Literature Document Journal and FSG x MCD celebrate Caleb Femi’s ‘The Wickedest’ A party at Mood Ring launched the British poet and director’s latest book
Photography Adam Friedlander’s ‘As the Crow Flies’ explores the emotional weight of Scottish landscapes The photographer’s new series embraces motion and in-between spaces
Fashion Week Schiaparelli’s flight beyond the sun Inspired by the myth of Icarus, Creative director Daniel Roseberry’s Spring Haute Couture 2025 collection showcases feathers brushed in keratin and gravity-defying silhouettes
Fashion Lanvin channels Art Deco history for Fall/Winter 2025 Newly appointed creative director Peter Copping presents his debut collection at the Parisian luxury brand
Above the Fold Samuel de Saboia navigates chaos on canvas The Brazilian painter discusses what’s on the horizon following his recent exhibition at London’s Saatchi Gallery by Maximilian Tapogna Above the Fold ‘Lavender Deal’ summons love in the time of COVID Niko Hallikainen’s sprawling performance poem reflects on heartache over synth and across countries for the Performa Biennial by Jayne O'Dwyer Above the Fold Molly Crabapple’s world of art and action The artist returns to her roots with ‘The Chair Series,’ an intimate meditation on human connection amidst political upheaval by Camille Sojit Pejcha Above the Fold In the Skateroom with Michèle Lamy and Charles-Antoine Bodson The creative multihyphenate isn’t afraid to show teeth across an exclusive collection of art decks, shot by Jeurgen Teller by Maya Kotomori Above the Fold Something Special Studios’s cool, cool summer The creative agency’s fifth annual photo book ‘Summer of Something Special’ presents a visual diary of the world’s favorite season by Maya Kotomori Above the Fold ‘Making Their Mark’ crafts its own canon Spanning decades and mediums, Komal Shah and Cecilia Alemani’s ongoing exhibition puts women artists in the limelight by Jayne O'Dwyer Above the Fold Designing the traveling art show Writer and philosopher FT speaks with Magda Sawon of Postmasters Gallery, breaking down her decision to go nomadic after four decades in the game by FT Above the Fold Tracey Emin’s ‘Lovers Grave’ serializes the supine and the sentimental On view at White Cube, the artist’s latest exhibition grapples with mortality and marks her return to New York by Maya Kotomori Conversations Sumayya Vally and Alvaro Barrington work between the folds of familiar and imaginative belonging For Document’s Fall/Winter 2023 issue, the architect and artist assess the importance of embracing historical nuance to fabricate new futures by Elizabeth Hsieh At Large Paul Sepuya holds a mirror up to the medium, in conversation with Ryan McNamara The photographer presents ‘Setups and In-Betweens’ for Document’s Fall/Winter 2023 issue, a portfolio of improvisational images by Evan Moffitt Conversations For Joan Jonas, everything is ongoing The artist joins curator Daisy Desrosiers for Document’s Fall/Winter 2023 issue, revisiting her metamorphic archive of performance by Tia Glista Above the Fold ‘C.Y.O.A.: The Suturing of Objects’ prizes process over product Mast Books remolds the choose your own adventure genre in exhibition form by Maya Kotomori Above the Fold ‘Two Refusals (Would We Recognize Ourselves Unbroken?)’ excavates cultural memory Part documentary, part visual poem, Suneil Sanzgiri’s video installation at the Brooklyn Museum examines colonial resistance across India and Africa by Maximilian Tapogna At Large Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker For Document’s Fall/Winter 2023 issue, the artist shares ‘Child Interrupted,’ a portfolio positioning the self as invention by Morgan Becker Above the Fold Artists are poisoning AI image generators with Nightshade The tool sabotages machine learning models from the inside, causing them to break in unprecedented ways by Camille Sojit Pejcha Above the Fold Daytripping: Out of the bubble In her biweekly column for Document, McKenzie Wark weekends outside of Brooklyn, finding more queerness and Pippa Garner’s Art Omi show by McKenzie Wark Above the Fold ‘De cara al sol’ is a photographic odyssey Diego Vourakis’s debut book is a call to adventure, painting a multifaceted picture of Cuba’s landscapes and its people by Maya Kotomori Above the Fold Katharina Kaminski fashions beings from fire and clay At Paris’s Sainte Anne Gallery, ‘Womb’ examines the sculptor’s intersex identity, offering up the body as a well of creativity by Maximilian Tapogna Above the Fold ‘Blind