Literature Document Journal and FSG x MCD celebrate Caleb Femi’s ‘The Wickedest’ A party at Mood Ring launched the British poet and director’s latest book
Photography Adam Friedlander’s ‘As the Crow Flies’ explores the emotional weight of Scottish landscapes The photographer’s new series embraces motion and in-between spaces
Fashion Week Schiaparelli’s flight beyond the sun Inspired by the myth of Icarus, Creative director Daniel Roseberry’s Spring Haute Couture 2025 collection showcases feathers brushed in keratin and gravity-defying silhouettes
Fashion Lanvin channels Art Deco history for Fall/Winter 2025 Newly appointed creative director Peter Copping presents his debut collection at the Parisian luxury brand
Above the Fold David Lynch’s art is a window into his strange, elusive world In two concurrent visual arts exhibitions, the Academy Award-winning auteur explores the themes he's know for in the mediums he isn't by Meka Boyle Above the Fold Inside NADA Miami and ILY2’s otherworldly anniversary dinner From opposite corners of the art world spectrum, the two organizations join together to usher in the next generation of creatives by Morgan Becker Above the Fold Artist Niccolò Debole’s playlist for finding pride in process The New York-based creative shares 13 songs that speak to the allure of the in-between by Megan Hullander Above the Fold A brief guide to Art Basel Miami, for the decision-making-impaired From sought-after shows to cocktail hours to full-fledged parties, Document rounds up the renowned art fair’s unmissable events by Morgan Becker Above the Fold Rabin Huissen’s ‘Selective Memory’ seeks balance between the organic and the man-made In his diaristic exhibition at Sōko, the artist explores the hallmarks of the natural world, and adds his own imprint to them by Document Journal Above the Fold Maxwell Alexandre transposes familial realities into a labyrinthian extension of home In ‘Pardo é Papel,’ the painter presents large-scale figurative paintings driven by anthropological note-taking and his roots in Rocinha by Yuki Xu Above the Fold The art of activism, through the voice of Nan Goldin In ‘All the Beauty and the Bloodshed,’ documentarian Laura Poitras tracks the photographer’s unrelenting pursuit of personal and political truth by Conor Williams Above the Fold Oscar yi Hou makes art from the spaces in between Replete with Chinese motifs and symbols of Americana, the portraits in ‘East of sun, west of moon’ examine the performance of ethnicity and race by Madison Bulnes Above the Fold At Art Partner’s #CreateCOP27 competition, creatives make the global climate emergency personal Across mediums, the event unites scenes of natural disaster with community action by Madeleine Beck Above the Fold Andy Harman recycles the detritus from the myth of fashion In his latest exhibition, the set designer and sculptor plays with the conflict between the familiar and the peculiar by Yuki Xu Above the Fold Inside the sixth FotoFocus biennial, as told by an art world outsider The largest biennial of its kind in America, the month-long celebration aims to foreground purposely-forgotten stories by Madison Bulnes Above the Fold Noel de Lesseps makes a practice of play To the Brooklyn-based painter, art is an opportunity to reinvigorate a sense of childlike wonder by Syd Walker Above the Fold Sophia Giovannitti is not your muse In her new solo show, ‘Study 4: Collateral,’ the artist and auteur welds an ideology that reconsiders gendered assumptions by Razzi Schlosser Above the Fold Ian Strange casts the suburban home in a new light For FotoFocus’s 2022 Biennial, the multidisciplinary artist created two architectural interventions centered around the act of looking by Madison Bulnes Above the Fold Inside FORMAT, the festival bringing cyborgs and sex therapy to the Ozarks Held in the town that Walmart built, its inaugural edition offered attendees a choose-your-own-adventure-style journey designed to blend art, music, and technology by Camille Sojit Pejcha Above the Fold For artist Keegan Monaghan, empathy needs no context The painter’s latest exhibition, ‘Indicator,’ utilizes the close-up as a gateway to emotion and uncanny points of view by Morgan Becker Above the Fold Charles Atlas’s ‘The Mathematics of Consciousness’ lives in the brain of the artist The projection-based installation toys with dance sequences, numerical fantasies, and internet memes, drawing