Photography Adam Friedlander’s ‘As the Crow Flies’ explores the emotional weight of Scottish landscapes The photographer’s new series embraces motion and in-between spaces
Fashion Week Schiaparelli’s flight beyond the sun Inspired by the myth of Icarus, Creative director Daniel Roseberry’s Spring Haute Couture 2025 collection showcases feathers brushed in keratin and gravity-defying silhouettes
Fashion Lanvin channels Art Deco history for Fall/Winter 2025 Newly appointed creative director Peter Copping presents his debut collection at the Parisian luxury brand
Fashion The Shoptimist: An advertisement in influencer’s clothing In her monthly column, amateur business analyst Maya Kotomori explores the ongoing litigation between two beigefluencers through a modern history of advertising
Above the Fold Oji Haynes’s photographs preserve a language of Black life With ‘Drylongso,’ the artist leans into details, honing in on the fantastical elements of his reality by Megan Hullander Above the Fold ‘My friends are cyborgs, but that’s okay’ portraits a posthuman paradise Photographer Ramona Wang joins Document to delineate between punctums and paintings, humans and cyborgs, and stereotypes and realities by Megan Hullander Above the Fold Mayan Toledano’s portraits rest between the authenticity and fantasy of queer Mexico City The photographer’s ongoing series ‘No Mamés’ takes the image-making process down to its bare bones, lending intimacy though immediacy by Morgan Becker
Above the Fold Oji Haynes’s photographs preserve a language of Black life With ‘Drylongso,’ the artist leans into details, honing in on the fantastical elements of his reality by Megan Hullander
Above the Fold ‘My friends are cyborgs, but that’s okay’ portraits a posthuman paradise Photographer Ramona Wang joins Document to delineate between punctums and paintings, humans and cyborgs, and stereotypes and realities by Megan Hullander
Above the Fold Mayan Toledano’s portraits rest between the authenticity and fantasy of queer Mexico City The photographer’s ongoing series ‘No Mamés’ takes the image-making process down to its bare bones, lending intimacy though immediacy by Morgan Becker