Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Literature Fine Print: Thirty-three top reads of 2024 Messy! Nasty! Silly! Columnist Drew Zeiba revisits the past year in books
Art At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars
Conversations Clarissa Dalrymple and David Velasco imagine an art world built on human connection In conversation for Document’s Spring/Summer 2024 issue, the curator and critic recount the friendships, politics, and small graces of New York City’s cultural legacies by David Velasco Above the Fold Eli Payne Mandel’s infinite levity in ‘The Grid’ In his first book, the psychoanalyst-in-training reimagines history’s many apocalypses through lost languages, letters from exile, and dead painters by Maya Kotomori At Large The Eternal Peter Hujar Nan Goldin, Gary Indiana, Dev Hynes, and more, reflect on ten of the photographer's singular portraits, some never before published, until now by Sarah Nicole Prickett
Conversations Clarissa Dalrymple and David Velasco imagine an art world built on human connection In conversation for Document’s Spring/Summer 2024 issue, the curator and critic recount the friendships, politics, and small graces of New York City’s cultural legacies by David Velasco
Above the Fold Eli Payne Mandel’s infinite levity in ‘The Grid’ In his first book, the psychoanalyst-in-training reimagines history’s many apocalypses through lost languages, letters from exile, and dead painters by Maya Kotomori
At Large The Eternal Peter Hujar Nan Goldin, Gary Indiana, Dev Hynes, and more, reflect on ten of the photographer's singular portraits, some never before published, until now by Sarah Nicole Prickett