Fashion The Shoptimist: An unbearable uniformity of being In her monthly column, previously closeted gym member Maya Kotomori ruminates on the role of the yoga set on her shopping psyche
Literature Fine Print: You’re a winner, baby On the heels of the National Book Awards announcements, columnist Drew Zeiba asks what prizes mean for publishing
“Everything has been dressed by the act of painting.” Photographer Nicolas Kern and fashion editor Julie Ragolia collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Fashion Kiernan Francis’s ‘Champions’ reimagines interior life The filmmaker visits his family’s Chicago home, presenting an architectural vision of victory with local designers
Above the Fold Artists are poisoning AI image generators with Nightshade The tool sabotages machine learning models from the inside, causing them to break in unprecedented ways by Camille Sojit Pejcha Above the Fold Daytripping: Out of the bubble In her biweekly column for Document, McKenzie Wark weekends outside of Brooklyn, finding more queerness and Pippa Garner’s Art Omi show by McKenzie Wark Above the Fold ‘De cara al sol’ is a photographic odyssey Diego Vourakis’s debut book is a call to adventure, painting a multifaceted picture of Cuba’s landscapes and its people by Maya Kotomori Above the Fold Katharina Kaminski fashions beings from fire and clay At Paris’s Sainte Anne Gallery, ‘Womb’ examines the sculptor’s intersex identity, offering up the body as a well of creativity by Maximilian Tapogna Above the Fold ‘Blind Tongue’ constructs Mel Odom’s surrealist dreamscape The artist’s aloof figures are burdened by their own beauty in this career-sweeping exhibition, curated by Michael Bullock and staged at David Lewis Gallery by Jayne O'Dwyer Above the Fold Beyond the looking glass, in the Robert Olnick Pavilion Magazzino Italian Art’s new free-standing structure boasts two inaugural exhibitions, marrying the spirit of community with postwar art by Maya Kotomori Above the Fold Singing the ‘Orchid Blues’ Cameron Patricia Downey speaks on their inaugural museum show in conversation with their former art teacher, painter Caroline Kent by Morgan Becker Above the Fold Willa Nasatir’s art illuminates more than it illustrates Upon her third solo exhibition with Chapter NY, the artist muses on the making and the meaning of her work by Megan Hullander Above the Fold ‘je t’adore’ is a rhinestone-encrusted exploration of erotica At Yancey Richardson, artist Mickalene Thomas engenders a stratified approach to the Black body as narrative by Maya Kotomori Above the Fold Andrea Ferrero’s sculptures give the audience something to chew on The artist’s chocolate ruins are meant to be activated, celebrated, and, ultimately, digested by Sammy Loren Above the Fold George Rouy’s riotous canvases grapple with the carnal ‘Endless Songs,’ on view at Nicola Vassell, renders artwork imbued with life’s contradictory essence by Gilda Bruno Above the Fold The convivial spirit of Seth Fountain Meet the artist who Photoshopped his way into internet infamy, using memes and merch to support his paintings by Maya Kotomori Above the Fold Carmen Winant’s ‘The last safe abortion’ depicts overlooked networks of labor The artist’s latest photo exhibition creates a visual language countering that of the anti-choice movement by Yasmeen Khan Above the Fold Richie Culver dives into the witch’s cradle The artist offers a few words on what was intended to be his inaugural wordless project, ‘Alive in the Living Room’ by Megan Hullander Above the Fold ‘Dear Jean Pierre’ is a portrait of a young man on fire In its collection of approximately 300 letters, postcards, sketches, Xeroxes, and photographs, the book charts a young man finding himself through art, love, and loss by Erin Ikeuchi Above the Fold Amelia Winger-Bearskin renders climate optimism with technology Following a showcase in group exhibition ‘ANTI•VENOM,’ the artist joins Document to discuss her AI-influenced creative practice by Yasmeen Khan Above the Fold ‘An Indigenous Present’ is the the bedrock of its own conversation Ideated by renowned artist Jeffrey Gibson, the landmark artbook builds roots from the Indigenous creative community by Maya Kotomori Above the Fold Parsing the Willyverse Toronto photographer William Ukoh’s first solo show, ‘JANGILOVA,’ is a quest for unfettered independence by Josh Greenblatt Above the Fold For Robert Roest, snarling dogs aren’t always angry The painter's ongoing show at bridddge gallery invites