Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
“Our vision is continually active, continually holding things in a circle around itself.” Photographer Emily Lipson and fashion editor Delphine Danhier collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold Oji Haynes’s photographs preserve a language of Black life With ‘Drylongso,’ the artist leans into details, honing in on the fantastical elements of his reality by Megan Hullander Above the Fold ‘My friends are cyborgs, but that’s okay’ portraits a posthuman paradise Photographer Ramona Wang joins Document to delineate between punctums and paintings, humans and cyborgs, and stereotypes and realities by Megan Hullander Above the Fold Mayan Toledano’s portraits rest between the authenticity and fantasy of queer Mexico City The photographer’s ongoing series ‘No Mamés’ takes the image-making process down to its bare bones, lending intimacy though immediacy by Morgan Becker
Above the Fold Oji Haynes’s photographs preserve a language of Black life With ‘Drylongso,’ the artist leans into details, honing in on the fantastical elements of his reality by Megan Hullander
Above the Fold ‘My friends are cyborgs, but that’s okay’ portraits a posthuman paradise Photographer Ramona Wang joins Document to delineate between punctums and paintings, humans and cyborgs, and stereotypes and realities by Megan Hullander
Above the Fold Mayan Toledano’s portraits rest between the authenticity and fantasy of queer Mexico City The photographer’s ongoing series ‘No Mamés’ takes the image-making process down to its bare bones, lending intimacy though immediacy by Morgan Becker