Nightlife How to throw a party In this exclusive portfolio from Document’s Fall/Winter 2024–25 issue, NYC’s nightlife leaders share their insights and origins alongside an essay by Geoffrey Mak exploring autonomy...
The Shoptimist: Put an end to the microtrend For her monthly column, skeptic and hater Maya Kotomori shares a list of the most abhorrent as-seen-on-TikTok looks she’s caught in the wild
Art Performa to celebrate 20 years of artistic impact with Artist Party co-hosted by Document Guests are invited for a night of live performance, architectural experimentation, and music to honor and support the pioneering organization
Fashion “The sight of the beloved has a completeness which no words can match.” Photographer Nikolai von Bismarck and fashion editor Ally Macrae collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold ‘je t’adore’ is a rhinestone-encrusted exploration of erotica At Yancey Richardson, artist Mickalene Thomas engenders a stratified approach to the Black body as narrative by Maya Kotomori Documented Haegue Yang counters sensory and linguistic isolation with a new artistic grammar The artist tells a visual story of kinship between humans and hardware with multi-sensory collages for Document's Fall/Winter 2019 issue. by Sofía Lemos Above the Fold Artist Elliott Hundley embraces chaos by getting closer to it In his current exhibition 'Clearing,' Hundley uses two decades of unused material to craft explosive intricacy by Ann Binlot
Above the Fold ‘je t’adore’ is a rhinestone-encrusted exploration of erotica At Yancey Richardson, artist Mickalene Thomas engenders a stratified approach to the Black body as narrative by Maya Kotomori
Documented Haegue Yang counters sensory and linguistic isolation with a new artistic grammar The artist tells a visual story of kinship between humans and hardware with multi-sensory collages for Document's Fall/Winter 2019 issue. by Sofía Lemos
Above the Fold Artist Elliott Hundley embraces chaos by getting closer to it In his current exhibition 'Clearing,' Hundley uses two decades of unused material to craft explosive intricacy by Ann Binlot