audiences to distrust their senses—both in the clouds and the jaws of the beast by Teddy Duncan Jr. Above the Fold The coterie of cardistry In London, Cardistry-Con’s 2023 edition saw the craft contending with its relationship with magic and deliberating new methods of recruitment by Megan Hullander Above the Fold Sophia Giovannitti on sex, art, and labor Working across mediums, the author of ‘Working Girl’ grapples with the contradictions of life under capitalism—complicating notions of consent in a totalizing system by Camille Sojit Pejcha Above the Fold In Tuscany, a sanctuary for Black queer artists A trio of creatives reflect on their residency with MQBMBQ, in partnership with Villa Lena by Jordan Anderson Above the Fold Racquel Chevremont melds death with decadence Following the opening of ‘This Too Shall Pass,’ the curator joins Document to discuss the still life and her philosophy of impermanence by Yasmeen Khan Above the Fold ‘Tree & Serpent’ strikes a balance between the sacred and the secular In collaboration with a handful of Indian cultural institutions, the Met’s new exhibition traverses six centuries of Buddhist art by Yasmeen Khan Above the Fold At the Chelsea Hotel, queer subculture continues to thrive Inside the clandestine parties keeping the creative spirit of the space alive, decades after its illustrious heydey by Camille Sojit Pejcha Above the Fold ‘Quantum Piñata’ is a talent show for the artistically-aware This Saturday at Pioneer Works, a cast of distinct performers—from Poncili Creación to Nu Jazz to Ex Wiish—will take part in a cross-medium bonanza by Megan Hullander Above the Fold At #CreateCOP28, art is the answer Ahead of the UN Climate Change Conference, the competition challenges young artists to amplify the call for climate action by Erin Ikeuchi Above the Fold ‘KAGAMI’ marries the present with the past in an imaginative landscape Produced by Tin Drum, the mixed reality show sees the late Ryuichi Sakamoto in concert, traversing his decades-long career by Megan Hullander Above the Fold ‘Public Enemy’ charts 30 years of Gary Simmons A retrospective at MCA Chicago studies the artist’s storied career, crossing mediums to prod at questions of race, class, and popular culture by Ann Binlot Above the Fold ‘Workflow’ interrogates repetitive and embodied violence Ahead of the exhibition’s opening, Jenson Leonard joins Document to expound upon his film’s intent, and muse on the compassion of comedy by Megan Hullander Above the Fold Pippa Garner and Gray Wielebinski construct modern mythologies Grounded by a shared affection for contemporary folklore, the two artists meet to discuss trompe l’oeil, gender-hacking, and queer visibility by Erin Ikeuchi Above the Fold The enduring impulse of Adam Goldberg Following his stint as a jury member at the Tribeca Film Festival, the actor joins Document to anatomize his storied career by Megan Hullander Above the Fold Tamo Jugeli lets the process lead her paintbrush The Georgian artist speaks on creative risk-taking, the chaos of New York, and stumbling upon her craft by Ann Binlot Above the Fold Daytripping: Embracing the barely-known In her biweekly column for Document, McKenzie Wark mediates on the work of Elysia Crampton, and the problem of letting otherness into our lives by McKenzie Wark Above the Fold Brontez Purnell’s parafiction of performance Staged at Trotter & Sholer, the artist’s first solo exhibition challenges the borders of identity and artifice, dreaming of an in-between space by Erin Ikeuchi Above the Fold For Jeanette Andrews, magic is a mode of philosophy Ahead of the premiere of ‘In Plain Listen,’ the artist joins Document to examine the meaning of her medium, and make a case for its... by Megan Hullander Above the Fold ‘Titanic Depression’ is not a parody Following a two-night run of her show, Jibz Cameron joins Document to philosophize on Jack and Rose, tragedy addiction, and the nature of performance by Megan Hullander At Large Epistolary Filth: The life and death of ‘J.D.s’ zine For Document’s Spring/Summer 2023 issue, Jesse Doris looks back on the transgressive queer digest, and the subculture it willed into existence by Jesse Dorris Above the Fold Remembering Kenneth Anger, an icon of queer cinematic counterculture The groundbreaking filmmaker believed movies were “evil” and likened his practice to the “casting of a spell”—the influence of which is imbued across visual culture by Camille Sojit Pejcha Above the Fold ‘The Complete Incoherence’ oozes with the essence of Gaetano Pesce In this much-anticipated monograph, critic and curator Glenn Adamson portraits the expanse of the Italian architect and designer’s idiosyncratic oeuvre by Megan Hullander Above the Fold Malice K adopts an old-school ethos on “Complicated Dreams” Alexander Konschuh joins Document to dissect the intentions, personal reckonings, and painstaking process behind the making of his stop-motion music video by Megan Hullander Conversations Thelma Golden and Lisa Phillips reevaluate the function of art institutions as public spaces For Document’s Spring/Summer 2023 issue, the museum directors meet to dissect the fast-changing cultural landscape, and the ever-evolving purpose of their line of work by Kimberly Drew Above the Fold Francesco Vezzoli confronts the legacy of the classical The artist joins Document to dissect ‘VITA DULCIS,’ his exhibition of multimedia fantasias decontextualizing antiquity for modern contexts by Patrick Crowley Above the Fold Misha Japanwala wants you to be without shame In her new exhibition, the artist documents the bodies of those who have worked to forge a more liberated society in her native Karachi by Camille Sojit Pejcha Above the Fold Artists and journalists call for the restriction of AI illustration in publishing In an open letter, Molly Crabapple and Mazria Katz advocate against the use of the technology in journalism, a medium long defined by human storytellers by Camille Sojit Pejcha Above the Fold ‘Femme F(r)iction’ canvasses the trailblazing work of a century of female creatives C1760’s sweeping group exhibition traverses medium, featuring the work of Judy Chicago, Jeanne Silverthorne, Najla El Zein, and many more by Morgan Becker Above the Fold Kate Ahn bares it all in ‘Oh No! I’m Naked!’ The LA-based artist’s first hometown solo show grapples with fantasy and the freedoms of sexual expression by Anna Zanes Above the Fold The art of curating Coachella Raffi Lehrer joins Document to discuss the impact of large-scale installation work, and which sorts of creatives make the cut by Ann Binlot Above the Fold Inside TRANSFIX, the world’s largest touring immersive art experience Set in a multi-level labyrinth off the Las Vegas strip, the event’s inaugural edition is a choose-your-own-adventure featuring art from over 50 creators by Camille Sojit Pejcha Above the Fold ‘Rear View’ zeroes in on the nude portrait, as seen from behind LDGR’s latest show explores the trope across eras, featuring artwork from the likes of Francis Bacon, Mickalene Thomas, Egon Schiele, and Andy Warhol by Morgan Becker
Above the Fold Artists are poisoning AI image generators with Nightshade The tool sabotages machine learning models from the inside, causing them to break in unprecedented ways by Camille Sojit Pejcha
Above the Fold Daytripping: Out of the bubble In her biweekly column for Document, McKenzie Wark weekends outside of Brooklyn, finding more queerness and Pippa Garner’s Art Omi show by McKenzie Wark
Above the Fold ‘De cara al sol’ is a photographic odyssey Diego Vourakis’s debut book is a call to adventure, painting a multifaceted picture of Cuba’s landscapes and its people by Maya Kotomori
Above the Fold Katharina Kaminski fashions beings from fire and clay At Paris’s Sainte Anne Gallery, ‘Womb’ examines the sculptor’s intersex identity, offering up the body as a well of creativity by Maximilian Tapogna
Above the Fold ‘Blind Tongue’ constructs Mel Odom’s surrealist dreamscape The artist’s aloof figures are burdened by their own beauty in this career-sweeping exhibition, curated by Michael Bullock and staged at David Lewis Gallery by Jayne O'Dwyer
Above the Fold Beyond the looking glass, in the Robert Olnick Pavilion Magazzino Italian Art’s new free-standing structure boasts two inaugural exhibitions, marrying the spirit of community with postwar art by Maya Kotomori
Above the Fold Singing the ‘Orchid Blues’ Cameron Patricia Downey speaks on their inaugural museum show in conversation with their former art teacher, painter Caroline Kent by Morgan Becker
Above the Fold Willa Nasatir’s art illuminates more than it illustrates Upon her third solo exhibition with Chapter NY, the artist muses on the making and the meaning of her work by Megan Hullander
Above the Fold ‘je t’adore’ is a rhinestone-encrusted exploration of erotica At Yancey Richardson, artist Mickalene Thomas engenders a stratified approach to the Black body as narrative by Maya Kotomori
