Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
“Our vision is continually active, continually holding things in a circle around itself.” Photographer Emily Lipson and fashion editor Delphine Danhier collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold In Andrea Geyer’s ‘a promise of lightning,’ the natural is inherently political On view at the Leslie-Lohman Museum of Art, the artist’s latest exhibition draws parallels between queerness and the the interconnectivity of earth’s environment by Sofi Cisneros Above the Fold Laurie Simmons makes art, not magic An icon of the Pictures Generation, the artist is back with a never-before-shown series of works showcasing pornographic images in surreal suburban interiors by Camille Sojit Pejcha Above the Fold Sam Fayed’s absurdist deep-fakes turn estate photography into art The multimedia artist fights fear and isolation with manufactured authenticity. by Caroline Reagan Above the Fold Marie Tomanova captures the haunting discomfort of being lost in her own homeland The photographer's new exhibition, 'Like a Dream,' reveals her first trip back to the Czech Republic in eight years. by Hannah Ongley Above the Fold Yayoi Kusama and Takashi Murakami consider legal action over fake Shanghai exhibition The exhibition featuring counterfeit works by Yayoi Kusama and Takashi Murakami has been touring China since April 2018. by Caroline Christie Above the Fold Protection finds its equal in pleasure at PS1’s ‘Body Armor’ A new exhibit at MoMA's PS1 takes a nuanced look at how women convey power, desirability, and rebellion through garments worn and objects wielded. by Clara Malley Above the Fold Volez, Voguez, Voyagez Has Landed in New York Fashion curator and historian Olivier Saillard explores the storied legacy of Louis Vuitton in the American debut of Volez, Voguez, Voyagez. by Phil Backes
Above the Fold In Andrea Geyer’s ‘a promise of lightning,’ the natural is inherently political On view at the Leslie-Lohman Museum of Art, the artist’s latest exhibition draws parallels between queerness and the the interconnectivity of earth’s environment by Sofi Cisneros
Above the Fold Laurie Simmons makes art, not magic An icon of the Pictures Generation, the artist is back with a never-before-shown series of works showcasing pornographic images in surreal suburban interiors by Camille Sojit Pejcha
Above the Fold Sam Fayed’s absurdist deep-fakes turn estate photography into art The multimedia artist fights fear and isolation with manufactured authenticity. by Caroline Reagan
Above the Fold Marie Tomanova captures the haunting discomfort of being lost in her own homeland The photographer's new exhibition, 'Like a Dream,' reveals her first trip back to the Czech Republic in eight years. by Hannah Ongley
Above the Fold Yayoi Kusama and Takashi Murakami consider legal action over fake Shanghai exhibition The exhibition featuring counterfeit works by Yayoi Kusama and Takashi Murakami has been touring China since April 2018. by Caroline Christie
Above the Fold Protection finds its equal in pleasure at PS1’s ‘Body Armor’ A new exhibit at MoMA's PS1 takes a nuanced look at how women convey power, desirability, and rebellion through garments worn and objects wielded. by Clara Malley
Above the Fold Volez, Voguez, Voyagez Has Landed in New York Fashion curator and historian Olivier Saillard explores the storied legacy of Louis Vuitton in the American debut of Volez, Voguez, Voyagez. by Phil Backes