Tongue’ constructs Mel Odom’s surrealist dreamscape The artist’s aloof figures are burdened by their own beauty in this career-sweeping exhibition, curated by Michael Bullock and staged at David Lewis Gallery by Jayne O'Dwyer Above the Fold Beyond the looking glass, in the Robert Olnick Pavilion Magazzino Italian Art’s new free-standing structure boasts two inaugural exhibitions, marrying the spirit of community with postwar art by Maya Kotomori Above the Fold Singing the ‘Orchid Blues’ Cameron Patricia Downey speaks on their inaugural museum show in conversation with their former art teacher, painter Caroline Kent by Morgan Becker Above the Fold Willa Nasatir’s art illuminates more than it illustrates Upon her third solo exhibition with Chapter NY, the artist muses on the making and the meaning of her work by Megan Hullander Above the Fold ‘je t’adore’ is a rhinestone-encrusted exploration of erotica At Yancey Richardson, artist Mickalene Thomas engenders a stratified approach to the Black body as narrative by Maya Kotomori Above the Fold Andrea Ferrero’s sculptures give the audience something to chew on The artist’s chocolate ruins are meant to be activated, celebrated, and, ultimately, digested by Sammy Loren Above the Fold George Rouy’s riotous canvases grapple with the carnal ‘Endless Songs,’ on view at Nicola Vassell, renders artwork imbued with life’s contradictory essence by Gilda Bruno Above the Fold The convivial spirit of Seth Fountain Meet the artist who Photoshopped his way into internet infamy, using memes and merch to support his paintings by Maya Kotomori Above the Fold Carmen Winant’s ‘The last safe abortion’ depicts overlooked networks of labor The artist’s latest photo exhibition creates a visual language countering that of the anti-choice movement by Yasmeen Khan Above the Fold Richie Culver dives into the witch’s cradle The artist offers a few words on what was intended to be his inaugural wordless project, ‘Alive in the Living Room’ by Megan Hullander Above the Fold ‘Dear Jean Pierre’ is a portrait of a young man on fire In its collection of approximately 300 letters, postcards, sketches, Xeroxes, and photographs, the book charts a young man finding himself through art, love, and loss by Erin Ikeuchi Above the Fold Amelia Winger-Bearskin renders climate optimism with technology Following a showcase in group exhibition ‘ANTI•VENOM,’ the artist joins Document to discuss her AI-influenced creative practice by Yasmeen Khan Above the Fold ‘An Indigenous Present’ is the the bedrock of its own conversation Ideated by renowned artist Jeffrey Gibson, the landmark artbook builds roots from the Indigenous creative community by Maya Kotomori Above the Fold Parsing the Willyverse Toronto photographer William Ukoh’s first solo show, ‘JANGILOVA,’ is a quest for unfettered independence by Josh Greenblatt Above the Fold For Robert Roest, snarling dogs aren’t always angry The painter's ongoing show at bridddge gallery invites audiences to distrust their senses—both in the clouds and the jaws of the beast by Teddy Duncan Jr. Above the Fold The coterie of cardistry In London, Cardistry-Con’s 2023 edition saw the craft contending with its relationship with magic and deliberating new methods of recruitment by Megan Hullander Above the Fold Sophia Giovannitti on sex, art, and labor Working across mediums, the author of ‘Working Girl’ grapples with the contradictions of life under capitalism—complicating notions of consent in a totalizing system by Camille Sojit Pejcha Above the Fold In Tuscany, a sanctuary for Black queer artists A trio of creatives reflect on their residency with MQBMBQ, in partnership with Villa Lena by Jordan Anderson Above the Fold Racquel Chevremont melds death with decadence Following the opening of ‘This Too Shall Pass,’ the curator joins Document to discuss the still life and her philosophy of impermanence by Yasmeen Khan Above the Fold ‘Tree & Serpent’ strikes a balance between the sacred and the secular In collaboration with a handful of Indian cultural institutions, the Met’s new exhibition traverses six centuries of Buddhist art by Yasmeen Khan Above the Fold At the Chelsea Hotel, queer subculture continues to thrive Inside the clandestine parties keeping the creative spirit of the space alive, decades after its illustrious heydey by Camille Sojit Pejcha Above the Fold ‘Quantum Piñata’ is a talent show for the artistically-aware This Saturday at Pioneer Works, a cast of distinct performers—from Poncili Creación to Nu Jazz to Ex Wiish—will