connections through seemingly disparate forms by Megan Hullander Above the Fold A decolonized art world can’t be built on diversity alone David Zwirner outpost 52 Walker proposed an all-Black staff—but should mega-galleries have a say in reforming the inequities they profit from? by Priya Gandhi Above the Fold Celebrating Kaari Upson’s voyeuristic, uncanny world A year following her death, a DESTE Foundation retrospective sheds new light on the American artist’s work by Ann Binlot Above the Fold For Lutfi Janania Zablah, the botanical world is boundless The artist joins Document to discuss the universality of flowers, his sculptural practice, and the expansion of his design studio into the interior by Morgan Becker Above the Fold Anna Delvey wants to be the new face of prison reform The faux heiress on her newfound interest in political advocacy, the death of American entrepreneurship, and going from con artist to fine artist by Camille Sojit Pejcha Above the Fold To Spencer Sweeney, nightlife is a protean and ever-changing landscape The artist joins Document to discuss ‘Perfect,’ his iconic party paintings, and breathing life back into New York’s downtown by Madison Bulnes At Large From El Paso to Harlem: Troy Montes-Michie explores the subversive history of the zoot suit For Document’s tenth anniversary, the artist joins independent curator Monique Long to expand on the lasting allure of the iconic ensemble by Monique Long Above the Fold Guilherme da Silva’s ‘Overture’ constructs a queer Arcadia The Brazilian photographer joins Document to discuss his zine, which documents friendship and love amid an oppressive political climate by Olivia Noss Above the Fold ‘Elegies’ investigates the presence—and absence—of the Black body Curated by Monique Long, the exhibition features an international roster of artists who have expanded the meaning of still life by Madeleine Beck Above the Fold Britt Lloyd meditates on masculinity and biophilic utopias The photographer and filmmaker joins Document to reflect on the parallels between male beauty and the colossal shapes of nature by Olisa Tasie-Amadi Jr. Above the Fold Sean Pablo’s ‘A Season in Hell’ finds stillness in life’s fleeting moments In the first exhibition from the pro skater, musician and artist, Pablo transports us into his childhood home for a multimedia viewing experience by Syd Walker At Large Jimmy DeSana, an iconoclast even within the ’70s avant-garde, is finally entering mainstream consciousness Laurie Simmons and Drew Sawyer discuss the late artist’s AIDS-era collages in a portfolio for Document’s tenth anniversary by Megan Hullander At Large Nicolas Party warps familiar realities into an unsettling world of his own The Swiss artist discusses his otherworldly portfolio and paying homage to the rattlesnake in his painting of Joan Didion for Document’s Tenth Anniversary cover by Ann Binlot Above the Fold Chasing lions: Inside the 2022 Venice Biennale This year’s awarding of the Golden Lion for Best National Pavilion raised questions around the subjectivity of art and the evolving values of critics by Justin Polera Above the Fold For Hyd, music is a vessel for material transformation From geothermal mud fields to Death Valley, the artist explores the energetic properties of the earth in three new music videos premiering exclusively for Document by Camille Sojit Pejcha Above the Fold Racquel Chevremont and Mickalene Thomas curate a show that subverts tradition At Parrish Art Museum, ‘Set It Off’ pulls from an international roster of artists to address themes of sexuality, memory, and identity by Madeleine Beck Above the Fold Nep Sidhu’s ‘Paradox of Harmonics’ is a creative act of gratitude The multidisciplinary artist’s first solo exhibition in the US is rooted in Detroit’s lineage of creative collaboration by Peter Miklas Above the Fold Sasha Gordon’s ‘Hands of Others’ employs the surreal to look inwards The painter’s debut solo show, on view at Jeffrey Deitch, interrogates the nature of self-image and cultural representation by Morgan Becker Above the Fold Cartier looks to the past and future of Islamic art The exhibition at the Dallas Museum of Art paints a picture of modernity that honors antiquity by Morgan Becker Above the Fold Piero Gilardi’s ‘Tappeto-Natura’ seeks reconciliation between nature and the future The artist’s debut American exhibition, which renders organic landscapes from