Technology The Israeli military and tech industry collaborate on user-friendly software tools that automate occupation and genocide For Document’s Fall/Winter 2024–25 issue, Sophia Goodfriend examines the dark side of big data in Palestine
Art Ambera Wellmann materializes mortal landscapes For Document’s Fall/Winter 2024–25 issue, the painter unveils a suite of large-scale paintings that fuse mysterious environments with beings alive and dead
Architecture Building from the inside George Yabu and Glenn Pushelberg of Yabu Pushelberg Document sits down with the duo behind the boundary-breaking interiors firm to trace how their personal and professional histories inform their forward-looking designs
Literature Fine Print: Did Michel Houellebecq steal Thomas Bernhard’s coat? In his monthly column, Drew Zeiba hunts for clues in the controversial French author’s latest novel, ‘Annihilation’
Above the Fold Ena Sendijarević’s cinema of migration and memory Document sits down with the Bosnian filmmaker to discuss how diaspora shapes her slow cinema-inflected storytelling by Sabina Latifovic Conversations Multidisciplinary artist Mickalene Thomas transforms before the lens for her debut as the indomitable model Mickey! To accompany this exclusive fashion portfolio in Document’s Fall/Winter 2024–25 issue, Thomas is joined by actor and screenwriter Lena Waithe to unpack the art of... by Monique Long Conversations Cate Blanchett and Alfonso Cuarón vitalize narrative potential The actor and director unfurl the cinematic story for Document Journal’s Fall/Winter 2024–25 issue by Drew Zeiba Conversations Jake Gyllenhaal and Hans Ulrich Obrist put language into action For Document’s Fall/Winter 2024-25 issue, the actor and curator discuss the potency of the word on paper, stage, and screen by Maya Kotomori Above the Fold Poet Precious Okoyomon and artist Olivia McKayla Ross are using time as a creative medium The pair sit down with Document to discuss the memory work in Okoyomon’s new poetry collection, ‘But Did You Die?’ by Zoey Greenwald Above the Fold ‘National Anthem’ is a portal into the beauty of queer rural America Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen by Olivia Treynor Above the Fold Wedding veils, pan flutes, and the perfect day for a picnic A deep dive into ‘Picnic at Hanging Rock,’ the 1975 cult film that inspired everyone from Chloë Sevigny to Alexander McQueen and redefined Australian cinema by Elroy Rosenberg Above the Fold In ‘Queendom,’ authenticity is resistance Agniia Galdanova’s documentary showcases art’s radical potential by following Russian performance artist Jenna Marvin by Katie Rex Conversations Decoding the ‘it’ factor with Abbey Lee In an exclusive digital interview for Document’s Spring/Summer 2024 issue, the cover star details how she found acting and a new sense of creative fulfillment by Maya Kotomori Above the Fold Saint Laurent cinematic connection comes full circle in Cannes For the Festival’s 2024 edition, the luxury house-turned-production studio is realizing Anthony Vaccarello’s expansive ambitions on the silver screen by Elroy Rosenberg At Large Inside the secret libidinal archive of George Platt Lynes Director Sam Shahid joins photographer Bruce Weber to discuss the artist’s clandestine homoerotic nudes, documented in his new film ‘Hidden Master’ by Nick Vogelson Conversations Viggo Mortensen and Ron Howard see storytelling as an act of collaboration For Document’s Spring/Summer 2024 issue, the filmmakers ruminate on the transportive power of cinema, the art of interpretation, and the importance of honoring your audience by Camille Sojit Pejcha Conversations Isabelle Huppert and Bruce LaBruce capture the profound power of deviance For Document’s Spring/Summer 2024 issue, the actor and director discuss the cinematic language, fashion, and revolution in their filmographies by Whitney Mallett Above the Fold Charting a course through Wim Wenders’s filmography Document drafts a roadmap through the New German Cinema pioneer’s must-see works following remarkable critical reception of his latest film, ‘Perfect Days’ by Anabel Gullo Above the Fold In ‘The Wrong Movie,’ an apartment building and a ring light become metaphors for human connection Artist and writer Keren Cytter’s feature film debuted at the 74th Berlinale, leaving audiences wondering: did that guy really become a drone? by Maya Kotomori Above the Fold For Hugo Comte, abstraction is the highest form of flattery The renowned fashion photographer sits down with Document to discuss