Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Twitter is Elon Musk’s newest plaything In purchasing what is now the largest stake in the company, the prolific shitposter gained jurisdiction in a field he is ill-equipped to advise on by Megan Hullander Above the Fold Hustle porn is making and breaking us Experts say long hours are wrecking havoc on our mental health—so why do we continue to fetishize the hustle? by Gabriela Serpa At Large The existential paranoia fueling Elon Musk’s fear of AI The scaremongering by Musk and other 'tech-bros' says more about the exploitative business model of Silicon Valley than Artificial Intelligence's capacity to do actual harm. by Katherine Cross
Above the Fold Twitter is Elon Musk’s newest plaything In purchasing what is now the largest stake in the company, the prolific shitposter gained jurisdiction in a field he is ill-equipped to advise on by Megan Hullander
Above the Fold Hustle porn is making and breaking us Experts say long hours are wrecking havoc on our mental health—so why do we continue to fetishize the hustle? by Gabriela Serpa
At Large The existential paranoia fueling Elon Musk’s fear of AI The scaremongering by Musk and other 'tech-bros' says more about the exploitative business model of Silicon Valley than Artificial Intelligence's capacity to do actual harm. by Katherine Cross