Valeria Golino and Francesca Marciano on their new film ‘Miele’ and living without borders
The Italian artists on their fast friendship, why everyone complains about Italy, and what makes a modern woman for Document's Spring/Summer 2014 issue.
From one top model to another—Bethann Hardison and Liya Kebede on revolutionizing the runway
Real talk about style, Hardison's documentary ‘Invisible Beauty’ and continuing the fight for representation in Document's Spring/Summer 2014 issue.
Nan Goldin and Vince Aletti on the process of the picture
Nan Goldin reflects on the many contradictions of self-portraiture with critic Vince Aletti.
The ‘comb master’ Didier Malige on his storied career in hair—and why Camilla Parker-Bowles is his dream client
With stylist Joe McKenna, Malige covers the beginning of his career at Carita, his love for cats, and why spontaneity is the most important ingredient...
On ‘Wish Bone,’ Oh Land rediscovers her indie essence
For Document's Fall/Winter 2013 issue, the Danish singer-songwriter speaks on writing in gibberish and the welcome freedom of making music for no one but herself.
Color, vision, and compulsion: Andra Eggleston on her family legacy
William Eggleston is credited with ushering in the age of color photography and becoming the first photographer to make color his main medium. Eggleston’s daughter...
Miuccia Prada and OMA still remember a time when art could scandalize
Exhibition curator Glenn Phillips speaks on the Fondazione Prada’s restaging Harald Szeemann's infamous 1969 show for Document's Fall/Winter 2013 issue.
Alice Smith speaks on her unconventional path to music with fashion veteran Bethann Hardison
The R&B singer on sound, spirit, and why it's never too late for Document's Fall/Winter 2013 issue.
Sergio Zambon reinvigorates the ‘power pyjama,’ a favorite of Jacqueline Kennedy and Diana Vreeland
Russian-Georgian princess Irene Galitzine’s 60’s pyjama designs are back and long out of the bedroom
MoMA PS1 founder Alanna Heiss looks back on a lifetime of guerrilla art
‘It’s very easy to be a radical or guerilla by saying ‘this is no good.’ But it is hard to be a builder.’ The curator...
MoMA’s Pedro Gadanho defends ugly architecture
The MoMA curator’s unorthodox hunger for architectural styles, slums, punk, and pop, from Document's Spring/Summer 2013 issue.
How Lia Gangitano became the patron curator for the New York’s most subversive artists
Gangitano never planned a life in the art world. Here she speaks with Linda Yablonsky about the ICA’s seminal 'Boston School' exhibition and Participant, her...
Performance artist Marie Karlberg breaks down the price of a soul
The Swedish artist discusses nightlife, discovering her darkness, and ‘going on sale’ for Document's Spring/Summer 2013 issue.
Acclaimed dancer David Hallberg thinks of ballet in existential terms—and shows us his ‘dirty side’
As part of the Bolshoi Ballet, Hallberrg wants to propel the ensemble into the the 21st century. He speaks with architect Charles Renfro for Document's...
Luck Be a Lady
Ladyfag discusses her work-hard-play-hard style of party planning.
Vivienne Westwood on why climate revolution is the next punk frontier
The fashion Queen of Punk speaks on the 2013 Met Gala theme and being punk means engaging with the world for Document's Spring/Summer 2013 issue.
In my own mind
Maurizio Cattelan’s work breathes the violent clarity of very few words: taxidermy, Hitler, the Pope! No surprise Maurizio’s latest project, the print magazine Toilet Paper...
Architect Charles Renfro on the controversial renaissance of Cuba’s National Art Schools
Renfro discusses the unfinished architectural legacy of the Cuban Revolution with original architects Ricardo Porro and Vittorio Garatti for Document's Fall/Winter 2012 issue.
Nir Hod on the intimate craft of portraiture and his ‘new geniuses’
The artist shares never-before-seen portraits exclusively for Document's Fall/Winter 2012 issue.