take part in a cross-medium bonanza by Megan Hullander Above the Fold At #CreateCOP28, art is the answer Ahead of the UN Climate Change Conference, the competition challenges young artists to amplify the call for climate action by Erin Ikeuchi Above the Fold ‘KAGAMI’ marries the present with the past in an imaginative landscape Produced by Tin Drum, the mixed reality show sees the late Ryuichi Sakamoto in concert, traversing his decades-long career by Megan Hullander Above the Fold ‘Public Enemy’ charts 30 years of Gary Simmons A retrospective at MCA Chicago studies the artist’s storied career, crossing mediums to prod at questions of race, class, and popular culture by Ann Binlot Above the Fold ‘Workflow’ interrogates repetitive and embodied violence Ahead of the exhibition’s opening, Jenson Leonard joins Document to expound upon his film’s intent, and muse on the compassion of comedy by Megan Hullander Above the Fold Pippa Garner and Gray Wielebinski construct modern mythologies Grounded by a shared affection for contemporary folklore, the two artists meet to discuss trompe l’oeil, gender-hacking, and queer visibility by Erin Ikeuchi Above the Fold The enduring impulse of Adam Goldberg Following his stint as a jury member at the Tribeca Film Festival, the actor joins Document to anatomize his storied career by Megan Hullander Above the Fold Tamo Jugeli lets the process lead her paintbrush The Georgian artist speaks on creative risk-taking, the chaos of New York, and stumbling upon her craft by Ann Binlot Above the Fold Daytripping: Embracing the barely-known In her biweekly column for Document, McKenzie Wark mediates on the work of Elysia Crampton, and the problem of letting otherness into our lives by McKenzie Wark Above the Fold Brontez Purnell’s parafiction of performance Staged at Trotter & Sholer, the artist’s first solo exhibition challenges the borders of identity and artifice, dreaming of an in-between space by Erin Ikeuchi Above the Fold For Jeanette Andrews, magic is a mode of philosophy Ahead of the premiere of ‘In Plain Listen,’ the artist joins Document to examine the meaning of her medium, and make a case for its... by Megan Hullander
Above the Fold Samuel de Saboia navigates chaos on canvas The Brazilian painter discusses what’s on the horizon following his recent exhibition at London’s Saatchi Gallery by Maximilian Tapogna
Above the Fold ‘Lavender Deal’ summons love in the time of COVID Niko Hallikainen’s sprawling performance poem reflects on heartache over synth and across countries for the Performa Biennial by Jayne O'Dwyer
Above the Fold Molly Crabapple’s world of art and action The artist returns to her roots with ‘The Chair Series,’ an intimate meditation on human connection amidst political upheaval by Camille Sojit Pejcha
Above the Fold In the Skateroom with Michèle Lamy and Charles-Antoine Bodson The creative multihyphenate isn’t afraid to show teeth across an exclusive collection of art decks, shot by Jeurgen Teller by Maya Kotomori
Above the Fold Something Special Studios’s cool, cool summer The creative agency’s fifth annual photo book ‘Summer of Something Special’ presents a visual diary of the world’s favorite season by Maya Kotomori
Above the Fold ‘Making Their Mark’ crafts its own canon Spanning decades and mediums, Komal Shah and Cecilia Alemani’s ongoing exhibition puts women artists in the limelight by Jayne O'Dwyer
Above the Fold Designing the traveling art show Writer and philosopher FT speaks with Magda Sawon of Postmasters Gallery, breaking down her decision to go nomadic after four decades in the game by FT
Above the Fold Tracey Emin’s ‘Lovers Grave’ serializes the supine and the sentimental On view at White Cube, the artist’s latest exhibition grapples with mortality and marks her return to New York by Maya Kotomori
Conversations Sumayya Vally and Alvaro Barrington work between the folds of familiar and imaginative belonging For Document’s Fall/Winter 2023 issue, the architect and artist assess the importance of embracing historical nuance to fabricate new futures by Elizabeth Hsieh
At Large Paul Sepuya holds a mirror up to the medium, in conversation with Ryan McNamara The photographer presents ‘Setups and In-Betweens’ for Document’s Fall/Winter 2023 issue, a portfolio of improvisational images by Evan Moffitt
Conversations For Joan Jonas, everything is ongoing The artist joins curator Daisy Desrosiers for Document’s Fall/Winter 2023 issue, revisiting her metamorphic archive of performance by Tia Glista