synthetic material, is on view at Magazzino Italian Art by Morgan Becker Above the Fold Peter LaBier’s paintings reckon with the freedoms and limitations of lockdown Conceived at the height of the pandemic, STO LAT Gallery’s inaugural physical show plays with symbols of control, isolation, escalation, and hope by Morgan Becker Above the Fold Fairchain imagines an art market that centers the artist The founders of the blockchain-based platform meet with Renee Cox and gallerist Hannah Traore to discuss collaboration, royalties, and why creatives can’t work for free by Morgan Becker Above the Fold How the zoot suit became a symbol of political resistance The iconic trend was disruptive and seductive, bestowing communities with power from Harlem to LA by Daniella Brito Above the Fold The scientific creative process, as told by the unrealized works of Chris Burden ‘Poetic Practical,’ a new book from Gagosian, presents 67 abandoned projects surrounding architecture, power, and political systems by Morgan Becker Above the Fold Jacqueline Rabun’s jewelry doubles as wearable sculpture The designer finds inspiration in birth, love, and transformation by Peter Miklas Above the Fold Robin Frohardt examines the inevitably of plastic In her exhibit, the Plastic Bag Store, plastic is more than a byproduct, it’s the main feature of the modern consumer experience by Jeremy Steinberger Above the Fold Nicolas Party’s universe extends beyond the canvas Phaidon’s monograph on the artist delves into color theory, graffiti culture, and the importance of perspective by Document Journal Above the Fold Devon DeJardin centers guardians in ‘Giants’ In his first New York solo exhibition, the multimedia artist elevates his work in narrative and scale by Megan Hullander Above the Fold NFTs have funded everything from healthcare to war, but are museums above the medium? Cultural institutions are cashing in on the blockchain boom, arguably compromising the physical collections they own by Megan Hullander Above the Fold Pol Anglada’s ‘HOLE’ is erotic, not pornographic The Spanish artist explores queer fetish and desire in a solo exhibition at Tom of Finland’s CULTUREEDIT gallery by Megan Hullander Above the Fold Shio Kusaka’s ‘one light year’ celebrates the essential qualities of ceramic art Both repetitive and imperfect, the artist’s latest works celebrate the subtle contradiction of the medium by Morgan Becker Above the Fold Genesis Tramaine’s paintings find God in Black, queer community The artist presents ‘Break of Day,’ an exhibition of portraits that redefine the genre of religious art by Morgan Becker Above the Fold Alix Vernet’s latest solo show honors New York’s forgotten corners 'And They Earned Eternity in a Brief Space of Time' explores public memory and the city's downtown architecture by Syd Walker Above the Fold Mimi Park’s world-building renders art a living entity The artist’s latest exhibition, ‘Dawning: dust, seeds, Coplees,’ presents kinetic sculptures and lush greenery by Morgan Becker
Above the Fold David Lynch’s art is a window into his strange, elusive world In two concurrent visual arts exhibitions, the Academy Award-winning auteur explores the themes he's know for in the mediums he isn't by Meka Boyle
Above the Fold Inside NADA Miami and ILY2’s otherworldly anniversary dinner From opposite corners of the art world spectrum, the two organizations join together to usher in the next generation of creatives by Morgan Becker
Above the Fold Artist Niccolò Debole’s playlist for finding pride in process The New York-based creative shares 13 songs that speak to the allure of the in-between by Megan Hullander
Above the Fold A brief guide to Art Basel Miami, for the decision-making-impaired From sought-after shows to cocktail hours to full-fledged parties, Document rounds up the renowned art fair’s unmissable events by Morgan Becker
Above the Fold Rabin Huissen’s ‘Selective Memory’ seeks balance between the organic and the man-made In his diaristic exhibition at Sōko, the artist explores the hallmarks of the natural world, and adds his own imprint to them by Document Journal
Above the Fold Maxwell Alexandre transposes familial realities into a labyrinthian extension of home In ‘Pardo é Papel,’ the painter presents large-scale figurative paintings driven by anthropological note-taking and his roots in Rocinha by Yuki Xu