love, inspiration, and attitude in his debut film, ‘Purring Metal’ by Maya Kotomori Above the Fold Erin Grant celebrates her New York premiere with a night of cinematic illusions The actor and directer spotlights genre-bending shorts from New York filmmakers featuring Illuminati P.I.s, a fallen angel, and a not-so-magic rodent by Drew Zeiba Above the Fold A glimpse through Frederick Wiseman’s enduring lens Upon the release of his 44th documentary ‘Menus-Plaisirs Les Troisgros,’ Document curates a list of the filmmaker’s most provocative portraits by Anabel Gullo Above the Fold ‘The Iron Claw’ goes for the emotional jugular Sean Durkin’s third film renders the Von Erich wrestling family as a American tragedy by Jayne O'Dwyer Above the Fold ‘Gratuity Included’ feasts on the experimental At the film’s second screening, director and fine artist Paulina Freifeld left audiences at KGB’s theater with one cheeky question: what’s for dinner? by Maya Kotomori Above the Fold A guide to the discomfiting films of Todd Haynes Upon the release of May-December, Document curates of list of his most sumptuous, unsettling films by Jayne O'Dwyer Above the Fold Between love, hate, and richesse, ‘Saltburn’ boils over In a web of cinephilic homages, Emerald Fennell’s sophomore feature spins a half-baked tale of lust and ambition by Jayne O'Dwyer Conversations Ishmael Reed and Boots Riley on the art of cultural agitation The novelist and the filmmaker talk Oakland, Basquiat, hip-hop, and propaganda for Document’s Fall/Winter 2023 issue by Jordan Coley Above the Fold In ‘Fingernails,’ uncertainty is painful Christos Nikou’s new film imagines a not-too-distant dystopian future, where love can be certified with a one-off test by Tia Glista Conversations Barry Keoghan makes his own luck For Document’s Fall/Winter 2023 issue, the actor breaks down the art of keeping out of rhythm and seeking comfort in destiny by Charlie Teasdale Conversations Down the splinter of human injury with Sandra Hüller and Joachim Trier For Document’s Fall/Winter 2023 issue, the actor and filmmaker meet to unpack the art of anti-storytelling by Elizabeth Hsieh Above the Fold ‘Two Refusals (Would We Recognize Ourselves Unbroken?)’ excavates cultural memory Part documentary, part visual poem, Suneil Sanzgiri’s video installation at the Brooklyn Museum examines colonial resistance across India and Africa by Maximilian Tapogna At Large Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker For Document’s Fall/Winter 2023 issue, the artist shares ‘Child Interrupted,’ a portfolio positioning the self as invention by Morgan Becker Conversations In the confessional with Jodie Foster and David Sedaris Surveying dialects, dogs, death, and dating, the actor and writer meet for the first time for Document’s Fall/Winter 2023 issue by Megan Hullander Above the Fold Tina Kukielski’s guide to the rich, varied films of ‘Art in the Twenty-First Century’ Ahead of the release of “Friends & Strangers,” Art21’s chief curator highlights some of the series’s most fascinating installments by Jayne O'Dwyer Above the Fold A comprehensive syllabus to ‘Convulsive States’ Following the exhibition’s opening at Pioneer Works, performance artist Liz Magic Laser and curator Gabriel Florenz delineate the words and sounds that shaped it by Megan Hullander Above the Fold For Romy and Charlotte Wells, joy and grief are inextricable The two meet to unravel the act of art-making, comparing the musician’s solo debut against the filmmaker’s first feature by Megan Hullander Above the Fold TIFF’s (somewhat) hidden gems Document took to the juggernaut of the film festival circuit, parsing through its most impressive under-the-radar offerings by Tia Glista Above the Fold ‘Bottoms’ flips the script on the teen sex comedy Emma Seligman’s latest film proves that amidst shifting cultural norms, raunchy flicks still have a place at the box office by Camille Sojit Pejcha Above the Fold Films to hold on to summer From ‘Do The Right Thing’ to ‘Y Tu Mamá También,’ Document offers a list of films that best embody the season’s spirit by Anabel Gullo Above the Fold Lee Pace contains multitudes Hollywood’s most versatile actor joins Document to discuss the complexity of the mind, transcending traditional gender roles, and the characters he never forgot by Camille Sojit Pejcha Above the Fold ‘Barbie’ was a great movie—should that worry us? How a film commissioned by a children’s toy brand become the blockbuster of the summer, and what that means for the future of cinema by Camille Sojit