Fine Print: Thirty-three top reads of 2024
Messy! Nasty! Silly! Columnist Drew Zeiba revisits the past year in books
Escapism without escape
Drew Zeiba seeks the source of infinity at the fairs, museums, parties, and performances surrounding Art Basel Miami Beach
Fine Print: You’re a winner, baby
On the heels of the National Book Awards announcements, columnist Drew Zeiba asks what prizes mean for publishing
Fine Print: Did Michel Houellebecq steal Thomas Bernhard’s coat?
In his monthly column, Drew Zeiba hunts for clues in the controversial French author’s latest novel, ‘Annihilation’
Fine Print: ‘The weirder and freakier the better’
Columnist Drew Zeiba sits down with ‘Language Arts’ co-editors Layla Halabian and Sophia June to talk about books, bags, and branding
Fine Print: The crónica as daily epic
In his column, Drew Zeiba reads possibilities for prose and politics in new collections of Hebe Uhart, Clarice Lispector, and Pedro Lemebel’s kaleidoscopic essays
Fine Print: Poetry by any means necessary
For his monthly column, Drew Zeiba traverses New York City in search of performances beyond the page
Fine Print: In the labyrinth of the no
In his monthly column, Drew Zeiba considers the creative merits of giving up through tales of defiant scriveners, starving artists, and painters fluent in refusal
Confronting emerging mythologies from the striptease to gang wars to ‘The Sims’
Document asked 15 critics to turn philosopher Roland Barthes’s 1950s magazine column on its head for its Spring/Summer 2024 issue
Fine Print: Like letting the world read your diary
Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown
Fine Print: A Tale of One City
For his monthly column, Drew Zeiba spends 24 hours partying in Manhattan’s alternate literary realities
