Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Photographer Jack Davison finds hope in the quiet of extinction In his new book ‘Ol Pejeta,’ the London-based artist documents the last northern white rhinos on Earth by Megan Hullander Above the Fold Thomas Prior captures moments of fleeting spectacle and impossible beauty The photographer has dedicated his career to pulling back the curtain, but in his new book 'Amen Break,' he creates magic by scrambling the familiar by Alex Hodor-Lee Above the Fold The photographs of John Edmonds examine realness and ritual in the Black diaspora For 'A Sidelong Glance,' the photographer worked with Ralph Ellison's collection of Central and West African sculptures, weaving together the contemporary and the ancestral by Biz Sherbert Above the Fold Zora J Murff’s photography will have you questioning your beliefs From juvenile justice to redlining, the artist joins Document to discuss good aesthetics, Blackness, and navigating art world capitalism by Alex Hodor-Lee Above the Fold In Pat Martin’s sun-drenched world, we are never strangers The California photographer takes us beneath the golden washes of West Coast sun, toward a deeper study of the American family by Alex Hodor-Lee Above the Fold Paul Mpagi Sepuya on capturing the space between portraits For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Paul Mpagi Sepuya Above the Fold ‘Nowadays, sensitivity is cool’: a day in the studio with photographer Josh Aronson Meet the youth culture aficionado bringing tropical warmth to Brooklyn by Caroline Reagan Above the Fold ‘A Thank-You To Motherhood’: Quil Lemons on photographing his great-grandmother For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Quil Lemons Above the Fold Julie Blackmon on her photo ‘Fake Weather’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Julie Blackmon Above the Fold James Welling on his photo ‘1538’ “The challenge is to create something I haven't seen before." by Vetle Egeland Above the Fold Amy Arbus on her photo ‘Julio Q’ 'In those days, it was so much fun to take pictures of people because they were never suspicious. They were just honored.' by Vetle Egeland Above the Fold Joel Sternfeld on his photo ‘After A Flash Flood, Rancho Mirage’ 'This photo of the flash flood in Rancho Mirage evokes all of the disasters that are going to happen because of extreme weather. I wish... by Vetle Egeland Above the Fold Joe Gaffney on his photo ‘Sunrise on the Avenue Montaigne’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Vetle Egeland Above the Fold Tina Tyrell on her photo ‘Time Will Have Its Fancy’ Every week for Contact Sheet, Document asks a photographer for the unseen story about the frame that has come to define their work. by Vetle Egeland Above the Fold Pieter Hugo on his photo “Portrait #3, Rwanda, 2014” "I like to think of some of these pictures as little gifts from the universe." by Phil Backes Above the Fold Andreas Laszlo Konrath on his photo “Untitled (Joe #11, Braces 1)” Contact Sheet is Document's newest weekly installment on the story behind the images shaping our visual culture. by Vetle Egeland
Above the Fold Photographer Jack Davison finds hope in the quiet of extinction In his new book ‘Ol Pejeta,’ the London-based artist documents the last northern white rhinos on Earth by Megan Hullander
Above the Fold Thomas Prior captures moments of fleeting spectacle and impossible beauty The photographer has dedicated his career to pulling back the curtain, but in his new book 'Amen Break,' he creates magic by scrambling the familiar by Alex Hodor-Lee
Above the Fold The photographs of John Edmonds examine realness and ritual in the Black diaspora For 'A Sidelong Glance,' the photographer worked with Ralph Ellison's collection of Central and West African sculptures, weaving together the contemporary and the ancestral by Biz Sherbert
Above the Fold Zora J Murff’s photography will have you questioning your beliefs From juvenile justice to redlining, the artist joins Document to discuss good aesthetics, Blackness, and navigating art world capitalism by Alex Hodor-Lee
Above the Fold In Pat Martin’s sun-drenched world, we are never strangers The California photographer takes us beneath the golden washes of West Coast sun, toward a deeper study of the American family by Alex Hodor-Lee
Above the Fold Paul Mpagi Sepuya on capturing the space between portraits For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Paul Mpagi Sepuya
Above the Fold ‘Nowadays, sensitivity is cool’: a day in the studio with photographer Josh Aronson Meet the youth culture aficionado bringing tropical warmth to Brooklyn by Caroline Reagan
Above the Fold ‘A Thank-You To Motherhood’: Quil Lemons on photographing his great-grandmother For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Quil Lemons
Above the Fold Julie Blackmon on her photo ‘Fake Weather’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Julie Blackmon
Above the Fold James Welling on his photo ‘1538’ “The challenge is to create something I haven't seen before." by Vetle Egeland
Above the Fold Amy Arbus on her photo ‘Julio Q’ 'In those days, it was so much fun to take pictures of people because they were never suspicious. They were just honored.' by Vetle Egeland
Above the Fold Joel Sternfeld on his photo ‘After A Flash Flood, Rancho Mirage’ 'This photo of the flash flood in Rancho Mirage evokes all of the disasters that are going to happen because of extreme weather. I wish... by Vetle Egeland
Above the Fold Joe Gaffney on his photo ‘Sunrise on the Avenue Montaigne’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Vetle Egeland
Above the Fold Tina Tyrell on her photo ‘Time Will Have Its Fancy’ Every week for Contact Sheet, Document asks a photographer for the unseen story about the frame that has come to define their work. by Vetle Egeland
Above the Fold Pieter Hugo on his photo “Portrait #3, Rwanda, 2014” "I like to think of some of these pictures as little gifts from the universe." by Phil Backes
Above the Fold Andreas Laszlo Konrath on his photo “Untitled (Joe #11, Braces 1)” Contact Sheet is Document's newest weekly installment on the story behind the images shaping our visual culture. by Vetle Egeland