Pejcha Above the Fold The modern German fairytales of Christian Petzold Following the release of ‘Afire,’ the Berlin School director joins the film’s star, Paula Beer, to consider its elaborate fantasies of work, play, and landscape by Erik Morse Above the Fold The battle for the soul of Hollywood A dystopian AI proposal raises questions about what happens to creative industries when all but the most recognizable figures are deemed disposable by Camille Sojit Pejcha Above the Fold Mind the gap, #Barbenheimer Greta Gerwig’s ‘Barbie’ and Christopher Nolan’s ‘Oppenheimer’ share a release date, and a knack for sparking terminally online debate by Maya Kotomori Above the Fold Niia and Michael Imperioli philosophize on the generosity of art For Document, the musician and the actor meet as benefactors of one another’s work, discussing the transcendence born from opening the self by Megan Hullander Above the Fold The divine gifts of ‘The Starling Girl’ Upon the streaming release of her debut film, Laurel Parmet sits down with Document to discuss the coexistence of faith and desire by Yasmeen Khan Above the Fold ‘Earth Mama’ finds tenderness in solidarity Ahead of the film’s release, Savanah Leaf joins Document to dissect her A24 feature debut and advocate for fiction’s capacity for truthful storytelling by Tia Glista Above the Fold Jordan Raoufpur is at war with the modern day The artist joins Document to muse on the standards art should be held to, and elaborate on the ways he’s prevented himself from fulfilling them by Megan Hullander Above the Fold ‘Neon Noir’ bridges cinematic cynicism with technicolor tenebrism Curated by Inge de Leeuw, Metrograph’s July film series trades the crime dramas of the genre’s past for the science-fiction of the near future by Yasmeen Khan Above the Fold The sexless fallacy of queer young adult television For Gen Z’s on-screen counterparts, moments of raw passion have been exchanged for obsession with the purity of youth—why can’t both exist at once? by Henry Chandonnet Above the Fold ‘Paris Memories’ probes the act of recollection, through its ties to community and death Alice Winocour’s latest film follows in the French tradition of psychological cinema, with trauma as the impetus for coming-together by Erik Morse Above the Fold The enduring impulse of Adam Goldberg Following his stint as a jury member at the Tribeca Film Festival, the actor joins Document to anatomize his storied career by Megan Hullander Above the Fold Transcending Cannes—at Cannes Despite its reputation as a playground for the industry’s elite, this year’s festival selection did champion a diverse intellectual spirit by Sarah Daoui Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
Above the Fold Ena Sendijarević’s cinema of migration and memory Document sits down with the Bosnian filmmaker to discuss how diaspora shapes her slow cinema-inflected storytelling by Sabina Latifovic
Conversations Multidisciplinary artist Mickalene Thomas transforms before the lens for her debut as the indomitable model Mickey! To accompany this exclusive fashion portfolio in Document’s Fall/Winter 2024–25 issue, Thomas is joined by actor and screenwriter Lena Waithe to unpack the art of... by Monique Long
Conversations Cate Blanchett and Alfonso Cuarón vitalize narrative potential The actor and director unfurl the cinematic story for Document Journal’s Fall/Winter 2024–25 issue by Drew Zeiba
Conversations Jake Gyllenhaal and Hans Ulrich Obrist put language into action For Document’s Fall/Winter 2024-25 issue, the actor and curator discuss the potency of the word on paper, stage, and screen by Maya Kotomori
Above the Fold Poet Precious Okoyomon and artist Olivia McKayla Ross are using time as a creative medium The pair sit down with Document to discuss the memory work in Okoyomon’s new poetry collection, ‘But Did You Die?’ by Zoey Greenwald
Above the Fold ‘National Anthem’ is a portal into the beauty of queer rural America Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen by Olivia Treynor
Above the Fold Wedding veils, pan flutes, and the perfect day for a picnic A deep dive into ‘Picnic at Hanging Rock,’ the 1975 cult film that inspired everyone from Chloë Sevigny to Alexander McQueen and redefined Australian cinema by Elroy Rosenberg
Above the Fold In ‘Queendom,’ authenticity is resistance Agniia Galdanova’s documentary showcases art’s radical potential by following Russian performance artist Jenna Marvin by Katie Rex
