“All photographs are there to remind us of what we forget” For Document’s Fall/Winter 2024–25 issue, Sam Penn photographs some of her closest friends and collaborators near and far on Fire Island and on FaceTime screens
Film Harley Chamandy’s ‘Allen Sunshine’ is a meditation on the quiet beauty of nature The Canadian director unpacks the many dimensions to his Werner Herzog Award-winning feature film
Fashion Hermès artistic director Nadège Vanhée’s punk house codes The French designer explores her vision for the storied maison in Document’s Fall/Winter 2024–25 issue
Fashion Announcing Jawara, Document’s Senior Beauty Editor The hairstylist sits down with Editor-in-Chief Nick Vogelson to discuss the personal, spiritual, and social impact of beauty
Above the Fold ‘Myself When I Am Real’ puts forth the unseen half of Barkley L. Hendricks’s practice Jack Shainman Gallery will display the late painter’s photographic work, conveying his lighthearted approach to art-making and a glimpse into his immediate world by Morgan Becker Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner
Above the Fold ‘Myself When I Am Real’ puts forth the unseen half of Barkley L. Hendricks’s practice Jack Shainman Gallery will display the late painter’s photographic work, conveying his lighthearted approach to art-making and a glimpse into his immediate world by Morgan Becker
Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner
