Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Literature Fine Print: Thirty-three top reads of 2024 Messy! Nasty! Silly! Columnist Drew Zeiba revisits the past year in books
Art At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars
At Large Jimmy DeSana, an iconoclast even within the ’70s avant-garde, is finally entering mainstream consciousness Laurie Simmons and Drew Sawyer discuss the late artist’s AIDS-era collages in a portfolio for Document’s tenth anniversary by Megan Hullander Above the Fold Drew Sawyer reflects on art history in the Hudson Valley As part of Birkenstock’s 1774 collaboration series, Document Journal meets 10 creatives making the Hudson Valley a kingdom of their own. Photography curator Drew Sawyer... by Ann Binlot Documented Liz Johnson Artur captures black love and non-binary nightlife in London The Russian-Ghanaian photographer presents her portfolio ‘Return to Forever’ for Document's Fall/Winter 2018 issue. by Drew Sawyer Documented Katharina Grosse rejects your idea that painting is archaic Known for work that takes place on a captivating scale, the painter discusses a technique that operates far beyond the realm of one dimension for... by Drew Sawyer Above the Fold Re-Realizing the American Dream A new exhibition curated by Document's Drew Sawyer reviews the urban and suburban experience of California from 1970s to present day. by Joshua Glass Conversations Lanvin’s Lucas Ossendrijver speaks of space and the functionality of design with artist Oscar Tuazon. The longtime friends met to discuss the craft of fashion and creating a place of one's own. by Drew Sawyer Above the Fold “Low Relief” — Lucy Raven Investigates the Demands of Labor The multimedia artist presents a solo exhibition at the Columbus Museum of Art. by Lumi Tan Conversations Documentary Practices: Quentin Bajac & LaToya Ruby Frazier MoMA chief curator of photography Quentin Bajac and artist LaToya Ruby Frazier explore the role of photography. by Drew Sawyer Above the Fold An Inaugural Opening; Benoît Platéus at Skibum MacArthur Like so many artists and art dealers, Kibum Kim—a lawyer, a faculty member of Art Business at Sotheby's Institute of Art, and the co-founder of... by Drew Sawyer Above the Fold The Not So Simple Life: Buck Ellison on his solo show “Country Day” Drew Sawyer chatted with the Buck Ellison about his current solo exhibition, Country Day. by Drew Sawyer Documented Using written language, Jenny Holzer asks us to question mass media portrayals of the ‘war on terror’ The artist meditates on biased media, state-sanctioned torture, and government censorship in this Document exclusive portfolio from the Fall/Winter 2015 issue. by Drew Sawyer Above the Fold Willa Nasatir’s Spectral Images New York-based artist Willa Nasatir makes seductive still lifes in which objects, bodies, and their traces meld into otherworldly photographic images. For the launch of... by Drew Sawyer Above the Fold James Welling’s Wyeth Series at the Brandywine River Museum of Art In 2010, the Connecticut-born artist James Welling began a series of photographs inspired by the paintings of Andrew Wyeth. Welling is known for numerous experiments... by Drew Sawyer Above the Fold Les Rencontres d’Arles 2015—Part Un Document travels to Arles, France, for the influential photography festival, Les Rencontres d'Arles and visits with some of the festival's most compelling contributors. by Thomas Giddings Above the Fold Yuta Nakajima and Madeline Warren on ‘Passing Leap’ at Hauser & Wirth During the summer months, when many residents escape the oppressive heat of the city, New York galleries have the chance to break out of their... by Drew Sawyer Above the Fold Gavin Brown’s enterprise bids farewell to its West Village Gallery with Jannis Kounellis Gavin Brown’s enterprise, the perennially hip downtown art gallery, recently announced it would be moving to Amsterdam Ave. and 126th Street, adjacent to Columbia University’s... by Drew Sawyer Above the Fold Haunted: Michaël Borremans’ Enigmatic Art For nearly 20 years, the Belgium artist Michaël Borremans has been producing a surreal body of work in painting, drawing, and film that simultaneously mines... by Drew Sawyer Above the Fold Ryan McNamara and Curator Piper Marshall on Performance Art in Museums and McNamara’s New Show Last Thursday, Mary Boone Gallery opened Gently Used, an exhibition of new works by Ryan McNamara. Known for his site-specific performances, McNamara has produced new... by Drew Sawyer Above the Fold An Art Showdown at Paramount Ranch During the last weekend in January, while visitors flocked to Printed Matter's LA Art Book Fair downtown, more adventurous and in-the-know art lovers made the... by Drew Sawyer Above the Fold “Who Says Pain is Erotic?” This Saturday, April 16, Fortnight Institute presents an exhibition of works by Ohio-based artist Carmen Winant, titled "Who Says Pain is Erotic?" Winant's first solo... by Drew Sawyer