Conversations Decoding the ‘it’ factor with Abbey Lee In an exclusive digital interview for Document’s Spring/Summer 2024 issue, the cover star details how she found acting and a new sense of creative fulfillment by Maya Kotomori
Above the Fold Saint Laurent cinematic connection comes full circle in Cannes For the Festival’s 2024 edition, the luxury house-turned-production studio is realizing Anthony Vaccarello’s expansive ambitions on the silver screen by Elroy Rosenberg
At Large Inside the secret libidinal archive of George Platt Lynes Director Sam Shahid joins photographer Bruce Weber to discuss the artist’s clandestine homoerotic nudes, documented in his new film ‘Hidden Master’ by Nick Vogelson
Conversations Viggo Mortensen and Ron Howard see storytelling as an act of collaboration For Document’s Spring/Summer 2024 issue, the filmmakers ruminate on the transportive power of cinema, the art of interpretation, and the importance of honoring your audience by Camille Sojit Pejcha
Conversations Isabelle Huppert and Bruce LaBruce capture the profound power of deviance For Document’s Spring/Summer 2024 issue, the actor and director discuss the cinematic language, fashion, and revolution in their filmographies by Whitney Mallett
Above the Fold Charting a course through Wim Wenders’s filmography Document drafts a roadmap through the New German Cinema pioneer’s must-see works following remarkable critical reception of his latest film, ‘Perfect Days’ by Anabel Gullo
Above the Fold In ‘The Wrong Movie,’ an apartment building and a ring light become metaphors for human connection Artist and writer Keren Cytter’s feature film debuted at the 74th Berlinale, leaving audiences wondering: did that guy really become a drone? by Maya Kotomori
Above the Fold For Hugo Comte, abstraction is the highest form of flattery The renowned fashion photographer sits down with Document to discuss love, inspiration, and attitude in his debut film, ‘Purring Metal’ by Maya Kotomori
Above the Fold Erin Grant celebrates her New York premiere with a night of cinematic illusions The actor and directer spotlights genre-bending shorts from New York filmmakers featuring Illuminati P.I.s, a fallen angel, and a not-so-magic rodent by Drew Zeiba
Above the Fold A glimpse through Frederick Wiseman’s enduring lens Upon the release of his 44th documentary ‘Menus-Plaisirs Les Troisgros,’ Document curates a list of the filmmaker’s most provocative portraits by Anabel Gullo
Above the Fold ‘The Iron Claw’ goes for the emotional jugular Sean Durkin’s third film renders the Von Erich wrestling family as a American tragedy by Jayne O'Dwyer
Above the Fold ‘Gratuity Included’ feasts on the experimental At the film’s second screening, director and fine artist Paulina Freifeld left audiences at KGB’s theater with one cheeky question: what’s for dinner? by Maya Kotomori
Above the Fold A guide to the discomfiting films of Todd Haynes Upon the release of May-December, Document curates of list of his most sumptuous, unsettling films by Jayne O'Dwyer
Above the Fold Between love, hate, and richesse, ‘Saltburn’ boils over In a web of cinephilic homages, Emerald Fennell’s sophomore feature spins a half-baked tale of lust and ambition by Jayne O'Dwyer
Conversations Ishmael Reed and Boots Riley on the art of cultural agitation The novelist and the filmmaker talk Oakland, Basquiat, hip-hop, and propaganda for Document’s Fall/Winter 2023 issue by Jordan Coley
Above the Fold In ‘Fingernails,’ uncertainty is painful Christos Nikou’s new film imagines a not-too-distant dystopian future, where love can be certified with a one-off test by Tia Glista
Conversations Barry Keoghan makes his own luck For Document’s Fall/Winter 2023 issue, the actor breaks down the art of keeping out of rhythm and seeking comfort in destiny by Charlie Teasdale
Conversations Down the splinter of human injury with Sandra Hüller and Joachim Trier For Document’s Fall/Winter 2023 issue, the actor and filmmaker meet to unpack the art of anti-storytelling by Elizabeth Hsieh
Above the Fold ‘Two Refusals (Would We Recognize Ourselves Unbroken?)’ excavates cultural memory Part documentary, part visual poem, Suneil Sanzgiri’s video installation at the Brooklyn Museum examines colonial resistance across India and Africa by Maximilian Tapogna
At Large Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker For Document’s Fall/Winter 2023 issue, the artist shares ‘Child Interrupted,’ a portfolio positioning the self as invention by Morgan Becker
Conversations In the confessional with Jodie Foster and David Sedaris Surveying dialects, dogs, death, and dating, the actor and writer meet for the first time for Document’s Fall/Winter 2023 issue by Megan Hullander