Above the Fold The art of activism, through the voice of Nan Goldin In ‘All the Beauty and the Bloodshed,’ documentarian Laura Poitras tracks the photographer’s unrelenting pursuit of personal and political truth by Conor Williams
Above the Fold Oscar yi Hou makes art from the spaces in between Replete with Chinese motifs and symbols of Americana, the portraits in ‘East of sun, west of moon’ examine the performance of ethnicity and race by Madison Bulnes
Above the Fold At Art Partner’s #CreateCOP27 competition, creatives make the global climate emergency personal Across mediums, the event unites scenes of natural disaster with community action by Madeleine Beck
Above the Fold Andy Harman recycles the detritus from the myth of fashion In his latest exhibition, the set designer and sculptor plays with the conflict between the familiar and the peculiar by Yuki Xu
Above the Fold Inside the sixth FotoFocus biennial, as told by an art world outsider The largest biennial of its kind in America, the month-long celebration aims to foreground purposely-forgotten stories by Madison Bulnes
Above the Fold Noel de Lesseps makes a practice of play To the Brooklyn-based painter, art is an opportunity to reinvigorate a sense of childlike wonder by Syd Walker
Above the Fold Sophia Giovannitti is not your muse In her new solo show, ‘Study 4: Collateral,’ the artist and auteur welds an ideology that reconsiders gendered assumptions by Razzi Schlosser
Above the Fold Ian Strange casts the suburban home in a new light For FotoFocus’s 2022 Biennial, the multidisciplinary artist created two architectural interventions centered around the act of looking by Madison Bulnes
Above the Fold Inside FORMAT, the festival bringing cyborgs and sex therapy to the Ozarks Held in the town that Walmart built, its inaugural edition offered attendees a choose-your-own-adventure-style journey designed to blend art, music, and technology by Camille Sojit Pejcha
Above the Fold For artist Keegan Monaghan, empathy needs no context The painter’s latest exhibition, ‘Indicator,’ utilizes the close-up as a gateway to emotion and uncanny points of view by Morgan Becker
Above the Fold Charles Atlas’s ‘The Mathematics of Consciousness’ lives in the brain of the artist The projection-based installation toys with dance sequences, numerical fantasies, and internet memes, drawing connections through seemingly disparate forms by Megan Hullander
Above the Fold A decolonized art world can’t be built on diversity alone David Zwirner outpost 52 Walker proposed an all-Black staff—but should mega-galleries have a say in reforming the inequities they profit from? by Priya Gandhi
Above the Fold Celebrating Kaari Upson’s voyeuristic, uncanny world A year following her death, a DESTE Foundation retrospective sheds new light on the American artist’s work by Ann Binlot
Above the Fold For Lutfi Janania Zablah, the botanical world is boundless The artist joins Document to discuss the universality of flowers, his sculptural practice, and the expansion of his design studio into the interior by Morgan Becker
Above the Fold Anna Delvey wants to be the new face of prison reform The faux heiress on her newfound interest in political advocacy, the death of American entrepreneurship, and going from con artist to fine artist by Camille Sojit Pejcha
Above the Fold To Spencer Sweeney, nightlife is a protean and ever-changing landscape The artist joins Document to discuss ‘Perfect,’ his iconic party paintings, and breathing life back into New York’s downtown by Madison Bulnes
At Large From El Paso to Harlem: Troy Montes-Michie explores the subversive history of the zoot suit For Document’s tenth anniversary, the artist joins independent curator Monique Long to expand on the lasting allure of the iconic ensemble by Monique Long
Above the Fold Guilherme da Silva’s ‘Overture’ constructs a queer Arcadia The Brazilian photographer joins Document to discuss his zine, which documents friendship and love amid an oppressive political climate by Olivia Noss
Above the Fold ‘Elegies’ investigates the presence—and absence—of the Black body Curated by Monique Long, the exhibition features an international roster of artists who have expanded the meaning of still life by Madeleine Beck
Above the Fold Britt Lloyd meditates on masculinity and biophilic utopias The photographer and filmmaker joins Document to reflect on the parallels between male beauty and the colossal shapes of nature by Olisa Tasie-Amadi Jr.
