Above the Fold

For Snail Mail, vulnerability is a double-edged sword

Frontwoman Lindsey Jordan joins Document to discuss her changing perspective on love, the intimacy of songwriting, and her cinematic debut

by Camille Sojit Pejcha

Above the Fold

What ‘Everything Everywhere All at Once’ gets wrong about queer parenthood

Noah Berlatsky questions the tidy narrative closure of a film that wallows in the struggles of raising a queer child, rather than exploring its joys

by Noah Berlatsky

Above the Fold

In ‘Bodies Bodies Bodies,’ Chase Sui Wonders isn’t just screaming—she’s behaving badly

For Document, the actor talks scream queens, trauma bonding, and the particularities of Gen Z horror

by Megan Hullander