Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Anti-Agency is pushing modeling to new, inclusive heights 11 models from Anti's diverse roster speak on the agency and why inclusive modeling is an absolute necessity. by Shawn Lakin Above the Fold The CFDA addresses why we (still) need to talk about diversity and inclusion in the fashion industry “We have to re-write the blueprint. This is a moment of change.” by Kaylee Warren Above the Fold The case for a museum director who isn’t white or male Did the Museum of Contemporary Art, Los Angeles make the right decision in appointing Klaus Biesenbach as its new director? by Ann Binlot
Above the Fold Anti-Agency is pushing modeling to new, inclusive heights 11 models from Anti's diverse roster speak on the agency and why inclusive modeling is an absolute necessity. by Shawn Lakin
Above the Fold The CFDA addresses why we (still) need to talk about diversity and inclusion in the fashion industry “We have to re-write the blueprint. This is a moment of change.” by Kaylee Warren
Above the Fold The case for a museum director who isn’t white or male Did the Museum of Contemporary Art, Los Angeles make the right decision in appointing Klaus Biesenbach as its new director? by Ann Binlot