Objects of Desire: Tiffany & Co.’s Hardware Holiday Document’s definitive guide to the season’s most covetable accessories featuring HardWear by Tiffany & Co.
Culture The Last Dinner Party rewrites the rules of pop To celebrate their fashion portfolio featuring Alexander McQueen in Document’s Fall/Winter 2024–25 issue, the British band discusses their decadent imagination
Literature Fine Print: Thirty-three top reads of 2024 Messy! Nasty! Silly! Columnist Drew Zeiba revisits the past year in books
Art At ‘Montez Got Talent,’ karaoke is a competitive sport The Lower Manhattan-based organization’s sixth annual tournament featured an aural battle royale of performance-art all stars
Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot At Large Fashion Nova on the rise Document transforms the slinky Instagram clubwear sensation Fashion Nova into an indie punk dream. by Ann Binlot Conversations Rebels In Their Own Disciplines, Shoe Designer Sandra Choi Discusses Uniformity And Hanging Jackson Pollocks With Artist Mat Collishaw The designer and the artist discuss conformity, irreverence, and personal inspirations -- from Gerhard Richter to Louis XIV. by Ann Binlot Documented Fifty Years of the Phallus Judith Bernstein elaborates upon the political overtones of her catalogue. by Ann Binlot Above the Fold Radical Nature: A Closer Look at Jean Paul Gaultier Haute Couture F/W 2016 Document's Ann Binlot takes a closer look at Jean Paul Gaultier's collection from Haute Couture Fashion Week in Paris. by Ann Binlot Above the Fold Celestial Circus: A Closer Look at Schiaparelli Haute Couture F/W 2016 Document's Ann Binlot takes a closer look at Schiaparelli's collection from Haute Couture Fashion Week in Paris. by Ann Binlot Documented Color Jam Jessica Stockholder examines intentionality and serendipity in this diverse portfolio. by Ann Binlot Documented Lynda Benglis’s Ode to the American Southwest The artist shares work inspired by the colors, textures, and spirit of the New Mexico terrain. by Ann Binlot Documented Only When It’s Dark Enough Can You See the Stars Sculptor Abigail DeVille shares work which navigates layers of space, memory, and bodily sensation. by Ann Binlot Documented Scarecrows by Kaari Upson The sculptor elaborates upon the impetus behind her human-esque pieces. by Ann Binlot Above the Fold A Curator’s Collection, Revealed Cabinet d'Amis, an exhibition at Art Brussels, showed the "accidental collection" of letters, artwork and gifts Belgian curator Jan Hoet accumulated from artists like Joseph... by Ann Binlot Above the Fold Herzog & de Meuron Reimagine the Musée Unterlinden Located in a building that was originally a 13th-century Dominican convent, the Musée Unterlinden in Colmar, France is one of the most-visited museums in the... by Ann Binlot Conversations Powell-Peralta: An Oral History George Powell and Stacy Peralta examine five decades in skateboarding, the Bones Brigade, and the future of their legendary brand for Document's Fall/Winter 2015 issue. by Ann Binlot Above the Fold José Parlá: Segmented Realities Despite the humidity and the showers that plagued New York last week, a crowd of well-wishers and art enthusiasts filled the Standard Plaza at the... by Ann Binlot
Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot
At Large Fashion Nova on the rise Document transforms the slinky Instagram clubwear sensation Fashion Nova into an indie punk dream. by Ann Binlot
Conversations Rebels In Their Own Disciplines, Shoe Designer Sandra Choi Discusses Uniformity And Hanging Jackson Pollocks With Artist Mat Collishaw The designer and the artist discuss conformity, irreverence, and personal inspirations -- from Gerhard Richter to Louis XIV. by Ann Binlot
Documented Fifty Years of the Phallus Judith Bernstein elaborates upon the political overtones of her catalogue. by Ann Binlot
Above the Fold Radical Nature: A Closer Look at Jean Paul Gaultier Haute Couture F/W 2016 Document's Ann Binlot takes a closer look at Jean Paul Gaultier's collection from Haute Couture Fashion Week in Paris. by Ann Binlot
Above the Fold Celestial Circus: A Closer Look at Schiaparelli Haute Couture F/W 2016 Document's Ann Binlot takes a closer look at Schiaparelli's collection from Haute Couture Fashion Week in Paris. by Ann Binlot
Documented Color Jam Jessica Stockholder examines intentionality and serendipity in this diverse portfolio. by Ann Binlot
Documented Lynda Benglis’s Ode to the American Southwest The artist shares work inspired by the colors, textures, and spirit of the New Mexico terrain. by Ann Binlot
Documented Only When It’s Dark Enough Can You See the Stars Sculptor Abigail DeVille shares work which navigates layers of space, memory, and bodily sensation. by Ann Binlot
Documented Scarecrows by Kaari Upson The sculptor elaborates upon the impetus behind her human-esque pieces. by Ann Binlot
Above the Fold A Curator’s Collection, Revealed Cabinet d'Amis, an exhibition at Art Brussels, showed the "accidental collection" of letters, artwork and gifts Belgian curator Jan Hoet accumulated from artists like Joseph... by Ann Binlot
Above the Fold Herzog & de Meuron Reimagine the Musée Unterlinden Located in a building that was originally a 13th-century Dominican convent, the Musée Unterlinden in Colmar, France is one of the most-visited museums in the... by Ann Binlot
Conversations Powell-Peralta: An Oral History George Powell and Stacy Peralta examine five decades in skateboarding, the Bones Brigade, and the future of their legendary brand for Document's Fall/Winter 2015 issue. by Ann Binlot
Above the Fold José Parlá: Segmented Realities Despite the humidity and the showers that plagued New York last week, a crowd of well-wishers and art enthusiasts filled the Standard Plaza at the... by Ann Binlot