Above the Fold Andrea Ferrero’s sculptures give the audience something to chew on The artist’s chocolate ruins are meant to be activated, celebrated, and, ultimately, digested by Sammy Loren
Above the Fold George Rouy’s riotous canvases grapple with the carnal ‘Endless Songs,’ on view at Nicola Vassell, renders artwork imbued with life’s contradictory essence by Gilda Bruno
Above the Fold The convivial spirit of Seth Fountain Meet the artist who Photoshopped his way into internet infamy, using memes and merch to support his paintings by Maya Kotomori
Above the Fold Carmen Winant’s ‘The last safe abortion’ depicts overlooked networks of labor The artist’s latest photo exhibition creates a visual language countering that of the anti-choice movement by Yasmeen Khan
Above the Fold Richie Culver dives into the witch’s cradle The artist offers a few words on what was intended to be his inaugural wordless project, ‘Alive in the Living Room’ by Megan Hullander
Above the Fold ‘Dear Jean Pierre’ is a portrait of a young man on fire In its collection of approximately 300 letters, postcards, sketches, Xeroxes, and photographs, the book charts a young man finding himself through art, love, and loss by Erin Ikeuchi
Above the Fold Amelia Winger-Bearskin renders climate optimism with technology Following a showcase in group exhibition ‘ANTI•VENOM,’ the artist joins Document to discuss her AI-influenced creative practice by Yasmeen Khan
Above the Fold ‘An Indigenous Present’ is the the bedrock of its own conversation Ideated by renowned artist Jeffrey Gibson, the landmark artbook builds roots from the Indigenous creative community by Maya Kotomori
Above the Fold Parsing the Willyverse Toronto photographer William Ukoh’s first solo show, ‘JANGILOVA,’ is a quest for unfettered independence by Josh Greenblatt
Above the Fold For Robert Roest, snarling dogs aren’t always angry The painter's ongoing show at bridddge gallery invites audiences to distrust their senses—both in the clouds and the jaws of the beast by Teddy Duncan Jr.
Above the Fold The coterie of cardistry In London, Cardistry-Con’s 2023 edition saw the craft contending with its relationship with magic and deliberating new methods of recruitment by Megan Hullander
Above the Fold Sophia Giovannitti on sex, art, and labor Working across mediums, the author of ‘Working Girl’ grapples with the contradictions of life under capitalism—complicating notions of consent in a totalizing system by Camille Sojit Pejcha
Above the Fold In Tuscany, a sanctuary for Black queer artists A trio of creatives reflect on their residency with MQBMBQ, in partnership with Villa Lena by Jordan Anderson
Above the Fold Racquel Chevremont melds death with decadence Following the opening of ‘This Too Shall Pass,’ the curator joins Document to discuss the still life and her philosophy of impermanence by Yasmeen Khan
Above the Fold ‘Tree & Serpent’ strikes a balance between the sacred and the secular In collaboration with a handful of Indian cultural institutions, the Met’s new exhibition traverses six centuries of Buddhist art by Yasmeen Khan
Above the Fold At the Chelsea Hotel, queer subculture continues to thrive Inside the clandestine parties keeping the creative spirit of the space alive, decades after its illustrious heydey by Camille Sojit Pejcha
Above the Fold ‘Quantum Piñata’ is a talent show for the artistically-aware This Saturday at Pioneer Works, a cast of distinct performers—from Poncili Creación to Nu Jazz to Ex Wiish—will take part in a cross-medium bonanza by Megan Hullander
Above the Fold At #CreateCOP28, art is the answer Ahead of the UN Climate Change Conference, the competition challenges young artists to amplify the call for climate action by Erin Ikeuchi
Above the Fold ‘KAGAMI’ marries the present with the past in an imaginative landscape Produced by Tin Drum, the mixed reality show sees the late Ryuichi Sakamoto in concert, traversing his decades-long career by Megan Hullander
Above the Fold ‘Public Enemy’ charts 30 years of Gary Simmons A retrospective at MCA Chicago studies the artist’s storied career, crossing mediums to prod at questions of race, class, and popular culture by Ann Binlot
Above the Fold ‘Workflow’ interrogates repetitive and embodied violence Ahead of the exhibition’s opening, Jenson Leonard joins Document to expound upon his film’s intent, and muse on the compassion of comedy by Megan Hullander