Above the Fold ‘C.Y.O.A.: The Suturing of Objects’ prizes process over product Mast Books remolds the choose your own adventure genre in exhibition form by Maya Kotomori
Above the Fold ‘Two Refusals (Would We Recognize Ourselves Unbroken?)’ excavates cultural memory Part documentary, part visual poem, Suneil Sanzgiri’s video installation at the Brooklyn Museum examines colonial resistance across India and Africa by Maximilian Tapogna
At Large Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker For Document’s Fall/Winter 2023 issue, the artist shares ‘Child Interrupted,’ a portfolio positioning the self as invention by Morgan Becker
Above the Fold Artists are poisoning AI image generators with Nightshade The tool sabotages machine learning models from the inside, causing them to break in unprecedented ways by Camille Sojit Pejcha
Above the Fold Daytripping: Out of the bubble In her biweekly column for Document, McKenzie Wark weekends outside of Brooklyn, finding more queerness and Pippa Garner’s Art Omi show by McKenzie Wark
Above the Fold ‘De cara al sol’ is a photographic odyssey Diego Vourakis’s debut book is a call to adventure, painting a multifaceted picture of Cuba’s landscapes and its people by Maya Kotomori
Above the Fold Katharina Kaminski fashions beings from fire and clay At Paris’s Sainte Anne Gallery, ‘Womb’ examines the sculptor’s intersex identity, offering up the body as a well of creativity by Maximilian Tapogna
Above the Fold ‘Blind Tongue’ constructs Mel Odom’s surrealist dreamscape The artist’s aloof figures are burdened by their own beauty in this career-sweeping exhibition, curated by Michael Bullock and staged at David Lewis Gallery by Jayne O'Dwyer
Above the Fold Beyond the looking glass, in the Robert Olnick Pavilion Magazzino Italian Art’s new free-standing structure boasts two inaugural exhibitions, marrying the spirit of community with postwar art by Maya Kotomori
Above the Fold Singing the ‘Orchid Blues’ Cameron Patricia Downey speaks on their inaugural museum show in conversation with their former art teacher, painter Caroline Kent by Morgan Becker
Above the Fold Willa Nasatir’s art illuminates more than it illustrates Upon her third solo exhibition with Chapter NY, the artist muses on the making and the meaning of her work by Megan Hullander
Above the Fold ‘je t’adore’ is a rhinestone-encrusted exploration of erotica At Yancey Richardson, artist Mickalene Thomas engenders a stratified approach to the Black body as narrative by Maya Kotomori
Above the Fold Andrea Ferrero’s sculptures give the audience something to chew on The artist’s chocolate ruins are meant to be activated, celebrated, and, ultimately, digested by Sammy Loren
Above the Fold George Rouy’s riotous canvases grapple with the carnal ‘Endless Songs,’ on view at Nicola Vassell, renders artwork imbued with life’s contradictory essence by Gilda Bruno
Above the Fold The convivial spirit of Seth Fountain Meet the artist who Photoshopped his way into internet infamy, using memes and merch to support his paintings by Maya Kotomori
Above the Fold Carmen Winant’s ‘The last safe abortion’ depicts overlooked networks of labor The artist’s latest photo exhibition creates a visual language countering that of the anti-choice movement by Yasmeen Khan
Above the Fold Richie Culver dives into the witch’s cradle The artist offers a few words on what was intended to be his inaugural wordless project, ‘Alive in the Living Room’ by Megan Hullander
Above the Fold ‘Dear Jean Pierre’ is a portrait of a young man on fire In its collection of approximately 300 letters, postcards, sketches, Xeroxes, and photographs, the book charts a young man finding himself through art, love, and loss by Erin Ikeuchi
Above the Fold Amelia Winger-Bearskin renders climate optimism with technology Following a showcase in group exhibition ‘ANTI•VENOM,’ the artist joins Document to discuss her AI-influenced creative practice by Yasmeen Khan
Above the Fold ‘An Indigenous Present’ is the the bedrock of its own conversation Ideated by renowned artist Jeffrey Gibson, the landmark artbook builds roots from the Indigenous creative community by Maya Kotomori
Above the Fold Parsing the Willyverse Toronto photographer William Ukoh’s first solo show, ‘JANGILOVA,’ is a quest for unfettered independence by Josh Greenblatt
Above the Fold For Robert Roest, snarling dogs aren’t always angry The painter's ongoing show at bridddge gallery invites audiences to distrust their senses—both in the clouds and the jaws of the beast by Teddy Duncan Jr.
Above the Fold The coterie of cardistry In London, Cardistry-Con’s 2023 edition saw the craft contending with its relationship with magic and deliberating new methods of recruitment by Megan Hullander
Above the Fold Sophia Giovannitti on sex, art, and labor Working across mediums, the author of ‘Working Girl’ grapples with the contradictions of life under capitalism—complicating notions of consent in a totalizing system by Camille Sojit Pejcha
Above the Fold In Tuscany, a sanctuary for Black queer artists A trio of creatives reflect on their residency with MQBMBQ, in partnership with Villa Lena by Jordan Anderson
Above the Fold Racquel Chevremont melds death with decadence Following the opening of ‘This Too Shall Pass,’ the curator joins Document to discuss the still life and her philosophy of impermanence by Yasmeen Khan
Above the Fold ‘Tree & Serpent’ strikes a balance between the sacred and the secular In collaboration with a handful of Indian cultural institutions, the Met’s new exhibition traverses six centuries of Buddhist art by Yasmeen Khan
Above the Fold At the Chelsea Hotel, queer subculture continues to thrive Inside the clandestine parties keeping the creative spirit of the space alive, decades after its illustrious heydey by Camille Sojit Pejcha
Above the Fold ‘Quantum Piñata’ is a talent show for the artistically-aware This Saturday at Pioneer Works, a cast of distinct performers—from Poncili Creación to Nu Jazz to Ex Wiish—will take part in a cross-medium bonanza by Megan Hullander
Above the Fold At #CreateCOP28, art is the answer Ahead of the UN Climate Change Conference, the competition challenges young artists to amplify the call for climate action by Erin Ikeuchi
Above the Fold ‘KAGAMI’ marries the present with the past in an imaginative landscape Produced by Tin Drum, the mixed reality show sees the late Ryuichi Sakamoto in concert, traversing his decades-long career by Megan Hullander
Above the Fold ‘Public Enemy’ charts 30 years of Gary Simmons A retrospective at MCA Chicago studies the artist’s storied career, crossing mediums to prod at questions of race, class, and popular culture by Ann Binlot
Above the Fold ‘Workflow’ interrogates repetitive and embodied violence Ahead of the exhibition’s opening, Jenson Leonard joins Document to expound upon his film’s intent, and muse on the compassion of comedy by Megan Hullander
Above the Fold Pippa Garner and Gray Wielebinski construct modern mythologies Grounded by a shared affection for contemporary folklore, the two artists meet to discuss trompe l’oeil, gender-hacking, and queer visibility by Erin Ikeuchi
Above the Fold The enduring impulse of Adam Goldberg Following his stint as a jury member at the Tribeca Film Festival, the actor joins Document to anatomize his storied career by Megan Hullander
Above the Fold Tamo Jugeli lets the process lead her paintbrush The Georgian artist speaks on creative risk-taking, the chaos of New York, and stumbling upon her craft by Ann Binlot
Above the Fold Daytripping: Embracing the barely-known In her biweekly column for Document, McKenzie Wark mediates on the work of Elysia Crampton, and the problem of letting otherness into our lives by McKenzie Wark
Above the Fold Brontez Purnell’s parafiction of performance Staged at Trotter & Sholer, the artist’s first solo exhibition challenges the borders of identity and artifice, dreaming of an in-between space by Erin Ikeuchi
Above the Fold For Jeanette Andrews, magic is a mode of philosophy Ahead of the premiere of ‘In Plain Listen,’ the artist joins Document to examine the meaning of her medium, and make a case for its... by Megan Hullander