Above the Fold Sean Pablo’s ‘A Season in Hell’ finds stillness in life’s fleeting moments In the first exhibition from the pro skater, musician and artist, Pablo transports us into his childhood home for a multimedia viewing experience by Syd Walker
At Large Jimmy DeSana, an iconoclast even within the ’70s avant-garde, is finally entering mainstream consciousness Laurie Simmons and Drew Sawyer discuss the late artist’s AIDS-era collages in a portfolio for Document’s tenth anniversary by Megan Hullander
At Large Nicolas Party warps familiar realities into an unsettling world of his own The Swiss artist discusses his otherworldly portfolio and paying homage to the rattlesnake in his painting of Joan Didion for Document’s Tenth Anniversary cover by Ann Binlot
Above the Fold Chasing lions: Inside the 2022 Venice Biennale This year’s awarding of the Golden Lion for Best National Pavilion raised questions around the subjectivity of art and the evolving values of critics by Justin Polera
Above the Fold For Hyd, music is a vessel for material transformation From geothermal mud fields to Death Valley, the artist explores the energetic properties of the earth in three new music videos premiering exclusively for Document by Camille Sojit Pejcha
Above the Fold Racquel Chevremont and Mickalene Thomas curate a show that subverts tradition At Parrish Art Museum, ‘Set It Off’ pulls from an international roster of artists to address themes of sexuality, memory, and identity by Madeleine Beck
Above the Fold Nep Sidhu’s ‘Paradox of Harmonics’ is a creative act of gratitude The multidisciplinary artist’s first solo exhibition in the US is rooted in Detroit’s lineage of creative collaboration by Peter Miklas
Above the Fold Sasha Gordon’s ‘Hands of Others’ employs the surreal to look inwards The painter’s debut solo show, on view at Jeffrey Deitch, interrogates the nature of self-image and cultural representation by Morgan Becker
Above the Fold Cartier looks to the past and future of Islamic art The exhibition at the Dallas Museum of Art paints a picture of modernity that honors antiquity by Morgan Becker
Above the Fold Piero Gilardi’s ‘Tappeto-Natura’ seeks reconciliation between nature and the future The artist’s debut American exhibition, which renders organic landscapes from synthetic material, is on view at Magazzino Italian Art by Morgan Becker
Above the Fold Peter LaBier’s paintings reckon with the freedoms and limitations of lockdown Conceived at the height of the pandemic, STO LAT Gallery’s inaugural physical show plays with symbols of control, isolation, escalation, and hope by Morgan Becker
Above the Fold Fairchain imagines an art market that centers the artist The founders of the blockchain-based platform meet with Renee Cox and gallerist Hannah Traore to discuss collaboration, royalties, and why creatives can’t work for free by Morgan Becker
Above the Fold How the zoot suit became a symbol of political resistance The iconic trend was disruptive and seductive, bestowing communities with power from Harlem to LA by Daniella Brito
Above the Fold The scientific creative process, as told by the unrealized works of Chris Burden ‘Poetic Practical,’ a new book from Gagosian, presents 67 abandoned projects surrounding architecture, power, and political systems by Morgan Becker
Above the Fold Jacqueline Rabun’s jewelry doubles as wearable sculpture The designer finds inspiration in birth, love, and transformation by Peter Miklas
Above the Fold Robin Frohardt examines the inevitably of plastic In her exhibit, the Plastic Bag Store, plastic is more than a byproduct, it’s the main feature of the modern consumer experience by Jeremy Steinberger
Above the Fold Nicolas Party’s universe extends beyond the canvas Phaidon’s monograph on the artist delves into color theory, graffiti culture, and the importance of perspective by Document Journal
Above the Fold Devon DeJardin centers guardians in ‘Giants’ In his first New York solo exhibition, the multimedia artist elevates his work in narrative and scale by Megan Hullander
Above the Fold NFTs have funded everything from healthcare to war, but are museums above the medium? Cultural institutions are cashing in on the blockchain boom, arguably compromising the physical collections they own by Megan Hullander
Above the Fold Pol Anglada’s ‘HOLE’ is erotic, not pornographic The Spanish artist explores queer fetish and desire in a solo exhibition at Tom of Finland’s CULTUREEDIT gallery by Megan Hullander
Above the Fold Shio Kusaka’s ‘one light year’ celebrates the essential qualities of ceramic art Both repetitive and imperfect, the artist’s latest works celebrate the subtle contradiction of the medium by Morgan Becker
Above the Fold Genesis Tramaine’s paintings find God in Black, queer community The artist presents ‘Break of Day,’ an exhibition of portraits that redefine the genre of religious art by Morgan Becker
Above the Fold Alix Vernet’s latest solo show honors New York’s forgotten corners 'And They Earned Eternity in a Brief Space of Time' explores public memory and the city's downtown architecture by Syd Walker
Above the Fold Mimi Park’s world-building renders art a living entity The artist’s latest exhibition, ‘Dawning: dust, seeds, Coplees,’ presents kinetic sculptures and lush greenery by Morgan Becker