Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold For Balenciaga’s Fall/Winter 2022 presentation, Demna finds beauty in resistance The show of the season reminds us of fashion’s social influence and artistic core by Peter Miklas Above the Fold Balenciaga takes to Hollywood, redefining runway Demna Gvasalia’s Spring/Summer 2022 presentation blurs high fashion’s boundaries by Morgan Becker Above the Fold Georgian designers stand up for gay rights during Mercedes-Benz Fashion Week Tbilisi George Keburia and Situationist’s Irakli Rusadze both inserted pro-LGBTQ messages in their Spring 2019 Mercedes-Benz Fashion Week Tbilisi collections. by Ann Binlot Above the Fold Demna Gvasalia invites you into the world of Balenciaga Balenciaga creative director Demna Gvasalia commissioned photographers Johnny Dufort and Pierre Ange Carlotti to take images for the Rizzoli book Balenciaga: Winter 2018. by Ann Binlot Above the Fold On its 150th birthday, couture is alive, thriving and vital Embellished, exotic, and exclusive as ever, couture celebrated a century and half of turning heads during Paris Fashion Week. by Ann Binlot Above the Fold Vetements’s Spring 2019 collection told the story of Demna Gvasalia’s bared soul A traumatic and violent youth served as an astonishing storyboard for the Georgian's latest collection. by Ann Binlot Above the Fold Why is fashion in such a Georgian state of mind? Did the "Demna Effect" cause the fashion world to put an international spotlight on Georgia? by Ann Binlot At Large Automated for the people What does the rise of workwear in fashion say about our own ideas about labor in the age of automation and the Amazon warehouse? by Mindy Meissen
Above the Fold For Balenciaga’s Fall/Winter 2022 presentation, Demna finds beauty in resistance The show of the season reminds us of fashion’s social influence and artistic core by Peter Miklas
Above the Fold Balenciaga takes to Hollywood, redefining runway Demna Gvasalia’s Spring/Summer 2022 presentation blurs high fashion’s boundaries by Morgan Becker
Above the Fold Georgian designers stand up for gay rights during Mercedes-Benz Fashion Week Tbilisi George Keburia and Situationist’s Irakli Rusadze both inserted pro-LGBTQ messages in their Spring 2019 Mercedes-Benz Fashion Week Tbilisi collections. by Ann Binlot
Above the Fold Demna Gvasalia invites you into the world of Balenciaga Balenciaga creative director Demna Gvasalia commissioned photographers Johnny Dufort and Pierre Ange Carlotti to take images for the Rizzoli book Balenciaga: Winter 2018. by Ann Binlot
Above the Fold On its 150th birthday, couture is alive, thriving and vital Embellished, exotic, and exclusive as ever, couture celebrated a century and half of turning heads during Paris Fashion Week. by Ann Binlot
Above the Fold Vetements’s Spring 2019 collection told the story of Demna Gvasalia’s bared soul A traumatic and violent youth served as an astonishing storyboard for the Georgian's latest collection. by Ann Binlot
Above the Fold Why is fashion in such a Georgian state of mind? Did the "Demna Effect" cause the fashion world to put an international spotlight on Georgia? by Ann Binlot
At Large Automated for the people What does the rise of workwear in fashion say about our own ideas about labor in the age of automation and the Amazon warehouse? by Mindy Meissen