Above the Fold Pippa Garner and Gray Wielebinski construct modern mythologies Grounded by a shared affection for contemporary folklore, the two artists meet to discuss trompe l’oeil, gender-hacking, and queer visibility by Erin Ikeuchi
Above the Fold The enduring impulse of Adam Goldberg Following his stint as a jury member at the Tribeca Film Festival, the actor joins Document to anatomize his storied career by Megan Hullander
Above the Fold Tamo Jugeli lets the process lead her paintbrush The Georgian artist speaks on creative risk-taking, the chaos of New York, and stumbling upon her craft by Ann Binlot
Above the Fold Daytripping: Embracing the barely-known In her biweekly column for Document, McKenzie Wark mediates on the work of Elysia Crampton, and the problem of letting otherness into our lives by McKenzie Wark
Above the Fold Brontez Purnell’s parafiction of performance Staged at Trotter & Sholer, the artist’s first solo exhibition challenges the borders of identity and artifice, dreaming of an in-between space by Erin Ikeuchi
Above the Fold For Jeanette Andrews, magic is a mode of philosophy Ahead of the premiere of ‘In Plain Listen,’ the artist joins Document to examine the meaning of her medium, and make a case for its... by Megan Hullander
Above the Fold ‘Titanic Depression’ is not a parody Following a two-night run of her show, Jibz Cameron joins Document to philosophize on Jack and Rose, tragedy addiction, and the nature of performance by Megan Hullander
At Large Epistolary Filth: The life and death of ‘J.D.s’ zine For Document’s Spring/Summer 2023 issue, Jesse Doris looks back on the transgressive queer digest, and the subculture it willed into existence by Jesse Dorris
Above the Fold Remembering Kenneth Anger, an icon of queer cinematic counterculture The groundbreaking filmmaker believed movies were “evil” and likened his practice to the “casting of a spell”—the influence of which is imbued across visual culture by Camille Sojit Pejcha
Above the Fold ‘The Complete Incoherence’ oozes with the essence of Gaetano Pesce In this much-anticipated monograph, critic and curator Glenn Adamson portraits the expanse of the Italian architect and designer’s idiosyncratic oeuvre by Megan Hullander
Above the Fold Malice K adopts an old-school ethos on “Complicated Dreams” Alexander Konschuh joins Document to dissect the intentions, personal reckonings, and painstaking process behind the making of his stop-motion music video by Megan Hullander
Conversations Thelma Golden and Lisa Phillips reevaluate the function of art institutions as public spaces For Document’s Spring/Summer 2023 issue, the museum directors meet to dissect the fast-changing cultural landscape, and the ever-evolving purpose of their line of work by Kimberly Drew
Above the Fold Francesco Vezzoli confronts the legacy of the classical The artist joins Document to dissect ‘VITA DULCIS,’ his exhibition of multimedia fantasias decontextualizing antiquity for modern contexts by Patrick Crowley
Above the Fold Misha Japanwala wants you to be without shame In her new exhibition, the artist documents the bodies of those who have worked to forge a more liberated society in her native Karachi by Camille Sojit Pejcha
Above the Fold Artists and journalists call for the restriction of AI illustration in publishing In an open letter, Molly Crabapple and Mazria Katz advocate against the use of the technology in journalism, a medium long defined by human storytellers by Camille Sojit Pejcha
Above the Fold ‘Femme F(r)iction’ canvasses the trailblazing work of a century of female creatives C1760’s sweeping group exhibition traverses medium, featuring the work of Judy Chicago, Jeanne Silverthorne, Najla El Zein, and many more by Morgan Becker
Above the Fold Kate Ahn bares it all in ‘Oh No! I’m Naked!’ The LA-based artist’s first hometown solo show grapples with fantasy and the freedoms of sexual expression by Anna Zanes
Above the Fold The art of curating Coachella Raffi Lehrer joins Document to discuss the impact of large-scale installation work, and which sorts of creatives make the cut by Ann Binlot
Above the Fold Inside TRANSFIX, the world’s largest touring immersive art experience Set in a multi-level labyrinth off the Las Vegas strip, the event’s inaugural edition is a choose-your-own-adventure featuring art from over 50 creators by Camille Sojit Pejcha
Above the Fold ‘Rear View’ zeroes in on the nude portrait, as seen from behind LDGR’s latest show explores the trope across eras, featuring artwork from the likes of Francis Bacon, Mickalene Thomas, Egon Schiele, and Andy Warhol by Morgan Becker