Literature Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships
“What we habitually see confirms us. Yet it can happen, suddenly, unexpectedly.” Photographer Pegah Farahmand and fashion editor Dogukan Nesanir collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“To remain innocent may also be to remain ignorant.” Photographer Rodrigo Carmuega and fashion editor Laetitia Leporq collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Above the Fold Carmen Winant’s ‘The last safe abortion’ depicts overlooked networks of labor The artist’s latest photo exhibition creates a visual language countering that of the anti-choice movement by Yasmeen Khan Above the Fold A world without men: photos from the feminist lesbian utopias of ’80s America Carmen Winant's ‘Notes on Fundamental Joy’ goes inside the womyn-only communities created across the Pacific Northwest. by Kaylee Warren Above the Fold Carmen Winant’s radical art of reappropriation Following her artist portfolio in Document S/S 2019, Winant speaks on the physical intimacy of her art practice, and bringing thousands of vaginas to MoMA. by Kaylee Warren Documented Carmen Winant is taking vintage covergirls and shining a new, abstracted spotlight on them The artist pounds, massages, and wrinkles images of Playboy models into radical feminist art in Document S/S 2019. by Lucy Gallun Above the Fold “Who Says Pain is Erotic?” This Saturday, April 16, Fortnight Institute presents an exhibition of works by Ohio-based artist Carmen Winant, titled "Who Says Pain is Erotic?" Winant's first solo... by Drew Sawyer
Above the Fold Carmen Winant’s ‘The last safe abortion’ depicts overlooked networks of labor The artist’s latest photo exhibition creates a visual language countering that of the anti-choice movement by Yasmeen Khan
Above the Fold A world without men: photos from the feminist lesbian utopias of ’80s America Carmen Winant's ‘Notes on Fundamental Joy’ goes inside the womyn-only communities created across the Pacific Northwest. by Kaylee Warren
Above the Fold Carmen Winant’s radical art of reappropriation Following her artist portfolio in Document S/S 2019, Winant speaks on the physical intimacy of her art practice, and bringing thousands of vaginas to MoMA. by Kaylee Warren
Documented Carmen Winant is taking vintage covergirls and shining a new, abstracted spotlight on them The artist pounds, massages, and wrinkles images of Playboy models into radical feminist art in Document S/S 2019. by Lucy Gallun
Above the Fold “Who Says Pain is Erotic?” This Saturday, April 16, Fortnight Institute presents an exhibition of works by Ohio-based artist Carmen Winant, titled "Who Says Pain is Erotic?" Winant's first solo... by Drew Sawyer