Daytripping: Dancefloor antagonism
In her bi-weekly column for Document, McKenzie Wark works through the feelings of antagonism for all the other dancers.
Daytripping: Vibe editor
In her biweekly column for Document, McKenzie Wark passes the mic to Shawn Dickerson, to talk 40 years on the New York nightlife circuit
Daytripping: Conventions of Care
In her biweekly column for Document, McKenzie Wark experiences two very different kinds of dance culture
Daytripping: Christmas for pagans
In her biweekly column for Document, McKenzie Wark finds the pagan spirit of the season.
Daytripping: Out of the bubble
In her biweekly column for Document, McKenzie Wark weekends outside of Brooklyn, finding more queerness and Pippa Garner’s Art Omi show
Daytripping: Publication day
In her biweekly column for Document, McKenzie Wark ponders the problem of art in the age of content
Daytripping: Beautiful feedback
In her biweekly column for Document, McKenzie Wark attends a Suzanne Ciani concert, and gets thinking on information theory and control
Daytripping: Big Gay Summer
In her biweekly column for Document, McKenzie Wark reflects on the queer crowds of the Island, the Beach, and the Campout
Daytripping: The writer and the rave
In her biweekly column for Document, McKenzie Wark considers noise, information theory, and the text of the party
Daytripping: I put a spell on you
In her biweekly column for Document, McKenzie Wark writes of the bewitching effects of a good DJ set—or really any art
Daytripping: Bushwick nationalism
In her biweekly column for Document, McKenzie Wark writes about the ambiguity of culture, and who’s entitled to public space
Daytripping: The dance floor is no utopia, but I’ll take it anyways
In her biweekly column for Document, McKenzie Wark writes about the cis-het imagination, and blowing off steam at Pride
Daytripping: Embracing the barely-known
In her biweekly column for Document, McKenzie Wark mediates on the work of Elysia Crampton, and the problem of letting otherness into our lives
Daytripping: Living in the gaps of being
In her biweekly column for Document, McKenzie Wark writes about dissonance—in music, at the party, and in one’s own body
Daytripping: Learning the art of letting go
In her biweekly column for Document, McKenzie Wark writes about a cross-generational spring party and the simple comforts of dance
Daytripping: The top 20 nightlife scenes in cinema
In her bi-weekly column for Document, McKenzie Wark lists her favorite instances of on-screen dancing, from the rave in Zion to ’60s sci-fi fantasia
Daytripping: Herding cats
In her bi-weekly column for Document, McKenzie Wark writes about raves in relation to service workers, and how she once got on the wrong side...
Daytripping: Ghost dance
In her bi-weekly column for Document, McKenzie Wark tells a tale of two boroughs, two generations, and what we’ve lost and found through nightlife
Daytripping: Dancing into the folds of time
In her bi-weekly column for Document Journal, McKenzie Wark writes about dancing at Berlin’s Berghain, the world-famous temple of techno
Daytripping: A dance to the music of time
In her biweekly column for Document, McKenzie Wark checks in with an intergenerational Downtown bohemia
Daytripping: The irreplaceable soundtrack to MDMA
In her bi-weekly column for Document, McKenzie Wark writes of the gap between the body and the body’s image of itself
Daytripping: The collective catharsis of ravespace
In her biweekly column for Document, McKenzie Wark explores the dance floor as an antidote to dysphoria
Daytripping: A tale of two raves, and finding desire in the spaces between
In her biweekly column for Document, McKenzie Wark explores what we seek on a night out—and how we often find ourselves wanting more
