Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Oji Haynes’s photographs preserve a language of Black life With ‘Drylongso,’ the artist leans into details, honing in on the fantastical elements of his reality by Megan Hullander Above the Fold ‘My friends are cyborgs, but that’s okay’ portraits a posthuman paradise Photographer Ramona Wang joins Document to delineate between punctums and paintings, humans and cyborgs, and stereotypes and realities by Megan Hullander Above the Fold Mayan Toledano’s portraits rest between the authenticity and fantasy of queer Mexico City The photographer’s ongoing series ‘No Mamés’ takes the image-making process down to its bare bones, lending intimacy though immediacy by Morgan Becker
Above the Fold Oji Haynes’s photographs preserve a language of Black life With ‘Drylongso,’ the artist leans into details, honing in on the fantastical elements of his reality by Megan Hullander
Above the Fold ‘My friends are cyborgs, but that’s okay’ portraits a posthuman paradise Photographer Ramona Wang joins Document to delineate between punctums and paintings, humans and cyborgs, and stereotypes and realities by Megan Hullander
Above the Fold Mayan Toledano’s portraits rest between the authenticity and fantasy of queer Mexico City The photographer’s ongoing series ‘No Mamés’ takes the image-making process down to its bare bones, lending intimacy though immediacy by Morgan Becker