Art Amanita expands close to home The gallery celebrates the opening of its Freeman Alley space with a solo show by Nicholas Campbell
Literature Caleb Femi’s ‘The Wickedest’ journeys through one night at London’s longest-running house party In this exclusive excerpt from the writer and filmmaker’s forthcoming poetry collection, the underground shoob scene reveals itself minute by minute
Film The horrors of horniness: the freaky girls of ‘Babyratu’ This holiday’s double-bill follows women whose sexuality threatens to undo them
Literature Amber Later’s ‘Special Moss’ mines the slippages of poetry and prose The New York-based writer’s debut collection spans four centuries while traversing mysterious landscapes
“Everything has been dressed by the act of painting.” Photographer Nicolas Kern and fashion editor Julie Ragolia collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue by Document Journal At Freshii, your ‘virtual cashier’ is actually a person working for $3.75 per hour Public debate around a Canadian franchise’s experiment raises questions about automation, labor laws, and the ignorance of the Western consumer by Peter Miklas Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams by Nathan Taylor Pemberton Eckhaus Latta doesn’t want ‘a muse’: the due behind the brand speak on their Spring/Summer 2013 collection Zoe Latta and Mike Eckhaus explore the roots of their label and the musical bliss of wedding ceremonies in Document's Fall/Winter 2012 issue. by Troy Chatterton
“Everything has been dressed by the act of painting.” Photographer Nicolas Kern and fashion editor Julie Ragolia collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue by Document Journal
At Freshii, your ‘virtual cashier’ is actually a person working for $3.75 per hour Public debate around a Canadian franchise’s experiment raises questions about automation, labor laws, and the ignorance of the Western consumer by Peter Miklas
Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams
Eckhaus Latta doesn’t want ‘a muse’: the due behind the brand speak on their Spring/Summer 2013 collection Zoe Latta and Mike Eckhaus explore the roots of their label and the musical bliss of wedding ceremonies in Document's Fall/Winter 2012 issue. by Troy Chatterton