Above the Fold Tina Kukielski’s guide to the rich, varied films of ‘Art in the Twenty-First Century’ Ahead of the release of “Friends & Strangers,” Art21’s chief curator highlights some of the series’s most fascinating installments by Jayne O'Dwyer
Above the Fold A comprehensive syllabus to ‘Convulsive States’ Following the exhibition’s opening at Pioneer Works, performance artist Liz Magic Laser and curator Gabriel Florenz delineate the words and sounds that shaped it by Megan Hullander
Above the Fold For Romy and Charlotte Wells, joy and grief are inextricable The two meet to unravel the act of art-making, comparing the musician’s solo debut against the filmmaker’s first feature by Megan Hullander
Above the Fold TIFF’s (somewhat) hidden gems Document took to the juggernaut of the film festival circuit, parsing through its most impressive under-the-radar offerings by Tia Glista
Above the Fold ‘Bottoms’ flips the script on the teen sex comedy Emma Seligman’s latest film proves that amidst shifting cultural norms, raunchy flicks still have a place at the box office by Camille Sojit Pejcha
Above the Fold Films to hold on to summer From ‘Do The Right Thing’ to ‘Y Tu Mamá También,’ Document offers a list of films that best embody the season’s spirit by Anabel Gullo
Above the Fold Lee Pace contains multitudes Hollywood’s most versatile actor joins Document to discuss the complexity of the mind, transcending traditional gender roles, and the characters he never forgot by Camille Sojit Pejcha
Above the Fold ‘Barbie’ was a great movie—should that worry us? How a film commissioned by a children’s toy brand become the blockbuster of the summer, and what that means for the future of cinema by Camille Sojit Pejcha
Above the Fold The modern German fairytales of Christian Petzold Following the release of ‘Afire,’ the Berlin School director joins the film’s star, Paula Beer, to consider its elaborate fantasies of work, play, and landscape by Erik Morse
Above the Fold The battle for the soul of Hollywood A dystopian AI proposal raises questions about what happens to creative industries when all but the most recognizable figures are deemed disposable by Camille Sojit Pejcha
Above the Fold Mind the gap, #Barbenheimer Greta Gerwig’s ‘Barbie’ and Christopher Nolan’s ‘Oppenheimer’ share a release date, and a knack for sparking terminally online debate by Maya Kotomori
Above the Fold Niia and Michael Imperioli philosophize on the generosity of art For Document, the musician and the actor meet as benefactors of one another’s work, discussing the transcendence born from opening the self by Megan Hullander
Above the Fold The divine gifts of ‘The Starling Girl’ Upon the streaming release of her debut film, Laurel Parmet sits down with Document to discuss the coexistence of faith and desire by Yasmeen Khan
Above the Fold ‘Earth Mama’ finds tenderness in solidarity Ahead of the film’s release, Savanah Leaf joins Document to dissect her A24 feature debut and advocate for fiction’s capacity for truthful storytelling by Tia Glista
Above the Fold Jordan Raoufpur is at war with the modern day The artist joins Document to muse on the standards art should be held to, and elaborate on the ways he’s prevented himself from fulfilling them by Megan Hullander
Above the Fold ‘Neon Noir’ bridges cinematic cynicism with technicolor tenebrism Curated by Inge de Leeuw, Metrograph’s July film series trades the crime dramas of the genre’s past for the science-fiction of the near future by Yasmeen Khan
Above the Fold The sexless fallacy of queer young adult television For Gen Z’s on-screen counterparts, moments of raw passion have been exchanged for obsession with the purity of youth—why can’t both exist at once? by Henry Chandonnet
Above the Fold ‘Paris Memories’ probes the act of recollection, through its ties to community and death Alice Winocour’s latest film follows in the French tradition of psychological cinema, with trauma as the impetus for coming-together by Erik Morse
Above the Fold The enduring impulse of Adam Goldberg Following his stint as a jury member at the Tribeca Film Festival, the actor joins Document to anatomize his storied career by Megan Hullander
Above the Fold Transcending Cannes—at Cannes Despite its reputation as a playground for the industry’s elite, this year’s festival selection did champion a diverse intellectual spirit by Sarah Daoui
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham