Art ‘Modeling Ecologies: Take Care’ creates a living archive of the Caribbean On view at Chinatown’s Entrance gallery, the group exhibition considers the intersection of architecture, ecology, and history to define home
Art The cotton-candy lushness of Pucci’s Fun Fair The Italian brand’s art director Camille Miceli convened a carnivalesque installation for its inaugural Art Basel Miami Beach partnership
Fashion The true meaning of wintertime festivities, according to Julia Garner Ahead of the holidays, Document sits down with the rising star to uncover the secret to great hosting and great gift-giving
“Red is not usually innocent, but the red you send me is.” Photographer Sølve Sundsbø collaborates with Style Director Ronald Burton III and Beauty Editor Jawara on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold For Snail Mail, vulnerability is a double-edged sword Frontwoman Lindsey Jordan joins Document to discuss her changing perspective on love, the intimacy of songwriting, and her cinematic debut by Camille Sojit Pejcha Above the Fold What ‘Everything Everywhere All at Once’ gets wrong about queer parenthood Noah Berlatsky questions the tidy narrative closure of a film that wallows in the struggles of raising a queer child, rather than exploring its joys by Noah Berlatsky Above the Fold In ‘Bodies Bodies Bodies,’ Chase Sui Wonders isn’t just screaming—she’s behaving badly For Document, the actor talks scream queens, trauma bonding, and the particularities of Gen Z horror by Megan Hullander
Above the Fold For Snail Mail, vulnerability is a double-edged sword Frontwoman Lindsey Jordan joins Document to discuss her changing perspective on love, the intimacy of songwriting, and her cinematic debut by Camille Sojit Pejcha
Above the Fold What ‘Everything Everywhere All at Once’ gets wrong about queer parenthood Noah Berlatsky questions the tidy narrative closure of a film that wallows in the struggles of raising a queer child, rather than exploring its joys by Noah Berlatsky
Above the Fold In ‘Bodies Bodies Bodies,’ Chase Sui Wonders isn’t just screaming—she’s behaving badly For Document, the actor talks scream queens, trauma bonding, and the particularities of Gen Z horror by Megan Hullander