diaries a week of features, glamour, and family by Lee Phillips
Above the Fold Netflix’s ‘Blonde’ claims to take aim at abusers, but Marilyn winds up in the crosshairs “The real tragedy of ‘Blonde’ is that these people got away with fictionalizing a real woman beyond recognition.” by Lee Phillips
Above the Fold For Snail Mail, vulnerability is a double-edged sword Frontwoman Lindsey Jordan joins Document to discuss her changing perspective on love, the intimacy of songwriting, and her cinematic debut by Camille Sojit Pejcha
Above the Fold In Sierra Pettengill’s new documentary ‘Riotsville, U.S.A.,’ a fake town reveals real problems Designed to train cops to quell civil unrest, the city was a reflection of our national ideals, and an impetus for internal state violence by Tia Glista
Above the Fold Remembering Jean-Luc Godard, whose immortal legacy rewrote the rules of cinema “When a human being is capable of creating things that transcend our lived experience, it’s easy to assume that they themselves can transcend its limits.” by Razzi Schlosser
Above the Fold From porn to pop, Chloe Cherry is living the new American Dream Ahead of her feature film debut in ‘www.RachelOrmont.com,’ the actor reflects on her ascent to stardom by Megan Hullander
Above the Fold Does the King of Rock ‘n’ Roll owe it all to Black culture? Baz Luhrmann’s ‘Elvis’ revives debates around pay, appropriation, and who benefits from rebellion by JoliAmour DuBose-Morris
Above the Fold What ‘Everything Everywhere All at Once’ gets wrong about queer parenthood Noah Berlatsky questions the tidy narrative closure of a film that wallows in the struggles of raising a queer child, rather than exploring its joys by Noah Berlatsky