At Large Jimmy DeSana, an iconoclast even within the ’70s avant-garde, is finally entering mainstream consciousness Laurie Simmons and Drew Sawyer discuss the late artist’s AIDS-era collages in a portfolio for Document’s tenth anniversary by Megan Hullander
Above the Fold Drew Sawyer reflects on art history in the Hudson Valley As part of Birkenstock’s 1774 collaboration series, Document Journal meets 10 creatives making the Hudson Valley a kingdom of their own. Photography curator Drew Sawyer... by Ann Binlot
Documented Liz Johnson Artur captures black love and non-binary nightlife in London The Russian-Ghanaian photographer presents her portfolio ‘Return to Forever’ for Document's Fall/Winter 2018 issue. by Drew Sawyer
Documented Katharina Grosse rejects your idea that painting is archaic Known for work that takes place on a captivating scale, the painter discusses a technique that operates far beyond the realm of one dimension for... by Drew Sawyer
Above the Fold Re-Realizing the American Dream A new exhibition curated by Document's Drew Sawyer reviews the urban and suburban experience of California from 1970s to present day. by Joshua Glass
Conversations Lanvin’s Lucas Ossendrijver speaks of space and the functionality of design with artist Oscar Tuazon. The longtime friends met to discuss the craft of fashion and creating a place of one's own. by Drew Sawyer
Above the Fold “Low Relief” — Lucy Raven Investigates the Demands of Labor The multimedia artist presents a solo exhibition at the Columbus Museum of Art. by Lumi Tan
Conversations Documentary Practices: Quentin Bajac & LaToya Ruby Frazier MoMA chief curator of photography Quentin Bajac and artist LaToya Ruby Frazier explore the role of photography. by Drew Sawyer
Above the Fold An Inaugural Opening; Benoît Platéus at Skibum MacArthur Like so many artists and art dealers, Kibum Kim—a lawyer, a faculty member of Art Business at Sotheby's Institute of Art, and the co-founder of... by Drew Sawyer
Above the Fold The Not So Simple Life: Buck Ellison on his solo show “Country Day” Drew Sawyer chatted with the Buck Ellison about his current solo exhibition, Country Day. by Drew Sawyer
Documented Using written language, Jenny Holzer asks us to question mass media portrayals of the ‘war on terror’ The artist meditates on biased media, state-sanctioned torture, and government censorship in this Document exclusive portfolio from the Fall/Winter 2015 issue. by Drew Sawyer
Above the Fold Willa Nasatir’s Spectral Images New York-based artist Willa Nasatir makes seductive still lifes in which objects, bodies, and their traces meld into otherworldly photographic images. For the launch of... by Drew Sawyer
Above the Fold James Welling’s Wyeth Series at the Brandywine River Museum of Art In 2010, the Connecticut-born artist James Welling began a series of photographs inspired by the paintings of Andrew Wyeth. Welling is known for numerous experiments... by Drew Sawyer
Above the Fold Les Rencontres d’Arles 2015—Part Un Document travels to Arles, France, for the influential photography festival, Les Rencontres d'Arles and visits with some of the festival's most compelling contributors. by Thomas Giddings
Above the Fold Yuta Nakajima and Madeline Warren on ‘Passing Leap’ at Hauser & Wirth During the summer months, when many residents escape the oppressive heat of the city, New York galleries have the chance to break out of their... by Drew Sawyer
Above the Fold Gavin Brown’s enterprise bids farewell to its West Village Gallery with Jannis Kounellis Gavin Brown’s enterprise, the perennially hip downtown art gallery, recently announced it would be moving to Amsterdam Ave. and 126th Street, adjacent to Columbia University’s... by Drew Sawyer
Above the Fold Haunted: Michaël Borremans’ Enigmatic Art For nearly 20 years, the Belgium artist Michaël Borremans has been producing a surreal body of work in painting, drawing, and film that simultaneously mines... by Drew Sawyer
Above the Fold Ryan McNamara and Curator Piper Marshall on Performance Art in Museums and McNamara’s New Show Last Thursday, Mary Boone Gallery opened Gently Used, an exhibition of new works by Ryan McNamara. Known for his site-specific performances, McNamara has produced new... by Drew Sawyer
Above the Fold An Art Showdown at Paramount Ranch During the last weekend in January, while visitors flocked to Printed Matter's LA Art Book Fair downtown, more adventurous and in-the-know art lovers made the... by Drew Sawyer
Above the Fold “Who Says Pain is Erotic?” This Saturday, April 16, Fortnight Institute presents an exhibition of works by Ohio-based artist Carmen Winant, titled "Who Says Pain is Erotic?" Winant's first solo... by Drew Sawyer